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A hu is a type of wine vessel that has a pear-shaped cross-section. Its body swells and flares into a narrow neck,creating S-shaped profile. While it is similar to you vessel,hu usually has a longer body and neck. The shape of hu probably derives from its ceramic prototype prior to the Shang dynasty (1600–1045 BC). [1] They usually have handles on the top or rings attached to each side of neck. [2] Many extant hu lack lids while those excavated in such tombs as Fu Hao's indicate that this type of vessel might be originally made with lids. [1] Although it is more often to see hu having a circular body,there also appears hu in square and flat rectangular forms,called fang hu and bian hu Archived 2015-09-23 at the Wayback Machine in Chinese. In addition,hu often came to be found in a pair or in a set together with other types of vessels. [3] As wine had played an important part in the Shang ritual,the hu vessel might be placed in the grave of an ancestor as part of ritual in order to ensure a good relationship with ancestor's spirit. [4]
The bronze hu vessel has not been found prior to the Shang period. During this period,there are mainly two types of hu vessels. One has a small mouth and long neck;the other has wide mouth and flat ovoid cross-section. [5] The décor on the hu in the Shang period was dominated by taotie motif and leiwen thunder pattern. Square form of hu began to appear in the end of the Shang dynasty. Because this form of hu is still uncommon at this time,its appearance in the tomb probably marks the owner's wealth and social status. [6]
Hu in the Western Zhou period was undergone several changes. Larger hu vessels seem to become more common after the first half of mid-Western Zhou. [7] This is possibly a response to changes in ritual. [7] Nevertheless,hu from the Western Zhou dynasty still mainly served as a wine vessel for the uses of ritual. In addition to the change in size,hu's previous taotie design was gradually replaced by other types of animal and geometric décor. Hu found during this time were often not from tombs,but hoards left by Zhou people,who buried their precious possessions before nomadic people's invasion. Therefore,the vessels' burial context provides less clues about their functions and meanings.
The East Zhou dynasty was subdivided into two periods:Spring and Autumn period (770–476 B.C.) and Warring States period (475–221 B.C.). The East Zhou witnessed the decline of central government and the rise of feudal states. It is a time of political disunity. Powerful feudal lords barely paid allegiance to Zhou kings,whose domain drastically dwindled during this time. This political situation reflects in the development of hu vessels. With the rise of local power,the regional bronze making flourished on a large scale and played an important role in forming new styles. [8] By the late Spring and Autumn period the decoration of the vessels in some regions had reflected the influence of animal style art from Central Asian nomads. [9] In addition,bronzes from places such as Xinzheng,Henan Province,Liyu Shanxi Province,and Houma,Shanxi Province in the Spring and Autumn period show regional hu style characterized by interlaced dragon motif. [10]
Another development of hu vessel is that although the vessel was still used for ancestral sacrifice,it began to take on a more secular and personal usage. [11] This seems to be evidenced by the appearance of representational décor,beginning in the Warring State period. Hu with such pictorial illustrations were often made out copper inlay. [9] In addition,the shape of the vessel was occasionally modified,taking on a more square appearance. [12] While the use of inlay in making bronze have appeared since the Shang dynasty,it was not until the Warring States period that saw the flowering of inlay style. Compared to other bronze vessels,the inlay technique was especially lavishly employed to create hu vessels. The sumptuous display of colors achieved by means of inlay became an essential feature of hu at this time.
Hu continued to be cast in the Han dynasty. They were still lavishly applied with gold inlay and decorated with interlace of zoomorphic and geometric patterns. However,after Han,they mainly appear in ceramic form. In addition,their function was no longer tied to ritual offerings and is utilitarian for daily life. Hu never disappears in Chinese history. Their production continues today.
Most Chinese bronze vessels fall into two categories,food vessels or wine vessels. [13] Hu vessels were used for holding wine,but not as drinking vessels. [13] By the Zhou period,hu were one of the main vessels in use. [14] During this period the vessels were also usually offered in pairs,and increased dramatically in size over their Shang predecessors. Two hu recovered from the Tomb of Marquis Yi of Zeng were each 39 in (99 cm) high and weighed 529 lb (240 kg) apiece.
