Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international modern and contemporary art. It forms part of the Tate group together with Tate Britain, Tate Liverpool and Tate St Ives. It is located in the former Bankside Power Station, in the Bankside area of the London Borough of Southwark.
Beamish Museum is the first regional open-air museum, in England, located at Beamish, near the town of Stanley, in County Durham, England. Beamish pioneered the concept of a living museum. By displaying duplicates or replaceable items, it was also an early example of the now commonplace practice of museums allowing visitors to touch objects.
Sir Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is an emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
A witch ball is a hollow sphere of glass. Witch balls were hung in cottage windows in 17th- and 18th-century England to ward off evil spirits, witches, evil spells, ill fortune and bad spirits.
The Kiss is an 1882 marble sculpture by the French sculptor Auguste Rodin.
The Everhart Museum of Natural History, Science & Art is a non-profit art and natural history museum located in Nay Aug Park in Scranton, Pennsylvania, United States. It was founded in 1908 by Dr. Isaiah Fawkes Everhart, a local medical doctor and skilled taxidermist. Many of the specimens in the museum's extensive ornithological collection came from Dr. Everhart's personal collection.
The Physical Impossibility of Death in the Mind of Someone Living is an artwork created in 1991 by Damien Hirst, an English artist and a leading member of the "Young British Artists". It consists of a preserved tiger shark submerged in formalin in a glass-panel display case.
The Lycurgus Cup is a Roman glass 4th-century cage cup made of a dichroic glass, which shows a different colour depending on whether or not light is passing through it: red when lit from behind and green when lit from in front. It is the only complete Roman glass object made from this type of glass, and the one exhibiting the most impressive change in colour; it has been described as "the most spectacular glass of the period, fittingly decorated, which we know to have existed".
For the Love of God is a sculpture by artist Damien Hirst produced in 2007. It consists of a platinum cast of an 18th-century human skull encrusted with 8,601 flawless diamonds, including a pear-shaped pink diamond located in the forehead that is known as the Skull Star Diamond. The skull's teeth are original, and were purchased by Hirst in London. The artwork is a memento mori, or reminder of the mortality of the viewer.
The Princeton University Art Museum (PUAM) is the Princeton University gallery of art, located in Princeton, New Jersey. With a collecting history that began in 1755, the museum was formally established in 1882, and now houses over 113,000 works of art ranging from antiquity to the contemporary period. The Princeton University Art Museum dedicates itself to supporting and enhancing the university's goals of teaching, research, and service in fields of art and culture, as well as to serving regional communities and visitors from around the world. Its collections concentrate on the Mediterranean region, Western Europe, Asia, the United States, and Latin America.
An Oak Tree is a conceptual work of art created by Michael Craig-Martin in 1973. The piece, described as an oak tree, is installed in two units – a pristine installation of a glass of water on a glass shelf on metal brackets 253 centimetres above the ground, and a text mounted on the wall. When first exhibited, the text was given as a handout.
Mark Dion is an American conceptual artist best known for his use of scientific presentations in his installations. His work examines the manner in which prevalent ideologies and institutions influence our understanding of history, knowledge and the natural world. The job of the artist, according to him, is to "go against the grain of dominant culture, to challenge perception and convention". By locating the roots of environmental politics and public policy in the construction of knowledge about nature, Dion questions the objectivity and authoritative role of the scientific voice in contemporary society, tracking how pseudo-science, social agendas and ideology creep into public discourse and knowledge production. Some of his well known works include Neukom Vivarium (2006), a permanent outdoor installation and learning lab for the Olympic Sculpture Park in Seattle, Washington.
Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware.
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especially associated with the beginning of the Early Medieval period in Ireland and Britain, although they are found in other times and places—for example, forming part of traditional female dress in areas in modern North Africa.
The National Museum of Ireland – Archaeology is a branch of the National Museum of Ireland located on Kildare Street in Dublin, Ireland, that specialises in Irish and other antiquities dating from the Stone Age to the Late Middle Ages.
In 1898, Baron Ferdinand de Rothschild bequeathed to the British Museum as the Waddesdon Bequest the contents from his New Smoking Room at Waddesdon Manor. This consisted of a wide-ranging collection of almost 300 objets d'art et de vertu, which included exquisite examples of jewellery, plate, enamel, carvings, glass and maiolica. One of the earlier objects is the outstanding Holy Thorn Reliquary, probably created in the 1390s in Paris for John, Duke of Berry. The collection is in the tradition of a schatzkammer, or treasure house, such as those formed by the Renaissance princes of Europe; indeed, the majority of the objects are from late Renaissance Europe, although there are several important medieval pieces, and outliers from classical antiquity and medieval Syria.
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This article gives an overview of the many different applied arts of China.
Enamelled glass or painted glass is glass which has been decorated with vitreous enamel and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass.
An Insular crozier is a type of processional bishop's staff (crozier) produced in Ireland and Scotland between 800 and 1200. Such items can be distinguished from mainland European types by their curved and open crooks, and drop. By the end of the 12th century, production of Irish croziers had largely ended, but examples continued to be reworked and added to throughout the Romanesque and Gothic periods. Although many of the croziers are associated with 5th- and 6th-century saints, the objects were not made until long after the saints had died. A majority originate from around the 9th century, with a number further embellished between the 11th and 13th centuries.
The Clonmacnoise Crozier is a late-11th-century Insular crozier that would have been used as a ceremonial staff for bishops and mitred abbots. Its origins and medieval provenance are unknown. It was likely discovered in the late 18th or early 19th century in the monastery of Clonmacnoise in County Offaly, Ireland. The crozier has two main parts: a long shaft and a curved crook. Its style reflects elements of Viking art, especially the snake-like animals in figure-of-eight patterns running on the sides of the body of the crook, and the ribbon of dog-like animals in openwork that form the crest at its top. Apart from a shortening to the staff length and the loss of some inserted gems, it is largely intact and is one of the best-preserved surviving pieces of Insular metalwork.
