Established | 2006 |
---|---|
Location | Düsseldorf, Germany |
Director | Dr. Linnea Semmerling |
Website | www.stiftung-imai.de |
The imai Foundation was founded in 2006 as imai - inter media art institute. It is an institution dedicated to the preservation, research and distribution of video art and media art and associated activities. The foundation organizes workshops, conferences, screenings, exhibitions, [1] research projects and case studies concerning the current questions of conservation and restoration of media art. It aims to develop further the possibilities of (digital) preservation, presentation and distribution of media art. [2] [3] [4]
The main purpose for the founding of the imai Foundation (initially called imai - inter media art institute) was to preserve the large collection of video art tapes which the former video art distributor and media art agency 235 MEDIA held in its archive in Cologne. [5] IMAI was set up with the support of the provincial capital of Düsseldorf and the Cologne media art agency 235 MEDIA. [6] [7] The preservation of the video art archive was funded by the Kunststiftung NRW (art foundation NRW – of the state of North Rhine Westphalia), the 'Kulturstiftung der Länder' (cultural foundation of the Federal states). The IMAI is located in the NRW Forum at the Ehrenhof complex, built by Wilhelm Kreis in 1925-26, close to Kunstakademie Düsseldorf and the museum kunst palast in Düsseldorf, the state capital of North Rhine-Westfalia. The institute is directed by Dr. Renate Buschmann. [8]
The imai offers 40 years of video art at the click of a mouse. [9]
Dr. Renate Buschmann Foundation Director, 2012 [10]
Now the archive includes approximately 3,000 artistic and documentary works from the era of the 1960s to present. [11] The particular focus is on video art and documentaries about artists, art performances and land art. The collection includes US-American, Asian and European artists now considered some of the pioneers of this relatively young artistic genre, with a focus on works from the end of the 1970s and early 1980s. Audiovisual works, particularly single-channel works, are at the archive. [12] [13] This archive is constantly enriched with new media artworks by contemporary artists.
Some of the artists represented by imai include: Steina and Woody Vasulka, George Barber, Dara Birnbaum, Klaus vom Bruch, Douglas Davis, Valie Export, Ken Feingold, Paul Garrin, Ulrike Rosenbach, Kirsten Geisler, Gary Hill, Dara Birnbaum, Nan Hoover, [14] Valie Export, Jürgen Klauke, Robert Cahen, and Marcel Odenbach.
During its ongoing research project to restore media art installations (since 2006), the imai Foundation uses individual case studies to test restoration methods which secured the long-term preservation of technology-based art. [15] imai collaborates with restorers, art historians, technicians and artists. The foundation has realized six case studies so far: The first case study was about Il Nuotatore (va troppo spesso ad Heidelberg) [16] a work by Studio Azzurro from 1984. In Situ [17] (1986) by Gary Hill, Exchange Fields [18] (2000) by Bill Seaman, Testcuts I [19] by Katharina Sieverding (2010), Light Composition: Documenta 8 [20] (1987) by Nan Hoover and Zweileinwandkino [21] (1968/2014) by Lutz Mommartz. The results of the case studies were presented in publications and at several conferences. [22]
The imai Foundation participated in the Düsseldorf art festival Quadriennale 2010 with Katharina Sieverding. Testcuts. Projected Data Images [23] [24] and participated in Quadriennale 2014 with the exhibition The Invisible Force Behind. Materiality in Media Art. [25] Media artists Holger Mader and Heike Wiermann displayed a light-art projection in the Ehrenhof courtyard that played across the windows of the Belvedere and also at times the fountain area in the inner courtyard of the Museum Kunstpalast. The exhibition Images against Darkness (Bilder gegen die Dunkelheit) at KIT – Kunst im Tunnel [26] presented a selection of video art works from the imai archive for the first time. [27]
In the imai Foundation's video lounge, established in 2019 in the NRW Forum in Dusseldorf, you can research the history of video art from the 1970s to the present day and explore it interactively on tablets, where you may watch up to 1500 video art pieces.
