How to Train Your Dragon: The Hidden World (Original Motion Picture Soundtrack) | ||||
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Film score by | ||||
Released | February 1, 2019 April 25, 2024 (deluxe edition) | |||
Recorded | October 2018–January 2019 | |||
Studio | Abbey Road Studios, London 5 Cat Studios, Los Angeles | |||
Genre | Film score | |||
Length | 1:15:51 1:56:40 (deluxe edition) | |||
Label | Back Lot Music | |||
Producer | John Powell | |||
John Powell chronology | ||||
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Singles from How to Train Your Dragon:The Hidden World (Original Motion Picture Soundtrack) | ||||
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How to Train Your Dragon:The Hidden World (Original Motion Picture Soundtrack) is the score album to the 2019 film How to Train Your Dragon:The Hidden World ,the sequel to How to Train Your Dragon 2 (2014) and the third and final installment in the How to Train Your Dragon trilogy. [1] Recurring DreamWorks composer John Powell,who scored for the previous two installments of the series,returned for the third film. [2] [3] The album features an original song,"Together from Afar" performed by Jónsi,which was released as a single on January 31,2019. [4] The album was released on February 1 by Back Lot Music,and was met with a positive response from music critics.
"Music does half of the storytelling and in the case of John Powell, a storyteller in his own right, he is a partner from the beginning. He finds themes that I might not even be consciously aware of and brings them to the surface."
Unlike the first two films in the franchise, the score for Hidden World has a "dark theme" for the main antagonist, dragon-hunter Grimmel, a "fate" riff, which signalled changes in the lives of key characters, lighthearted romantic music for Toothless and the potential mate, as well as "mystical, ethereal sounds for that “hidden world” of the dragons themselves". Powell felt that for the film, he had to come to the studio at five-o-clock in the morning and write the score at closed doors, as "he had to go to these slightly indulgent, dark, sad places to find things that might be potent for other people". [5] [6]
He also brought his earlier themes, and also reproduced them to create newer versions and integrate it in the film, as "if he had kept using material that everybody knew all the way through the movie, you wouldn’t have felt it as significantly as you do at the end". [5] He produced a varied soundscape, including playful sounds for dragon romps, orchestral sounds for the battle sequences, string march for the Vikings' exodus, a celebratory song ("Together From Afar") in the conclusion, as well as unusual instrumental colors to convey the ancient world. [7] He made use of multiple instruments such as Celtic harp, bodhrán frame drum, uilleann pipes, traditional Scottish bagpipes, and backing vocals which were provided by Jónsi (who provided for the music of How to Train Your Dragon 2). [5] [8] He also recorded the original song "Together From Afar". [5] [9]
Jónsi was in town, so John set him up with a laptop and a microphone and had him focus on the Hidden World. When we first enter that space it’s all very mysterious and forbidding. Jónsi spent the day working with layers of his own voice. John then incorporated that into the tease and then finally the full-blown, majestic Hidden World theme. When I heard it, I remember thinking, ‘Wow.’