Hu were an important part of religious and cultural rituals, [15] with many falling into the category of Chinese ritual bronzes. Inscriptions in some vessels indicate that as early as the Shang dynasty,the king would give bronze vessels as gifts to deserving vassals. [15] By 900 BCE other officials had adapted this custom. [15] Bronzes of all types,including hu,were given for a variety of occasions:as wedding gifts,funeral items,travel tokens,and even to commemorate real estate dealings. [15]
The hu is a pear-shaped vessel that has been found in both a round and square form. [16] Examples have been discovered with a variety of decorative motifs. During the Shang dynasty one hu would typically be offered,decorated with relatively simple taotie designs. Dragons,cattle and thunder patterns also appear on hu vessels during the Shang dynasty. During the Zhou dynasty the style of the vessel changed,with taotie being replaced by "heavy,rounded relief figures on a plain ground". Though,one example from the Late Zhou period shows the entire vessel covered with images that correspond with everyday life. Silk worm farming,hunting,archery,and warfare are all represented. [17] Interlacing dragon motifs were also popular during the Zhou period, [18] as were "wave" designs. [19] By the late Spring and Autumn period the decoration of the vessels in some regions had changed to reflect the influence of animal style art from Central Asian nomads. Hu of this type often used designs that were geometric versions of earlier Taotie motifs and employed copper inlay. During the Warring States period the shape of the vessel was occasionally modified,taking on a more squared appearance. This squared version of a hu is referred to as a fāng hú. Another variation was the yu,which added a single handle arching above the lid of the vessel.
Some of the symbols in hu vessels are Taotie or demon face,dragons,realistic animals and birds,and some of the abstract symbols like bowstrings meanings were unknown. [20] The Taotie or demon face and dragons were associated with land and rain,the farmers worshiped them for fertile land and receiving rain because three thousand years ago,rain was a concern to the farmers and they depended on the deities to bring rainfall to their land. [20] The iconography in hu vessels were not just for the decorative aspects of the vessels since it was also important for the ritual ceremonies and their cult. The symbols in hu vessels also acted as protection against evil spirits and to being good fortune. If the symbols in the vessels were inaccurate then it was regarded as an unfortunate sin.
In the Warring States period,a hu was found with pictorial decoration and it was also called the Baihuatan Hu and it was from a tomb in Chengdu. In this contained scenes of people hunting,having an archery tournament,preparation of food,women and children collecting mulberries from the mulberry tree with baskets,musicians,dancers and wild geese. In the lid of the vessel there were animals but there were no humans figures in those.
Although the hu vessels have many cultural references to it,one of the most important ones is that it was used as a "Wine Vessel" in many cultures. Hu vessel found in the tomb at Chengdu,was used for storing grain wine. In one of the tomb,the hu vessel was kept at the foot of the deceased and it contained weapons and tools and there was no trace of food offerings. [21] Hu vessel called the Zhong Bo Hu was regarded as a bridal gift in the Middle Western Zhou period and in the latter half of the Middle Western Zhou period,large hu vessels were seen as fashionable rather than as a ritual vessel. [22] The inscriptions of the Zhong Bo Hu revealed that it was for the use of the sons and grandsons of the brides. Hu vessels were also considered to be as heirloom vessels. In the Eastern Zhou period the hu vessel was used for funerary practices. Hu vessel meant to the Shang culture as ritual vessels.
Baihutan Hu vessel from the Warring States period was used to convey a story about their daily activities as well as about the archery tournament and the theme of the story was about the activities of Nobility. [21] Imagery such as the one depicted in the Baihuatan Hu vessel was never seen before,and they were extremely rare in the Zhou art.
Bronze hu [ permanent dead link ]
Fu Hao hu [23]
Excavated from the tomb of Fu Hao,this hu vessel was decorated with seven registers. The taotie in these registers were raised in high relief against the flattened leiwen pattern. The vertical flange in the center and horizontal divisions among registers clearly separate the decorative details into compartments. These renderings of the vessel bring forth a clear view of taotie. The name of Fu Hao was inscribed on the bottom of the bronze. This work exemplifies the style of hu in the late Shang period.
Bronze hu [24]
This bronze is one of pairs found in a hoard at Jingshan in Hubei Province. The body of the vessel was decorated with wave patterns flowing unbroken throughout the surface. The frieze on the neck was composed of two gui dragons in a symmetrical layout. The rendering of this vessel continues the bronze style of the late Western Zhou.
Bronze hu [ permanent dead link ]
Bronze Fang (square) hu [25]
Bronze hu [26]
This bronze features the decor of hunting activities. Cast in flat relief against a plain background,the decor was divided into eight registers. Beginning from the top,the second and fifth registers represent animal masks in arabesque forms. Close to the rim of the vessel was a register filled with the image of bird. Other ornaments illustrate humans engaged in hunting activities. Holding various weapons,they are all in the motion to slay animals. This decor of the vessel introduces the style borrowed from Steppe culture of Central Asia.
The Shang dynasty, also known as the Yin dynasty, was a Chinese royal dynasty that ruled in the Yellow River valley during the second millennium BC, traditionally succeeding the Xia dynasty and followed by the Western Zhou dynasty. The classic account of the Shang comes from texts such as the Book of Documents, Bamboo Annals and Records of the Grand Historian. Modern scholarship dates the dynasty between the 16th and 11th centuries BC, with more agreement surrounding the end date than beginning date.
