Edo Murtić was a painter from Croatia, best known for his lyrical abstraction and abstract expressionism style. He worked in a variety of media, including oil painting, gouache, graphic design, ceramics, mosaics, murals and theatrical set design. Murtić travelled and exhibited extensively in Europe and North America, gaining international recognition for his work, which can be found in museums, galleries and private collections worldwide. He was one of the founders of the group "March" (Mart) in 1956, and received many international awards. In 1958 Murtić participated in the three biggest events in the world of contemporary art: the Venice Biennale, the Carnegie Prize in Pittsburgh, and Documenta in Kassel. Interest in the art of Edo Murtić continues to grow, with retrospective exhibits in major museums.
Oton Gliha was a Croatian artist, born in Slovenia. A graduate of the Academy of fine Arts in Zagreb, Gliha continued his studies in Paris, Vienna and Munich. He is best known for his series of abstract paintings based on the patterns of the drystone walls of coastal Croatia. The first in the series appeared in 1954, and it was a theme he developed for the rest of his life.
Linda Connor is an American photographer living in San Francisco, California. She is known for her landscape photography.
Tošo Dabac was a Croatian photographer of international renown. Although his work was often exhibited and prized abroad, Dabac spent nearly his entire working career in Zagreb. While he worked on many different kinds of publications throughout his career, he is primarily notable for his black-and-white photographs of Zagreb street life during the Great Depression era.
Leslie Hewitt is an American contemporary visual artist.
Vladimir Becić (1886–1954) was a Croatian painter, best known for his early work in Munich, which had a strong influence on the direction of modern art in Croatia.
Modern Gallery is a museum in Zagreb, Croatia that holds the most important and comprehensive collection of paintings, sculptures and drawings by 19th and 20th century Croatian artists. The collection numbers around 10,000 works of art, housed since 1934 in the historic Vranyczany Palace in the centre of Zagreb, overlooking the Zrinjevac Park. A secondary gallery is the Josip Račić Studio at Margaretska 3.
Marino Tartaglia was a Croatian painter and art teacher, for many years a professor at the Academy of Fine Arts, Zagreb.
Vilko Gecan was a Croatian painter, influential in the Zagreb modern art scene of the 1920s and 1930s. He is best known for his expressionist paintings and drawings, and for his contributions to the local avantgarde magazine Zenit. He showed his work in many solo and group exhibitions in Croatia and abroad. In the Zagreb Spring Salon of the 1920s, he participated with Milivoj Uzelac, Marijan Trepše and Vladimir Varlaj, who together were known as the "Group of Four" or "The Prague Four". Trained in Prague, works of these young painters brought new expressionist ideas that went on to dominate the 1920s Croatian art scene.
Marko Modic is a Slovenian photographer, painter and visual artist from Ljubljana, Slovenia. Photographic and artistic circles of the world attributed Marko Modic a special place because of his unique and colorful works of art.
Vera Lutter is a German artist based in New York City. She works with several forms of digital media, including photography, projections, and video-sound installations. Through a multitude of processes, Lutter's oeuvre focuses on light and its ability to articulate the passing time and movement within a tangible image.
Ferdinand Kulmer was a Croatian abstract painter and teacher.
Vlado Martek is a Croatian artist whose work is based on visualising poetry. In his art pieces he works with poems and fragments of poems by putting them into collages, photographs, plots, graphics, sketches, drawings, art actions and agitations, graffiti and wallpapers. Vlado Martek lives in Zagreb, where he works as a librarian since 1979.
Barbara Crane was an American artist photographer born in Chicago, Illinois. Crane worked with a variety of materials including Polaroid, gelatin silver, and platinum prints among others. She was known for her experimental and innovative work that challenges the straight photograph by incorporating sequencing, layered negatives, and repeated frames. Naomi Rosenblum notes that Crane "pioneered the use of repetition to convey the mechanical character of much of contemporary life, even in its recreational aspects."
Sage Sohier is an American photographer and educator.
Alvin Baltrop was an American photographer. Baltrop's work focused on the dilapidated Hudson River piers and gay men during the 1970s and 1980s prior to the AIDS crisis.
Marija Braut was a Croatian photographer and one of the most significant artistic successors of the so-called Zagreb School of Photography.
Jayson Keeling (1966-2022) was an artist who worked in photography, video, sculpture, and installation. Keeling's work challenges conventional norms surrounding sex, gender, race, and religion. Keeling often reconfigured popular iconography, to explore notions of masculinity, and cultural ritual.
Carole Harmel is an American artist and photographer, who gained recognition for her provocative images of nudes in the 1970s and 1980s and still lifes combining photography with short narratives, wordplay and mixed media. Fundamental to Harmel's work is a questioning of reality and photographic conventions, a penchant for surrealism, and humor. The New Art Examiner described her nudes as having a "startling, queasy impact," "rich in ambiguity, discomforting in content." About her still lifes, critic Michael Weinstein wrote, "sophisticated academic criticism is fused with love of color and visual form to create images at once conceptually engaging and perceptually arresting."
David Lebe is an American photographer. He is best known for his experimental images using techniques such as pinhole cameras, hand-painted photographs, photograms, and light drawings. Many of his photographs explore issues of gay identity, homoeroticism, and living with AIDS, linking his work to that of contemporaries such as Robert Mapplethorpe, Peter Hujar, and David Wojnarowicz. Though his style and approach set him apart from these contemporaries, "Lebe is now incontrovertibly part of the history of twentieth-century queer artists."