— DeBlois on the composition of the title theme [5]
Powell added that, one of the challenging sequence was when Toothless woos the mysterious Light Fury on a beach, where he came with a "delicate melody with a dance-like rhythm" which he expanded into a seven-minute cue using the classical form of passacaglia. He called it as "one of several special moments that are music-driven, without dialogue". [5]
The score was recorded at the Abbey Road Studios in London in October 2018. Unlike his previous films, John used a full orchestra for this film, which consisted of 98 musicians, eight ethnic-music soloists and a 60-member vocal choir. Grammy-winning choral composer-arranger Eric Whitacre, whom Powell worked on Kung Fu Panda (2008), conducted the choir in various texts and translated them into Gaelic and Latin. The film's director Dean DeBlois and Cressida Cowell, the author of the children's book series whose writings and illustrations inspired the films, and also worked on the film adaptations as an executive producer, supervised the recording sessions. The one hour and thirty three-minute long music was recorded within nine days. [5] [3]
No. | Title | Length |
---|---|---|
1. | "Raiders Return to Busy, Busy Berk" | 5:27 |
2. | "Dinner Talk – Grimmel's Introduction" | 3:53 |
3. | "Legend Has It – Cliffside Playtime" | 4:21 |
4. | "Toothless: Smitten" | 3:16 |
5. | "Worst Pep Talk Ever" | 2:40 |
6. | "Night Fury Killer" | 3:36 |
7. | "Exodus!" | 4:38 |
8. | "Third Date" | 6:49 |
9. | "New New Tail" | 1:28 |
10. | "Furies in Love" | 3:03 |
11. | "Killer Dragons" | 5:05 |
12. | "With Love Comes a Great Waterfall" | 2:08 |
13. | "The Hidden World" | 5:16 |
14. | "Armada Battle" | 8:40 |
15. | "As Long as He's Safe" | 6:29 |
16. | "Once There Were Dragons" | 5:45 |
17. | "Together from Afar" (Jónsi) | 3:17 |
Total length: | 75:51 |
No. | Title | Length |
---|---|---|
1. | "Rescue Mission - Busy Busy Berk (1m1-2a-b)" | 7:25 |
2. | "Marry Her – Grimmel’s Terms (1m2c-3)" | 3:55 |
3. | "Legend Has It (1m4)" | 4:33 |
4. | "Mysterious Creature (2m5)" | 2:19 |
5. | "Toothless in Love (2m6a)" | 1:04 |
6. | "Dart Trap (2m6b)" | 2:45 |
7. | "Grimmel Visit-First Fight (2m7a-b)" | 3:37 |
8. | "Town Hall Speech-Exodus (2m8a-b)" | 4:39 |
9. | "Setting Up Camp (2m9a)" | 1:02 |
10. | "Valka’s Warning (2m9b)" | 1:09 |
11. | "Forbidden Courtship (3m10)" | 6:49 |
12. | "Toothless Flies Alone (3m11)" | 1:27 |
13. | "Near Miss Valka (3m12a)" | 0:46 |
14. | "Romance in the Clouds (3m12b)" | 3:05 |
15. | "New Berk Feast (3m13s)" | 1:27 |
16. | "Ambush-Cage Fight (3m14a-b)" | 5:07 |
No. | Title | Length |
---|---|---|
17. | "Stronger Together (4m15a)" | 1:04 |
18. | "New Island (4m15b)" | 0:41 |
19. | "Into the Hole (4m16a)" | 1:06 |
20. | "The Hidden World (4m16b)" (Jónsi) | 5:15 |
21. | "With Love Comes Loss (4m17)" | 1:07 |
22. | "Grimmel’s Surprise (4m18)" | 3:39 |
23. | "The Hiccup I Know-Armada Battle (5m19-20)" | 9:28 |
24. | "Ultimate Sacrifice-Freedom (5m21-22)" | 6:28 |
25. | "Viking Wedding-Boat Epilogue (5m23-24)" | 5:41 |
26. | "Together from Afar (6m24s)" (Jónsi) | 3:16 |
27. | "The Hidden World Suite (6m25)" | 6:40 |
No. | Title | Length |
---|---|---|
28. | "Busy Busy Berk (1m2a-b) [Bonus Track: Demo]" | 3:12 |
29. | "Legend Has It (1m4) [Bonus Track: Demo]" | 4:30 |
30. | "Forbidden Courtship (3m10) [Bonus Track: Demo]" | 6:49 |
31. | "Toothless Flies Alone (3m11) [Bonus Track: Demo]" | 1:26 |
32. | "Romance in the Clouds (3m12b) [Bonus Track: Demo]" | 3:05 |
33. | "Viking Wedding (5m23) [Bonus Track: Demo]" | 1:54 |
Total length: | 1:56:40 |
Zanobard Reviews gave 9/10 to the score and wrote "John Powell’s score to How To Train Your Dragon: The Hidden World is just marvelous. He introduces a number of amazing new themes as well as bringing back all your favourites from the previous movies, and intertwines them expertly with his frankly ridiculously over-the-top action scoring (but that’s why we love it). The album not only serves as a very solid third entry to the musical franchise but also as an epic and absolutely brilliant conclusion to his masterful trilogy. The first film’s score still just edges this one, but it’s got the second movie beaten, that’s for sure. It’s a superb soundtrack, and one that was most definitely worth the wait." [10]
