"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Whatever Gets You thru the Night" is a song written by John Lennon, released as a single in 1974 on Apple Records, catalogue number Apple 1874 in the United States and Apple R5998 in the United Kingdom. In the U.S. it peaked at No. 1 on all three record charts: Billboard Hot 100, Cashbox, and Record World, and at No. 36 in the UK. It was the lead single for Lennon's album Walls and Bridges; in the UK the single was released on the same day as the album. "Whatever Gets You thru the Night" was Lennon's only solo No. 1 single in the United States during his lifetime, making him the last member of the Beatles to finally reach the top of the charts. In Canada, the single spent two weeks at No. 2, and became the 30th biggest hit of 1974.
"All I Ever Need Is You" is a popular song written by Jimmy Holiday and Eddie Reeves, and initially recorded by Ray Charles for his 1971 album, Volcanic Action of My Soul. The most well-known version of the song is the hit single by Sonny & Cher which, in 1971, reached No. 7 on the U.S. Billboard Hot 100, and was their single of greatest chart longevity, spending 15 weeks on that chart. Their album by the same title sold over 500,000 copies reaching RIAA gold status.
"Reelin' In the Years" is a song by American rock band Steely Dan, released as the second single from their 1972 debut album, Can't Buy a Thrill. It peaked at No. 11 on the US Billboard Hot 100 chart and at No. 15 in Canada.
"Smokin' in the Boys Room" is a song originally recorded by Brownsville Station in 1973 on their album Yeah!. It reached number 3 in Canada and on the US Billboard Hot 100, and was later certified by the RIAA.
"The Same Love That Made Me Laugh" is a song, composed and originally recorded by Bill Withers, which was included on his 1974 album +'Justments. Released as a single, it reached No. 50 on the U.S. Billboard Hot 100 chart and No. 10 R&B. The song reached the Top 40 in Canada.
"Rescue Me" is a rhythm and blues song first recorded and released as a single by American soul singer-songwriter Fontella Bass in 1965. The original versions of the record, and BMI, give the songwriting credit to Raynard Miner and Carl William Smith, although many other sources also credit Bass herself as a co-writer. It would prove the biggest hit of Bass's career, reaching #1 on the R&B charts for four weeks and placing at #4 on the Billboard Hot 100. "Rescue Me" also peaked at #11 on the UK Singles Chart.
"This Masquerade" is a song written by American singer and musician Leon Russell. It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single "Tight Rope". The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single "Please Mr. Postman". Three years later, "This Masquerade" was recorded by American singer and guitarist George Benson, who released it on his 1976 album, Breezin'. Benson's version, featuring Jorge Dalto on piano, was released as a single and became the first big hit of his career.
"This Is It" is a song by American musician Kenny Loggins. It was released in 1979 as the lead single from his 1979 album Keep the Fire. It reached number 11 on the Billboard Hot 100 and number 17 on the Adult Contemporary chart. "This Is It" was also successful on the Hot Soul Singles chart, reaching number 19; it was one of two entries on this chart.
"Feel Like Makin' Love" is a song composed by singer-songwriter and producer Eugene McDaniels, and recorded originally by soul singer-songwriter Roberta Flack. The song has been covered by R&B and jazz artists including D’Angelo, Roy Ayers, Gladys Knight & the Pips, Lou Rawls, Isaac Hays, George Benson, Jeffrey Osborne, Larry Coryell, Johnny Mathis, and Marlena Shaw.
"(There's) No Gettin' Over Me" is a song written by Walt Aldridge and Tom Brasfield, and recorded by American country music singer Ronnie Milsap. It was released in June 1981 as the first single from the album There's No Gettin' Over Me. Known by many fans by its less grammatically correct title "There Ain't No Gettin' Over Me" — the song's official title appears nowhere in the lyrics — the song became one of Milsap's biggest country hits and his only top 10 pop hit during his recording career.
"Cupid" is a song by American singer Sam Cooke, released on May 16, 1961. It charted at number 17 on the Billboard Hot 100 and number 20 on the Hot R&B Sides chart; the track performed best in the United Kingdom, peaking at number seven on the UK Singles Chart. The song is featured on Cooke's greatest hits album, The Best of Sam Cooke (1962). Cooke's producers had asked him to write a song for a girl they had seen on a Perry Como TV show—but once they heard her sing, they kept "Cupid" for Cooke himself.
"The Beach Boys Medley" is a single containing a medley of popular Beach Boys songs from the 1960s, edited by John Palladino. Released in mid-1981, it capitalized on a medley craze begun by the Stars on 45 medleys. "The Beach Boys Medley" reached number 12 on the Billboard Hot 100, becoming the band's highest-charting hit in the United States in over five years. The single peaked at number 8 on the Cash Box sales chart. It also reached number 4 in New Zealand. "The Beach Boys Medley" was first released on an album a year later in 1982 on Sunshine Dream.
"Third Rate Romance" is a song written by Russell Smith, first recorded in Montreal in 1974 by Jesse Winchester and his band the Rhythm Aces, assisted by Smith. It became a hit the following year by the newly re-formed Amazing Rhythm Aces on its 1975 album Stacked Deck. It was the band's debut single, reaching No.11 on the U.S. country singles chart and No.14 on the Billboard Hot 100, as well as No.1 on the Canadian RPM Country Tracks and Top Singles charts.
"An American Dream" is a song written by Rodney Crowell. He recorded it under the title "Voilá, An American Dream" on his 1978 album Ain't Living Long Like This, and released it as the B-side to that album's single "(Now and Then There's) A Fool Such as I".
"Clap for the Wolfman" is a song written by Burton Cummings, Bill Wallace, and Kurt Winter performed by their band, the Guess Who. The song appeared on their 1974 album, Road Food. The song was ranked #84 on Billboard magazine's Top Hot 100 songs of 1974.
"Thunder and Lightning" is a 1972 song by American singer and pianist Chi Coltrane. It was the first release from her eponymous debut album, peaking at No. 17 on the US Billboard Hot 100, No. 15 on Cash Box and No. 12 on Record World. It also charted at No. 18 on the Canadian RPM magazine singles chart.
"Long Tall Glasses (I Can Dance)" is a 1974 song by Leo Sayer, co-written with David Courtney. It was released in the United Kingdom in late 1974, becoming Sayer's third hit record on both the British and Irish singles charts and reaching number four in both nations. It was included on Sayer's album Just a Boy.
"Keep Your Eye on the Sparrow", also known as "Baretta's Theme", is a song written by Morgan Ames and Dave Grusin, recorded by multiple artists during the summer of 1975. Merry Clayton's version was the first to chart, reaching #45 on the U.S. Billboard Hot 100.
"I Got to Know" is a song recorded by the American band Starbuck. It was the second of three singles from their debut LP, Moonlight Feels Right. Written and produced by Bruce Blackman, the song was released in September 1976. Like its predecessor, "Moonlight Feels Right," the song features a prominent marimba solo by co-founding band member Bo Wagner.
