Abbreviation | HSGBI |
---|---|
Formation | 1936 |
Founder | J. R. Fleming |
Purpose | To encourage the study, research and practice of hymns |
Membership | 450 |
Executive President | Martin Leckebusch |
Honorary President | Lord Williams of Oystermouth |
Editor of The Bulletin | Andrew Pratt |
Website | hymnsocietygbi |
The Hymn Society of Great Britain and Ireland is a not-for-profit organisation in the United Kingdom and the Republic of Ireland which aims to promote the study and use of Christian hymns. As of 2024, the society comprises around 450 members, including hymn writers, composers, editors, and members of the clergy, plus 50 subscribing libraries and institutions. [1]
The society was founded in 1936 by Dr J. R. Fleming for the purpose of: [2]
In the years after its creation, the Society set itself the task of updating John Julian's 1892 Dictionary of Hymnology. [3]
The Society's primary actions are the production of a Newsletter and Bulletin four times per year containing articles and research on hymns and hymnody, as well as publishing additional Papers on topics in greater depth. It also works closely with sister Societies around the world, including the Hymn Society in the United States and Canada and International Arbeitsgemeinschaft für Hymnologie in Germany. [1]
Each July, the Society holds a three-day conference of talks and workshops, culminating in a large event known since 2003 as The Festival of Hymns, and prior to that was called the Act of Praise. [1] The first Conference was held in Oxford in 1948.
A central part of the Hymn Society's annual Conference, the Festival of Hymns (or Act of Praise as it was known prior to 2003) has been held in the following locations.
The Editors of The Bulletin have been: [3]
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes. Including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century.
Richard Mant was an English churchman who became a bishop in Ireland. He was a prolific writer, his major work being a History of the Church of Ireland.
Contemporary worship music (CWM), also known as praise and worship music, is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic congregations incorporating it into their mass as well.
"Joy to the World" is an English Christmas carol. It was written in 1719 by the English minister and hymnwriter Isaac Watts, and its lyrics are a Christian reinterpretation of Psalm 98. The carol is usually sung to an 1848 arrangement by the American composer Lowell Mason.
Erik Reginald Routley was an English Congregational churchman, theologian and musician and prominent hymnologist.
Timothy Dudley-Smith is a retired bishop of the Church of England and a noted hymnwriter. He has written around 400 hymns, including "Tell Out, my Soul".
The English Hymnal is a hymn book which was published in 1906 for the Church of England by Oxford University Press. It was edited by the clergyman and writer Percy Dearmer and the composer and music historian Ralph Vaughan Williams, and was a significant publication in the history of Anglican church music.
Syriac sacral music is music in the Syriac language as used in the liturgy of Syriac Christianity. Historically it is best known from and important for its part in the development of Christian sacred music since Antiquity.
Timothy Rees was a Bishop of Llandaff.
John Julian was a Church of England clergyman, known as the editor of A Dictionary of Hymnology. Throughout the twentieth century and into the twenty-first this was the common reference for those studying hymnody and hymnology. His own estimate was that there were 400,000 hymns in the scope of his chosen field; his correspondents for research numbered over 1000. It was only superseded over a century later by the online Canterbury Dictionary of Hymnology.
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part harmony, a fast harmonic rhythm, with or without refrain or chorus.
Hymnology is the scholarly study of religious song, or the hymn, in its many aspects, with particular focus on choral and congregational song. It may be more or less clearly distinguished from hymnody, the creation and practice of such song. Hymnologists, such as Erik Routley, may study the history and origins of hymns and of traditions of sung worship, the biographies of the women and men who have written hymns that have passed into choral or congregational use, the interrelationships between text and tune, the historical processes, both folk and redactional, that have changed hymn texts and hymn tunes over time, and the sociopolitical, theological and aesthetic arguments concerning various styles of sung worship.
The Hymn Society in the United States and Canada – founded in 1922 as The Hymn Society of America and renamed in 1991 – is a not-for-profit organization for those people who:
Jessie Seymour Irvine was the daughter of a Church of Scotland parish minister who served at Dunottar, Peterhead, and Crimond in Aberdeenshire, Scotland. She is referred to by Ian Campbell Bradley in his 1997 book Abide with Me: The World of Victorian Hymns as standing "in a strong Scottish tradition of talented amateurs who tended to produce metrical psalm tunes rather than the dedicated hymn tunes increasingly composed in England."
"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire.
Jane Laurie Borthwick was hymn writer, translator of German hymns and a noble supporter of home and foreign missions. She worked closely with her sister, Sarah Laurie Findlater. She published under the pseudonym: H. L. L.. Jane Laurie Borthwick is best known for the Hymns from the Land of Luther; her most famous translation today is Be still, my soul and her most known original text is Come, labor on. Like Catherine Winkworth and Frances Elizabeth Cox, she greatly contributed to English-language hymnody by mediating German hymnody.
Hymns of Universal Praise, a Chinese hymnal published in 1936, is considered to be an ecumenical attempt at Chinese hymnology from the early twentieth century. According to the Hong Kong hymnologist Andrew Leung, the first edition, HUP1936, established the foundation of Chinese hymnody and is now set as a model of Chinese hymnology.
The Yattendon Hymnal was a small but influential hymnal compiled by Robert Bridges and H. Ellis Wooldridge assisted by Monica Bridges for the Church of England parish church at Yattendon, Berkshire, England where Monica's family lived. Totalling 100 items, it first appeared in four separate parts from 1894, culminating in a single, combined version in 1899. That same year Bridges also published the accompanying A practical discourse on some principles of hymn-singing.
Kathryn Jenkins was a scholar of Welsh language and culture, especially local hymnology. She was also a hymn writer in Welsh.