An ikul or ikula is a knife or a short sword of the Kuba of the Democratic Republic of Congo.
The ikul consists of a leaf-shaped blade (iron or copper or wood) and a wooden handle finished with a round knob with sometimes decorative inlays. The blade has a well-marked central edge and can be decorated with engravings. [1] [2] [3] They are ceremonial knives, some of which are made solely of wood (handle and blade) and richly decorated. [4] · [2]
The ikul are about 35 centimetres long. According to tradition, King Shyaam aMbul aNgoong would have introduced the ikul in the seventeenth century after a long period of war. The king would then have forbidden the shongo sword to replace it with the ikul, a symbol of peace.
Boiled leather, often referred to by its French translation, cuir bouilli, was a historical material for various uses common in the Middle Ages and Early Modern Period. It was leather that had been treated so that it became tough and rigid, as well as able to hold moulded decoration. It was the usual material for the robust carrying-cases that were made for important pieces of metalwork, instruments such as astrolabes, personal sets of cutlery, books, pens and the like. It was used for some armour, being both much cheaper and much lighter than plate armour, but could not withstand a direct blow from a blade, nor a gunshot.
A scabbard is a sheath for holding a sword, knife, or other large blade. As well, rifles may be stored in a scabbard by horse riders. Military cavalry and cowboys had scabbards for their saddle ring carbine rifles and lever action rifles on their horses for storage and protection. Scabbards have been made of many materials over the millennia, including leather, wood, and metals such as brass or steel.
A handheld fan, or simply hand fan, may be any broad, flat surface that is waved back-and-forth to create an airflow. Generally, purpose-made handheld fans are folding fans, which are shaped like a sector of a circle and made of a thin material mounted on slats which revolve around a pivot so that it can be closed when not in use.
The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BCE during the Spring and Autumn period; one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 centimeters in length. The weight of an average sword of 70-centimetre (28-inch) blade-length would be in a range of approximately 700 to 900 grams. There are also larger two-handed versions used for training by many styles of Chinese martial arts.
Dao are single-edged Chinese swords, primarily used for slashing and chopping. The most common form is also known as the Chinese sabre, although those with wider blades are sometimes referred to as Chinese broadswords. In China, the dao is considered one of the four traditional weapons, along with the gun, qiang (spear), and the jian.
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as African American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present, when considering the totality of the visual culture from the continent of Africa.
The ninjatō (忍者刀), ninjaken (忍者剣), or shinobigatana (忍刀), are allegedly the preferred weapon that the shinobi of feudal Japan carried. It is portrayed by modern ninjutsu practitioners as the weapon of the ninja, and is prominently featured in popular culture. Replicas of this sword have also been prominently on display at the Ninja Museum of Igaryu, established in the mid-1960s.
A throwing knife is a knife that is specially designed and weighted so that it can be thrown effectively. They are a distinct category from ordinary knives.
The English language terminology used in the classification of swords is imprecise and has varied widely over time. There is no historical dictionary for the universal names, classification or terminology of swords; A sword was simply a double edged knife.
Knowledge about military technology of the Viking Age is based on relatively sparse archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and laws recorded in the 14th century.
A battle axe is an axe specifically designed for combat. Battle axes were specialized versions of utility axes. Many were suitable for use in one hand, while others were larger and were deployed two-handed.
A Nimcha is a single-handed sword from north Africa, especially Morocco and Algeria, a type of scimitar or saif. Becoming popular in north Africa during Ottoman presence, surviving nimcha are usually from the late 18th century onward and are notable for often using older blades. Stylistically they often bore Arabian type handles with Ottoman tugrah inscribed on the blade.
The Viking Age sword or Carolingian sword is the type of sword prevalent in Western and Northern Europe during the Early Middle Ages.
Japanese sword mountings are the various housings and associated fittings (tosogu) that hold the blade of a Japanese sword when it is being worn or stored. Koshirae (拵え) refers to the ornate mountings of a Japanese sword used when the sword blade is being worn by its owner, whereas the shirasaya is a plain undecorated wooden mounting composed of a saya and tsuka that the sword blade is stored in when not being used.
Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
The Gebel el-Arak Knife is an ivory and flint knife dating from the Naqada II d period of Egyptian prehistory, starting circa 3450 BC, showing Mesopotamian influence. The knife was purchased in 1914 in Cairo by Georges Aaron Bénédite for the Louvre, where it is now on display in the Sully wing, room 20. At the time of its purchase, the knife handle was alleged by the seller to have been found at the site of Gebel el-Arak, but it is today believed to come from Abydos.
The Kingdom of Luba or Luba Empire (1585–1889) was a pre-colonial Central African state that arose in the marshy grasslands of the Upemba Depression in what is now southern Democratic Republic of Congo.
Kuba art comprises a diverse array of media, much of which was created for the courts of chiefs and kings of the Kuba Kingdom. Such work often featured decorations, incorporating cowrie shells and animal skins as symbols of wealth, prestige and power. Masks are also important to the Kuba. They are used both in the rituals of the court and in the initiation of boys into adulthood, as well as at funerals. The Kuba produce embroidered raffia textiles which in the past was made for adornment, woven currency, or as tributary goods for funerals and other seminal occasions. The wealth and power of the court system allowed the Kuba to develop a class of professional artisans who worked primarily for the courts but also produced objects of high quality for other individuals of high status.
Ndop were figurative sculptures representing different kings (nyim) of the Kuba kingdom.
A trumbash or trombash is a Mangbetu throwing knife from the Democratic Republic of Congo.
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