Improvisations to Music | ||||
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Studio album by | ||||
Released | December 15, 1958 | |||
Genre | Comedy | |||
Length | 34:07 | |||
Label | Mercury Records | |||
Producer | Jack Tracy | |||
Nichols and May chronology | ||||
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Improvisations to Music is the first comedy album by Nichols and May. It was released on December 15, 1958, by Mercury Records. [1]
The sketches were recorded improvised along with the accompaniment of Marty Rubenstein on piano. The album peaked at 39 on the Billboard 200. [2]
The "Cocktail Party" sketch" featured an alternate take,in which Nichols and May disliked, because the pianist stopped playing the piano for 30 seconds. The sketch was re-recorded with an alternation of the dialogue, which appeared on the other copies of the "Improvisations to Music" album. The corrected sketch was issued on the "In Retrospect" album.
Wendy Carlos is an American musician and composer best known for electronic music and film scores.
William John Evans was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
Pachelbel's Canon is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major. The piece is constructed as a true canon at the unison in three parts, with a fourth part as a ground bass throughout. Neither the date nor the circumstances of its composition are known, and the oldest surviving manuscript copy of the piece dates from 1838 to 1842.
Jacques Loussier was a French pianist and composer. He arranged jazz interpretations of many of the works of Johann Sebastian Bach, such as the Goldberg Variations. The Jacques Loussier Trio, founded in 1959, played more than 3,000 concerts and sold more than 7 million recordings—mostly in the Bach series. Loussier composed film scores and a number of classical pieces, including a Mass, a ballet, and violin concertos. His style is described as third stream, a synthesis of jazz and classical music, with an emphasis on improvisation.
Paul Julien André Mauriat was a French orchestra leader, conductor of Le Grand Orchestre de Paul Mauriat, who specialized in the easy listening genre. He is best known in the United States for his million-selling remake of André Popp's "Love is Blue", which was number 1 for 5 weeks in 1968. Other recordings for which he is known include "El Bimbo", "Toccata", "Love in Every Room/Même si tu revenais", and "Penelope". He co-wrote the song Chariot with Franck Pourcel(using the pseudonym J.W. Stole).
"Giant Steps" is a jazz composition by American saxophonist John Coltrane. It was first recorded in 1959 and released on the 1960 album Giant Steps. The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists. Due to its speed and rapid transition through the three keys of B major, G major and E♭ major, Vox described the piece as "the most feared song in jazz" and "one of the most challenging chord progressions to improvise over" in the jazz repertoire.
Emerson, Lake & Palmer is the debut studio album by English progressive rock band Emerson, Lake & Palmer. It was released in the United Kingdom by Island Records in November 1970, and in the United States by Cotillion Records in January 1971. After the group formed in the spring of 1970, they entered rehearsals and prepared material for an album which became a mix of original songs and rock arrangements of classical music. The album was recorded at Advision Studios in July 1970, when the band had yet to perform live. Lead vocalist and bassist/guitarist Greg Lake produced it.
Bradford Alexander Mehldau is an American jazz pianist, composer, and arranger.
Art Blakey's Jazz Messengers with Thelonious Monk is a studio album released in 1958 by Atlantic Records. It is a collaboration between the Jazz Messengers, the group led by drummer Art Blakey, and Thelonious Monk on piano.
Live in Japan is a 1973 live album by the American jazz singer Sarah Vaughan, recorded at the Nakano Sun Plaza Hall in Tokyo, Japan.
Hush is a collaborative album by vocalist Bobby McFerrin and cellist Yo-Yo Ma. It was released on the Sony Masterworks label in 1992. The pair first met at a 1988 celebration of Leonard Bernstein.
Alone is a solo piano album by jazz musician Bill Evans, recorded in the fall of 1968 for Verve Records, featuring a particularly notable 14+-minute performance of the jazz standard "Never Let Me Go". Evans contributed notes to the album, including the following statement:
Perhaps the hours of greatest pleasure in my life have come about as a result of the capacity of the piano to be in itself a complete expressive musical medium. In retrospect, I think that these countless hours of aloneness with music unified the directive energy of my life. At those times when I have achieved this sense of oneness while playing alone, the many technical or analytic aspects of the music happened of themselves with positive rightness which always served to remind me that to understand music most profoundly one only has to be listening well. Perhaps it is a peculiarity of mine that despite the fact that I am a professional performer, it is true that I have always preferred playing without an audience. This has nothing to do with my desire to communicate or not, but rather I think just a problem of personal self-consciousness which had to be conquered through discipline and concentration. Yet, to know one is truly alone with one’s instrument and music has always been an attractive and conducive situation for me to find my best playing level. Therefore, what I desired to present in a solo piano recording was especially this unique feeling.
Love, Gloom, Cash, Love is the last album as leader by jazz pianist Herbie Nichols, featuring performances recorded in 1957 and released on the Bethlehem label in 1958. “Infatuation Eyes” is a solo piano piece paying tribute to Art Tatum, who died in November 1956.
Nichols and May was an American improvisational comedy duo act developed by Mike Nichols (1931–2014) and Elaine May. Their three comedy albums reached the Billboard Top 40 between 1959 and 1962. Many comedians have cited them as key influences in modern comedy. Woody Allen declared, “the two of them came along and elevated comedy to a brand-new level".
"Moonlight Cocktail" is a 1941 big band song recorded by Glenn Miller during World War II. The music was composed by Luckey Roberts and the lyrics by Kim Gannon.
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In Retrospect is the final comedy album by Nichols and May. It is a "best of" compilation album of their first three albums.
Coleman Hawkins and Confrères is an album by saxophonist Coleman Hawkins which was recorded in 1958 and released on the Verve label.
After Bach is a solo album by pianist Brad Mehldau. It consists of five compositions from Johann Sebastian Bach's Well-Tempered Clavier interspersed with pieces by Mehldau that were inspired by them. The performances were recorded in 2017 and released by Nonesuch Records the following year.