Members of the Board of Trustees are Dr. Andreas Broeckmann (Director ISEA2010_Ruhr and founding Director Dortmunder U), Dr. Söke Dinkla (Director Lehmbruck Museum Duisburg), Prof. Rainer Jacobs (lawyer), Ulrich Leistner (235 MEDIA), Hans-Georg Lohe (Director of Cultural Affairs of the City of Düsseldorf), Prof. Marcel Odenbach (artist), Dr. Ingrid Stoppa-Sehlbach (Cultural Department of the State Chancellery NRW), Beat Wismer (General director of Stiftung Museum Kunstpalast), Julia Stoschek (Julia Stoschek Collection), Doris Krystof (Kunstsammlung NRW).
Members of the Board are Nicolas Maas (Foundation Schloß Benrath) and Axel Wirths (235 MEDIA).
The imai Foundation publishes exhibition catalogs and specialist works on the monographic and thematic exhibitions and case studies. A selection:
Düsseldorf is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in the state after Cologne and the sixth-largest city in Germany, with a 2022 population of 629,047.
The Kunstpalast, formerly Kunstmuseum Düsseldorf is an art museum in Düsseldorf.
Thomas Schütte is a German contemporary artist. He sculpts, creates architectural designs, and draws. He lives and works in Düsseldorf.
Katharina Sieverding is a German photographer known for her self-portraiture. Sieverding lives and works in Berlin and Düsseldorf. She is a professor emeritus at the University of the Arts, Berlin.
Imi Knoebel is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The "Messerschnitt" or "knife cuts," is a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf.
Gotthard Graubner was a German painter, born in Erlbach, in Saxony, Germany.
Oliver Grau is a German art historian and media theoretician with a focus on image science, modernity and media art as well as culture of the 19th century and Italian art of the Renaissance. Main Areas of Research are: Digital Art, Media Art History, immersion, digital humanities, documentation and conservation strategies of born-digital media art. He is founder and director of the Archive for Digital Art (1998) and founder and head of the Society for MediaArtHistories and its biennial conference series. His monograph "Virtual Art: From Illusion to Immersion" is highly cited and with translations of his texts in 15 languages to date and over 300 invited lectures in 44 countries, he is one of the most internationally renowned contemporary art and media scholars.
Gregor Schneider is a German artist. His projects have proven controversial and provoked intense discussions. In 2001, he was awarded the Golden Lion at the Venice Biennale for his infamous work Totes Haus u r exhibited at the German Pavilion.
Elmar Hess is a German artist.
Zero was an artist group founded in the late 1950s in Düsseldorf by Heinz Mack and Otto Piene. Piene described it as "a zone of silence and of pure possibilities for a new beginning". In 1961 Günther Uecker joined the initial founders. ZERO became an international movement, with artists from Germany, the Netherlands, Belgium, France, Switzerland, and Italy.
George Barber is a British video artist.
Else Madelon Hooykaas is a Dutch video artist, photographer and film maker. She makes films, sculptures, audio-video installations and has published several books.
Agnes Meyer-Brandis is a German installation artist, known for her Moon Goose Colony, an internationally exhibited artwork and film in which she raises a flock of geese and teaches them to become astronauts.
Myriam Thyes is a new media artist from Switzerland. She lives and works in Düsseldorf.
Pola Sieverding is a German photographer and video artist. She works in the field of lens based media.
Nira Pereg is a visual artist. She was born in Tel Aviv. She lived in Jerusalem for a short time, where she graduated with an MFA from Bezalel Academy of Arts and Design. She is an Associate Professor of Art at Shenkar College.
Katharina Grosse is a German visual artist. She is known for her large-scale, site-related installations to create immersive visual experiences. Grosse's work employs a use of architecture, sculpture and painting. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Kamila B. Richter is a Czech media artist.
Detmar Jobst Wilhelm Westhoff is a German art historian and curator. He is very committed to artistic projects that build a bridge between Asia and Europe, to young experimental artists, local cultural policy and monument protection.
Juergen Staack is a German minimalist and conceptual artist based in Düsseldorf.