Previous editors-in-chief have been:
Current editor-in-chief:
The Courtauld Institute of Art, commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni.
Eerie was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like Mad, it was a black-and-white magazine intended for newsstand distribution and did not submit its stories to the comic book industry's voluntary Comics Code Authority. Each issue's stories were introduced by the host character, Cousin Eerie. Its sister publications were Creepy and Vampirella.
The Textile Institute is a professional body for those engaged in clothing, footwear, and textile's whose headquarters are at 8th Floor St James's Buildings, 79 Oxford Street, Manchester, M1 6FQ, UK. The institute was founded in 1910 and incorporated in England by a Royal Charter granted in 1925 and is a registered charity. The Textile Institute works to promote professionalism in textiles and its related industries worldwide.
The Oxford Centre for Hindu Studies, founded in 1997 and based in Oxford, England, is a research academy focused on the study and teaching of Hindu cultures of India and Nepal. It develops academic programmes of education, research and publishing in Hindu studies. It aims to encourage the Hindu community in the academic study of their own traditions and cultures. From 2006 to 2020, it was granted the status of a "recognised independent centre" working with the University of Oxford.
Inc. is an American business magazine founded in 1979 and based in New York City. The magazine publishes six issues per year, along with surrounding online and social media content. The magazine also produces several live and virtual events yearly.
The Mathematical Intelligencer is a mathematical journal published by Springer Science+Business Media that aims at a conversational and scholarly tone, rather than the technical and specialist tone more common among academic journals. Volumes are released quarterly with a subset of open access articles. Some articles have been cross-published in the Scientific American. Karen Parshall and Sergei Tabachnikov are currently the co-editors-in-chief.
The Middle East Institute (MEI) is a non-profit, non-partisan think tank and cultural centre in Washington, D.C., founded in 1946. It seeks to "increase knowledge of the Middle East among the United States citizens and promote a better understanding between the people of these two areas."
The European Association of Archaeologists (EAA) is a membership-based, not-for-profit association, open to archaeologists and other related or interested individuals or bodies in Europe and beyond. It was founded in 1994 at an inaugural meeting in Ljubljana, Slovenia, where its Statutes were formally approved, and recognized by the Council of Europe in 1999. EAA has had over 15,000 members on its database from 75 countries. EAA holds an annual conference and publishes the flagship journal, the European Journal of Archaeology. The EAA also publishes an in-house newsletter, The European Archaeologist (TEA), and two monograph series. The registered office of the association is in Prague, Czech Republic.
The Astronomical Society of Australia (ASA) is the professional body representing astronomers in Australia. Established in 1966, it is incorporated in the Australian Capital Territory. Membership of the ASA is open to people "capable of contributing to the advancement of astronomy or a closely related field". This means that the members are mainly active professional astronomers and postgraduate students. Some retired astronomers and distinguished amateur astronomers are also members, and several organisations are corporate members of the society. The ASA currently has around 600 members. It publishes a peer-reviewed journal, Publications of the Astronomical Society of Australia.
The Journal of Korean Studies is a biannual peer-reviewed academic journal covering Korean studies. It was established in 1969. The original series had two issues numbered Volume 1 (1969) and 2 (1971) that were edited by David Messler. A decade later, James Palais edited and published volumes 1–5 of the second series (1979–1987). Volumes 6–8 (1988–1992) were edited by Mike Robinson.
Joseph Leo Koerner is an American art historian and filmmaker. He is the Victor S. Thomas Professor of the History of Art and Architecture and Professor of Germanic Languages and Literatures at Harvard University. Since 2008 he has also been Senior Fellow at the Harvard's Society of Fellows.
Alixe Bovey FSA is a Canadian medieval art historian and Dean and Deputy Director at the Courtauld Institute of Art, a college of the University of London. Her research has been chiefly concerned with pictorial narratives and their cultural and literary context. She has also written on medieval monsters.
Comics journalism is a form of journalism that covers news or nonfiction events using the framework of comics, a combination of words and drawn images. Typically, sources are actual people featured in each story, and word balloons are actual quotes. The term "comics journalism" was coined by one of its most notable practitioners, Joe Sacco. Other terms for the practice include "graphic journalism," "comic strip journalism", "cartoon journalism", "cartoon reporting", "comics reportage", "journalistic comics", "sequential reportage," and "sketchbook reports".
The Design Research Society (DRS), founded in the United Kingdom in 1966, is an international society for developing and supporting the interests of the design research community. The primary purpose of the DRS, as embodied in its first statement of rules, is to promote ‘the study of and research into the process of designing in all its many fields'. This established the intention of being an interdisciplinary learned society, taking a scholarly and domain independent view of the process of designing. Membership is open to anyone interested in design research, and members with established experience and a strong background in design research may apply to be elected as a DRS Fellow.
Caroline Arscott is an Emeritus Professor of the History of Art at the Courtauld Institute.
Tomasz Kitliński is a Polish political philosopher, cultural and social analyst, and civic activist. He was a lecturer and trade unionist at Maria Curie-Sklodowska University: since 2023 he has been Professor at the Academy of the Arts in Szczecin. He is also an author of books, articles, petitions and letters of protest. In his research and teaching, he deals with contemporary society, culture and politics, intellectual history, literary and critical theory, art practice, religious studies and social anthropology. In his activism, he champions women's, LGBT, labour and refugee rights and participation.
James Austin is an Australian fine-art and architectural photographer.
John Arthur Newman was an English architectural historian. He was the author of several of the Pevsner Architectural Guides and was the advisory editor to the series.
Sussan Babaie is an Iranian-born art historian and curator. She is best known for her work on Persian art and Islamic art of the early modern period. She has written extensively on the art and architecture of the Safavid dynasty. Her research takes a multidisciplinary approach and explores topics such as urbanism, empire studies, transcultural visuality and notions of exoticism. In her work as a curator, Babaie has worked on exhibitions at the Sackler Museum of Harvard University (2010), the University of Michigan Museum of Art, and the Smith College Museum of Art (1998).
Deborah Kahn is an American art historian, author, and academic, specializing in European Medieval art and architecture. She is an eminent figure in the study of Canterbury Cathedral collection. Kahn has acted as a consultant on sculpture and conservation to Canterbury Cathedral and Lincoln Cathedral. She became Visiting Assistant Professor, Department of Art History at Columbia University from 1986 to 1987. She went on to work at Princeton University, from 1989 to 1991; before joining Boston University in 1996, where she is currently Associate Professor, in the department of art history. She is the author of two books, as well as numerous articles and conference papers.