The 7th Annual Grammy Awards were held on April 13, 1965, at Beverly Hilton Hotel, Beverly Hills. They recognized accomplishments of musicians for the year 1964. João Gilberto & Stan Getz won 4 awards.
Nancy Sue Wilson was an American singer and actress whose career spanned over five decades, from the mid-1950s until her retirement in the early 2010s. She was especially notable for her single "(You Don't Know) How Glad I Am" and her version of the standard "Guess Who I Saw Today". Wilson recorded more than 70 albums and won three Grammy Awards for her work. During her performing career, Wilson was labeled a singer of blues, jazz, R&B, pop, and soul; a "consummate actress"; and "the complete entertainer". The title she preferred, however, was "song stylist". She received many nicknames including "Sweet Nancy", "The Baby", "Fancy Miss Nancy" and "The Girl With the Honey-Coated Voice".
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Francis Albert Sinatra & Antônio Carlos Jobim is a 1967 album by Frank Sinatra and Antônio Carlos Jobim. The tracks were arranged and conducted by Claus Ogerman, accompanied by a studio orchestra. Along with Jobim's original compositions, the album features three standards from the Great American Songbook, arranged in the bossa nova style.
Ella in Hamburg is a 1965 live album by the American jazz singer Ella Fitzgerald, recorded in Hamburg, Germany.
Ella at Juan-les-Pins is a 1964 live album by Ella Fitzgerald, accompanied by a quartet led by Roy Eldridge on trumpet with the pianist Tommy Flanagan, Gus Johnson on drums and Bill Yancey on bass. Val Valentin was the recording engineer, cover photo by Jean-Pierre Leloir. The original 1964 album featured 12 songs, highlights of two concerts Fitzgerald performed on the 28 and 29 of July 1964 at the fifth annual Festival Mondial du Jazz Antibes in Juan-les-Pins, France. In 2002 Verve re-issued this album, including all the performances from both evenings. Ella is in fine voice, sounding very aggressive at times, as her voice leaps and growls. The listener also gets to hear Ella improvise a musical tribute to the crickets who are also in fine voice throughout the performance.
"People" is a song composed by Jule Styne with lyrics by Bob Merrill for the 1964 Broadway musical Funny Girl starring Barbra Streisand, who introduced the song. The song was released as a single in 1964 with "I Am Woman", a solo version of "You Are Woman, I Am Man", also from Funny Girl.
We Get Requests is an album by jazz pianist Oscar Peterson and his trio, released in 1964. It was recorded at RCA Studios New York City over October 19, October 20 and November 19 or 20. This album is Peterson's last of his fourteen-year work with Verve.
"Corcovado" is a bossa nova and jazz standard song written by Antônio Carlos Jobim in 1960. An English lyric was later written by Gene Lees. The Portuguese title refers to the Corcovado mountain in Rio de Janeiro. Tony Bennett recorded the first popular English cover of "Quiet Nights" with new lyrics by Buddy Kaye in 1963. Numerous English cover recordings then followed sometimes credited to Lees and/or Kaye and Lees, including the Andy Williams recording of the song with English lyrics, reaching #92 in the Billboard Hot 100 and #18 in the Hot Adult Contemporary Tracks chart in 1965. Also receiving air-play, contemporaneously with Andy Williams' recording of "Quiet Nights," was Kitty Kallen's version. Her album, titled "Quiet Nights," was released by 20th Century-Fox Records in 1964.
The Supremes at the Copa is a live album by Motown singing group The Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by The Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
"The Things We Did Last Summer" is a popular song about nostalgia from 1946. The words were written by Sammy Cahn, with the composition by Jule Styne. The most well known version is the 1946 Top ten hit by Jo Stafford. Versions by Frank Sinatra and by Vaughn Monroe also charted that year. Shelley Fabares had a hit cover in 1962 on the pop chart. Several recordings have been made, including versions by Frank Sinatra, Vaughn Monroe, and Dean Martin who recorded different versions for his 1959 and 1966 Christmas LPs.
Movin' Wes is an album by the American jazz guitarist Wes Montgomery, released in 1964. It reached number 18 on the Billboard jazz albums chart in 1967, his second album to reach the charts after Bumpin'.
Yesterday's Love Songs/Today's Blues is a 1963 studio album by Nancy Wilson, arranged by Gerald Wilson. It was her highest charting album, entering the Billboard Top 200 on January 25, 1964, and ultimately reaching No. 4. It remained on the chart for 42 weeks. The 1991 CD edition featured a different cover image and added five bonus tracks drawn from other sessions with Gerald Wilson.
Broadway – My Way is a studio album by Nancy Wilson released in March 1963 on Capitol Records. The album reached No. 18 on the Billboard 200 chart.
"(You Don't Know) How Glad I Am" is a song written by Jimmy Williams and Larry Harrison. In the US, its best-known recorded version is that by Nancy Wilson, a hit single for her, in the summer of 1964.
But Beautiful is a 1971 studio album by Nancy Wilson, with musical accompaniment by the Hank Jones Quartet. It entered the Billboard Top 200 chart on July 17, 1971, and remained for five weeks.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
Ultimate Sinatra is a 2015 compilation album by American singer Frank Sinatra released specifically to commemorate the 100-year anniversary of his birth. The collection consists of songs recorded from 1939 to 1979 during his sessions for Columbia Records, Capitol Records, and Reprise Records. The 4-CD set consists of 100 songs, plus a never before released bonus track of a rehearsal recording of "The Surrey With the Fringe On Top" from the musical Oklahoma! This edition also features an 80-page booklet with a new essay by Sinatra historian and author Charles Pignone, as well as rare photos and quotes from Sinatra, his family members and key collaborators.
Here and Now is an album by American jazz pianist Hampton Hawes recorded in 1965 and released on the Contemporary label.
Easy is a studio album by Nancy Wilson, released in May 1968 by Capitol Records. It features arrangements by Jimmy Jones and was produced by David Cavanaugh. The opening and closing tracks are composed by Antônio Carlos Jobim.
