Hot Shot | |
---|---|
Studio album by | |
Released | 1978 |
Recorded | 1978 |
Genre | Pop, disco |
Label | Altra Moda Music |
Producer | Andrew Kahn Walter Kahn Kurt Borusiewicz |
Hot Shot is the debut studio album by American singer Karen Young. It was released on 1978 by Altra Moda Music. The album features two disco hits all written, produced and arranged by Andrew Kahn and Kurt Borusiewicz; the title track, "Bring On the Boys" and "Baby You Ain't Nothing Without Me".
Chart (1978) | Peak position |
---|---|
US Billboard Top LPs & Tape | 185 |
US Dance Albums | 57 |
Year | Single | Chart positions [1] | ||
---|---|---|---|---|
US | US Dance | |||
1978 | "Hot Shot" | 40 | 10 | |
"Bring On the Boys" | 90 | 74 | ||
"Baby You Ain't Nothing Without Me" | 80 | 64 | ||
The Inkpot Award is an honor bestowed annually since 1974 by Comic-Con International. It is given to professionals in the fields of comic books, comic strips, animation, science fiction, and related areas of popular culture, at CCI's annual convention, the San Diego Comic-Con. Also eligible are members of Comic-Con's Board of Directors and convention committee.
See All Her Faces is the seventh studio album by singer Dusty Springfield, originally released on the Philips Records label in 1972. It contains a mixture of tracks from different recording sessions; some tracks were recorded with Jeff Barry for an aborted third album for Atlantic Records, other tracks were recorded for Philips in the UK between April and July 1970 – these came to be Springfield's final recordings with longtime producer and arranger Johnny Franz. Some, such as "Willie and Laura Mae Jones", recorded with Jerry Wexler, Tom Dowd and Arif Mardin, had been previously released as singles in the US. See All Her Faces collects many of those tracks, recorded from 1969 to 1971, placing seven of the British recordings on Side A, while Side B comprises tracks recorded both in the UK and the US. As a result, the album has no cohesive sound, but offers many different styles of music. The album boasts eight producers, including Springfield herself. It has been suggested that See All Her Faces is best appreciated track by track, rather than as a whole stylistic statement, as her album Dusty in Memphis is often praised to be.
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