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art.
Chinese bronze inscriptions, also commonly referred to as bronze script or bronzeware script, are writing in a variety of Chinese scripts on ritual bronzes such as zhōng bells and dǐng tripodal cauldrons from the Shang dynasty to the Zhou dynasty and even later. Early bronze inscriptions were almost always cast, while later inscriptions were often engraved after the bronze was cast. The bronze inscriptions are one of the earliest scripts in the Chinese family of scripts, preceded by the oracle bone script.
The zun or yi, used until the Northern Song (960–1126) is a type of Chinese ritual bronze or ceramic wine vessel with a round or square vase-like form, sometimes in the shape of an animal, first appearing in the Shang dynasty. Used in religious ceremonies to hold wine, the zun has a wide lip to facilitate pouring. Vessels have been found in the shape of a dragon, an ox, a goose, and more. One notable zun is the He zun from the Western Zhou.
Ding are prehistoric and ancient Chinese cauldrons standing upon legs with a lid and two fancy facing handles. They are one of the most important shapes used in Chinese ritual bronzes. They were made in two shapes: round vessels with three legs and rectangular ones with four, the latter often called fāng dǐng "square ding (方鼎. They were used for cooking, storage, and ritual offerings to the gods or to ancestors.
A guang or gong is a particular shape used in Chinese art for vessels, originally made as Chinese ritual bronzes in the Shang dynasty, and sometimes later in Chinese porcelain. They are a type of ewer which was used for pouring rice wine at ritual banquets, and often deposited as grave goods in high-status burial. Examples of the shape may be described as ewers, ritual wine vessels, wine pourers and similar terms, though all of these terms are also used of a number of other shapes, especially the smaller tripod jue and the larger zun.
Dame Jessica Mary Rawson, is an English art historian, curator and sinologist. She is also an academic administrator, specialising in Chinese art.
The Taotie is an ancient Chinese mythological creature that was commonly emblazoned on bronze and other artifacts during the 1st millennium BC. Taotie are one of the "four evil creatures of the world". In Chinese classical texts such as the "Classic of Mountains and Seas", the fiend is named alongside the Hundun, Qiongqi, and Taowu.
From c. 1650 BC, elaborately decorated bronze vessels were deposited as grave goods in the tombs of royalty and nobility during the Chinese Bronze Age. Documented excavations have found over 200 pieces in a single royal tomb. They were produced for an individual or social group to use in making ritual offerings of food and drink to his or their ancestors and other deities or spirits. Such ceremonies generally took place in family temples or ceremonial halls over tombs. These ceremonies can be seen as ritual banquets in which both living and dead members of a family were supposed to participate. Details of these ritual ceremonies are preserved through early literary records. On the death of the owner of a ritual bronze, it would often be placed in his tomb, so that he could continue to pay his respects in the afterlife; other examples were cast specifically as grave goods. Indeed, many surviving examples have been excavated from graves.
A jue is a type of ancient Chinese vessel used to serve warm wine during ancestor-worship ceremonies. It takes the form of an ovoid body supported by three splayed triangular legs, with a long curved spout on one side and a counterbalancing flange on the other. Many examples have one or two loop handles on the side and two column-shaped protuberances on the top of the vessel, which were probably used to enable the vessel to be lifted using leather straps. They are often ornately decorated with taotie decorations representing mythical beasts. They are in effect a small Chinese equivalent of the ewer. The name jue is not original, but derives from the Shuowen Jiezi, a dictionary of the 2nd century AD.
A jia is a ritual vessel type found in both pottery and bronze forms; it was used to hold libations of wine for the veneration of ancestors. It was made either with four legs or in the form of a tripod and included two pillar-like protrusions on the rim that were possibly used to suspend the vessel over heat. The earliest evidence of the Jia vessel type appears during the Neolithic Period. It was a prominent form during the Shang and early Western Zhou dynasties, but had disappeared by the mid-Western Zhou.
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A gu is a type of ancient Chinese ritual bronze vessel from the Shang and Zhou dynasties. It was used to drink wine or to offer ritual libations.
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An elaborately decorated "ritual wine server" in the guang shape is a Chinese ritual bronze wine vessel, accession number 60.43, in the permanent Asian collection at the Indianapolis Museum of Art. It dates to about 1100 BCE in the Shang dynasty period. The piece is currently on display in the Arthur R. & Frances D. Baxter Gallery of the museum.
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The Huixian Bronze Hu are a pair of bronze wine vessels that were found in the city of Huixian, Henan province, central China. Dating to the Eastern Zhou dynasty, they have been part of the British Museum's Asian Collections since 1972.
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