Il ritorno di Don Calandrino

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Il ritorno di Don Calandrino
Intermezzo by Domenico Cimarosa
Domenico cimarosa.jpg
Composer Domenico Cimarosa
TranslationThe Return of Don Calandrino
Other titleArmidoro e Laurina
Librettist Giuseppe Petrosellini (?)
LanguageItalian
Premiere
1778

Il ritorno di Don Calandrino (The Return of Don Calandrino), also known as Armidoro e Laurina, [1] is an intermezzo in two acts by Domenico Cimarosa to an Italian libretto presumably written by Giuseppe Petrosellini. [2]

Contents

Performance history

The premiere took place in 1778 at Teatro Valle in Rome. Performances in Livorno (1783), Prague (1785), Vienna (1787), Barcelona (1788), Florence (1788 and 1793) and Padua (1801) followed. [3] After a long break, the opera was revived in 2007 under the musical direction of Riccardo Muti in a series of performances at the Salzburg Festival, [4] [5] [6] [7] [8] [9] Teatro Pérez Galdós  [ es ] in Las Palmas, [10] [11] Teatro Municipale in Piacenza, [12] Teatro Verdi  [ it ] in Pisa, [13] and the Ravenna Festival. [14]

Roles

Role Voice type
Livietta soprano castrato travesti
Don Calandrinosoprano castrato [15]
Monsieur Le Blonde bass
Irenesoprano castrato travesti
Valerio tenor

Synopsis

The libretto gives a humorous account of characters and actions of Don Calandrino, the son of the podestà of Monte Secco (Abruzzo, Italy), [16] who pretends he knows everything, but in fact is incapable of even thinking logically; Livietta, a haughty and rich peasant girl, who tries to act as a lady, but invariably fails both in her language and manners; Monsieur Le Blonde, a French traveler eager to talk about places he has supposedly visited, but of which he knows nothing; Irene, a simple and humble girl; and Valerio, the Mayor of Monte Secco and Irene’s brother. After several turns, the story resolves in pairing Don Calandrino with Livietta, and Le Blonde with Irene. [17]

Recordings

YearCast
(Livietta,
Don Calandrino,
Monsieur Le Blonde,
Irene,
Valerio)
Conductor,
Orchestra
Label
2009 Laura Giordano,
Juan Francisco Gatell,
Marco Vinco,
Monica Tarone,
Francesco Marsiglia
Riccardo Muti
Orchestra Giovanile Luigi Cherubini
CD: Gruppo Editoriale L'Espresso

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References

Notes

  1. Rossi & Fauntleroy 1999, p. 193
  2. Rossi & Fauntleroy 1999, p. 193
  3. Rossi & Fauntleroy 1999, p. 68 and 193
  4. Corriere della Sera (2007-05-27), Il Cimarosa di Muti, una scoperta
  5. La Stampa (2007-05-27), Muti a Salisburgo porta la Napoli di Calandrino
  6. La Repubblica (2007-05-26), Muti porta Napoli a Salisburgo e Calandrino conquista tutti
  7. Die Welt (2007-05-30), Musikfrühling an der Salzach
  8. Die Presse (2007-05-28), Was Bach, Mozart von Neapel lernten
  9. Deutschlandradio Kultur (2007-05-29), Inspiriert durch Neapel
  10. El País (2007-11-11), Hipnotizados por Cimarosa y Muti
  11. La Vanguardia (2007-11-11), Muti recupera el genio operístico de Cimarosa
  12. Il Giornale della Musica, Un "ritorno" vivace e surreale
  13. Teatro.it, Il ritorno di Don Calandrino [ permanent dead link ]
  14. OperaClick, Ravenna - Teatro Dante Alighieri: Il ritorno di Don Calandrino
  15. The role was sung by tenors in the performances of the opera in 2007 referred to above.
  16. Giustiniani 1803, p. 141
  17. Rossi & Fauntleroy 1999, p. 193

Cited sources