I Ain't Got Nobody

Last updated
"I Ain't Got Nobody"
I Ain't Got Nobody cover.jpg
Sheet music cover
Song
Published1915
Genre Jazz
Composer(s) Spencer Williams
Lyricist(s) Roger A. Graham
Audio
Recording of I Ain't Got Nobody, performed by Marion Harris (1921)

"I Ain't Got Nobody" (sometimes referred to as "I'm So Sad and Lonely" or "I Ain't Got Nobody Much") is a popular song and copyrighted in 1915. It was first recorded by Marion Harris, and became a perennial standard, recorded many times over the following generations, in styles ranging from pop to jazz to country music.

Contents

Composition

"I Ain't Got Nobody" is a ii-V-I composed in F major, that features a chromatic walkdown to the ii chord from the tonic in the A section, and then a typical resolution to the V (Dominant) chord. The B section is bluesy.

Attribution

The song performed by The Jazzmania Quintette in a 1928 Vitaphone Varieties short

There are competing claims to the copyright, and thus who composed it is not clearly known. [1]

Two copyrights from 1911 are attributed to Clarence Brandon and Billy Smythe, [2] both St. Louis musicians. [3] If true, this would be the first version of the words and music to "I Ain't Got Nobody". [4] They claimed they published it that same year. [2]

Chicago and Saint Louis ragtime pianist and blues composer Charles Warfield (1878–1955) claimed to have originally written the song [1] and a copyright dated April 1914 attributes Warfield as the composer, [5] David Young as the lyricist, and Marie Lucas as the arranger. [6] This song is titled "I Ain't Got Nobody and Nobody Cares for Me".

A copyright entry from 1916 under a shorter title attributes the composition to Davy Peyton and Spencer Williams, and the lyrics to publisher Roger Graham. [3] [2] Also in 1916, Frank K. Root & Co., a Chicago publisher, acquired the Craig & Co. copyright, and later that year also acquired the Warfield-Young copyright. [5] [4]

"Just a Gigolo/I Ain't Got Nobody" medley

I Ain't Got Nobody.pdf

"I Ain't Got Nobody" is best known in a form first recorded by Louis Prima in 1956, [7] where it was paired in a medley with another old standard, "Just a Gigolo". Prima started pairing the songs in 1945 and the idea was revisited in the popular arrangement in a new, jive-and-jumping style, created by Sam Butera for Prima's 1950s Las Vegas stage show. The success of that act gained Prima a recording deal with Capitol Records, which aimed to capture on record the atmosphere of his shows. The first album, titled The Wildest! and released in November 1956, opened with "Just a Gigolo/I Ain't Got Nobody", which then became Prima's signature number and helped relaunch his career. Butera is noted for his raucous playing style, his off-color humor, and the innuendo in his lyrics.

See also

References

  1. 1 2 Baby Won't You Please Come Home, editor-in-chief: Sandra Burlingame, Portland, Oregon: jazzStandards.com, LLC (publisher) . Retrieved 2009-06-14.; OCLC   71004558
  2. 1 2 3 For Me and My Gal and Other Favorite Song Hits, 1915-1917, by David A. Jasen, Dover Publications (1994); OCLC   30075424
  3. 1 2 Blackface. Au confluent des voix mortes (Blackface: Where Dead Voices Gather), by Nick Tosches, Jonathan Cape (publisher) (2002), pg. 149; ISBN   2-84485-110-X; OCLC   50525736 , 401741289
  4. 1 2 Spreadin' Rhythm Around: Black Popular Songwriters, 1880–1930, David A Jasen, Gene Jones, Schirmer Books (1998), pg. 170; OCLC   38216305
  5. 1 2 The National Cyclopaedia of American Biography, by James Terry White, New York: James T. White Company, Vol. 17 (1920), pg. 42
  6. The Book of World-famous Music: Classical, Popular, and Folk, by James J. Fuld (1916-2008), Toronto: General Publishing Company, Ltd. (2000) pg. 284
  7. I Ain't Got Nobody (and Nobody Cares for Me), editor-in-chief: Sandra Burlingame, Portland, Oregon: jazzStandards.com, LLC (publisher) . Retrieved 2009-06-14.; OCLC   71004558