Critic Jonathan Broxton wrote "John Powell has created what might be his defining film music legacy. Of course he’s still young, and so he still has plenty of time to write something that will top it; also, for the sake of argument, some people may say that his music for the Bourne films is just as influential. The entire How to Train Your Dragon series is a bonafide masterpiece, a gloriously bold and colorful fantasy of Viking life, heroes and dragons, honor and friendship and grand adventure. Everything points to How to Train Your Dragon: The Hidden World being the last film in this series and, if so, Powell has ended on a high. It won’t get an Oscar nomination, because sequels like this never do, but this will still be riding high as one of the scores of the year." [11]
Filmtracks.com wrote "Powell does not introduce new themes for these concepts explicitly, but he does offer a wide enough breadth of fresh identities to accompany their general purposes. The dragons' themes have been condensed into several motifs to represent the two leads of their kind, the Berk theme is displaced by a new one for another island, the flying and friendship themes are supplanted by new heroic alternatives, and other major new locations and characters are afforded appropriate ideas of their own. The inclusion of a theme and submotif for fate ties all of them together by the end." [12] James Southall of Movie Wave wrote "With the first score having come in the first year of the 2010s and the final one in the last, this trilogy of music frames a decade of film music in which it has played a very notable part. While perhaps this third instalment doesn’t quite have a track to rival “Test Drive” or “Flying with Mother” (“Armada Battle” and “Once There Were Dragons” do come close) it is still for the most part of the highest quality and shows off again what a fine composer John Powell is. The films obviously held special meaning for him and his family and his emotion shines through all through it." [13]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
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Hollywood Music in Media Awards | November 20, 2019 | Original Score – Animated Film | John Powell | Won | [14] [15] |
Original Song – Animated Film | John Powell and Jónsi for "Together From Afar" | Nominated | |||
International Film Music Critics Association Awards | February 20, 2020 | Best Original Score for an Animated Film | John Powell | Nominated | [16] [17] |
Society of Composers & Lyricists Awards | January 7, 2020 | Outstanding Original Score for a Studio Film | John Powell | Nominated | [18] |
World Soundtrack Awards | October 18, 2019 | Best Original Score of the Year | John Powell | Nominated | [19] [20] |
Public Choice Award | John Powell | Won |
On May 15, 2020, Powell released an album titled Piano Solos from How to Train Your Dragon: The Hidden World, through his own record label. [21] [22] The album features nine tracks from Powell's original score, arranged for solo piano and performed by Powell's frequent collaborator Batu Sener. The arrangements from this album are printed and distributed by Hal Leonard Publishing Company. [23]
No. | Title | Length |
---|---|---|
1. | "Legend Has It – Cliffside Playtime" | 4:36 |
2. | "Toothless: Smitten" | 3:09 |
3. | "Exodus!" | 4:42 |
4. | "Third Date" | 1:23 |
5. | "New New Tail" | 1:27 |
6. | "Furies in Love" | 3:24 |
7. | "With Love Comes Loss" | 1:10 |
8. | "The Hidden World" | 2:07 |
9. | "Once There Were Dragons" | 6:03 |
Total length: | 28:05 |
Credits adapted from CD liner notes. [24]
Jón Þór "Jónsi" Birgisson is an Icelandic musician; he is the vocalist and multi-instrumentalist for the Icelandic post-rock band Sigur Rós. He is known for his use of a cello bow on guitar and his falsetto or countertenor voice.
Dean Allan DeBlois is a Canadian filmmaker and animator. He is best known for writing and directing the Oscar-nominated animated feature films Lilo & Stitch for Walt Disney Animation Studios, the How to Train Your Dragon film trilogy for DreamWorks Animation, and directing the documentary Heima about the Icelandic band Sigur Rós.
John Powell is an English composer best known for his film scores. He has been based in Los Angeles since 1997 and has composed the scores to over 70 feature films. He is best known for composing score for films, including Face/Off, the Bourne film series, the Happy Feet films, United 93, X-Men: The Last Stand, Evolution, Dr. Seuss' The Lorax, Migration, Drumline, Hancock, The Call of the Wild, Bolt, eight Blue Sky Studios films, and nine DreamWorks Animation films.
How to Train Your Dragon: Music from the Motion Picture is a soundtrack album composed by John Powell for the film of the same name and released by Varèse Sarabande on March 23, 2010. The score earned Powell his first Academy Award nomination and his third BAFTA nomination, which he lost to The Social Network and The King's Speech, respectively. The score also won the International Film Music Critics Association 2011 Awards for Best Original Score for an Animated Feature and Film Score of the Year, and was nominated twice for Film Music Composition of the Year for the tracks "Forbidden Friendship" and "Test Drive". The soundtrack received wide acclaim from professional music critics.
How to Train Your Dragon 2 is a 2014 American animated fantasy film loosely based on the book series of the same name by Cressida Cowell. Produced by DreamWorks Animation and distributed by 20th Century Fox, it is the sequel to How to Train Your Dragon (2010) and the second installment in the trilogy. Written and directed by Dean DeBlois and produced by Bonnie Arnold, the film stars the returning voices of Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, Christopher Mintz-Plasse, T.J. Miller, and Kristen Wiig, along with Cate Blanchett, Djimon Hounsou, and Kit Harington as new additions. Set five years after the events of the first film, the film follows 20-year-old Hiccup and his friends as young adults as they encounter Valka, Hiccup's long-lost mother, and Drago Bludvist, a madman who wants to conquer the world.
How to Train Your Dragon (HTTYD) is an American media franchise from DreamWorks Animation and loosely based on the eponymous series of children's books by British author Cressida Cowell. It consists of three feature films: How to Train Your Dragon (2010), How to Train Your Dragon 2 (2014), and How to Train Your Dragon: The Hidden World (2019). The franchise also contains five short films: Legend of the Boneknapper Dragon (2010), Book of Dragons (2011), Gift of the Night Fury (2011), Dawn of the Dragon Racers (2014), and How to Train Your Dragon: Homecoming (2019). A live-action remake from Universal Pictures is in development and scheduled for release on June 13, 2025.
How to Train Your Dragon: The Hidden World is a 2019 American animated fantasy film loosely based on the book series by Cressida Cowell. Produced by DreamWorks Animation and distributed by Universal Pictures, it is the sequel to How to Train Your Dragon 2 (2014) and the final film in the How to Train Your Dragon trilogy. Written and directed by Dean DeBlois and produced by Bonnie Arnold and Brad Lewis, the film stars the voices of Jay Baruchel, America Ferrera, Cate Blanchett, Craig Ferguson, and F. Murray Abraham, with Gerard Butler, Jonah Hill, Christopher Mintz-Plasse, Kristen Wiig, Justin Rupple, and Kit Harington in supporting roles. The film follows 21-year old Hiccup seeking a dragon utopia known as the "Hidden World" while coming to terms with Toothless's new bond with a female Fury, as they deal with the threat of Grimmel the Grisly, a ruthless dragon hunter.
Solo: A Star Wars Story is the soundtrack album to the 2018 film of the same name directed by Ron Howard, which is the second instalment in the Star Wars anthology series. The score is composed by John Powell, with the Han Solo's theme conducted and composed by John Williams, whom he had collaborated for several Star Wars films, was included in the album. Williams further composed several demos, that were not included in the soundtrack but was released in the deluxe edition. Besides composing the original themes, Powell also incorporated Williams' music from Star Wars films.
How to Train Your Dragon 2: Music from the Motion Picture is a soundtrack album to the 2014 film How to Train Your Dragon 2, and was released by Relativity Music Group on June 13, 2014. The film is a sequel to the 2010 film How to Train Your Dragon, which itself based on the British book series of the same name by Cressida Cowell, and is the second instalment in the How to Train Your Dragon film series. The score is composed by John Powell, who also scored for its predecessor. In addition to the original score featured, Powell also collaborated with Jónsi, to write two songs for the film, which were performed by Jónsi, Gerard Butler, Craig Ferguson and Mary Jane Wells, while a song "Into a Fantasy" performed by Alexander Rybak was released on June 9, and was included in the European version of the soundtrack. Much like the score of the first instalment, this score received critical acclaim praising Powell for his work in the film. A limited edition soundtrack was published by Varèse Sarabande label in May 2022. It featured previously unedited cues and demos from the compositions.
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