In Between | ||||
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Studio album by | ||||
Released | February 24, 2017 | |||
Recorded | Late 2014 to 2016 [1] | |||
Studio |
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Length | 43:24 | |||
Language | English | |||
Label | Bar/None | |||
Producer | Bill Million | |||
The Feelies chronology | ||||
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"I have hearing problems, so I'm drawn more to quieter music now. The songs seemed to require that approach but that also stemmed from the demos we made. We liked the feel and that inspired us to record at my place. We really wanted to get the same feel from those sessions onto the record. Part of it's the technique and part of it's the vibe of being in a room you're familiar with. We've rehearsed here since the late '80s, so we're not looking at the clock, thinking, 'Oh, we just spent $100 just working on this one part.'"
Contents
In Between is a 2017 studio album by American alternative rock band the Feelies. It has received positive reviews from critics.
According to the review aggregator Metacritic , In Between received "generally favorable reviews" based on a weighted average score of 80 out of 100 from 13 critic scores. [2] Editors at AllMusic rated this album 3.5 out of 5 stars, with critic Mark Deming writing that this album "dials back a bit on the tempos as well as the electric guitars" with more subdued music than the band's late 1980s and early 1990s work, but continued that "it's never cautious; this is very much the work of one of America's best and most venerable independent bands, and it confirms the Feelies are still a genuine creative force as they approach their 40th anniversary". [3] Greg Kot of the Chicago Tribune stated that the band "finds the sweet spot between tranquillity and propulsion" on this release and that they sound "focused on moving ahead, ever in between stations". [4] Classic Rock 's Julian Marszalek scored In Between 4 out of 5 stars, declaring it a career-best for the musicians whose "grip of melody remains very much in place throughout, as do their love of jangling intertwining guitars and a strict sense of rhythm". [5] In the Los Angeles Times , Randall Roberts emphasized the continuity between this music and the band's earlier work, stating, "like most of their songs, the new ones are fueled by seemingly simple but absolutely engaging riff-based melodies, which launch from the starting gates like thoroughbreds at the Derby and run with focused power". [6]
Juan Edgardo Rodríguez of No Ripcord gave this album a 7 out of 10, for music that is "as unassuming as it is stubbornly unchangeable" with "mantric strums with casual but also demanding arrangements". [7] Editors at Pitchfork scored this release 8.0 out of 10 and critic Marc Masters praised it for being "both mellow and intense in ways only the Feelies can pull off". [8] At PopMatters , Ed Whitlock gave In Between an 8 out of 10, calling it a testament to "strict adherence to a framework to reveal the deepest levels of creativity and mastery of vision" with the interplay of the band members, with specific praise for each. [9] In The Skinny , Andrew Gordon rated this work 3 out of 5 stars and called it more subdued than the band's previous work and drew comparisons to their 1986 album The Good Earth , as well as fellow New Jersey–based indie rock bands Real Estate and Yo La Tengo. [10] In Between received 7.5 out of 10 stars in Under the Radar , where Matthew Berlyant called it "a complete beauty", making "another gem" in the band's "flawless discography". [11] Jim DeRogatis of WBEZ-FM praised the "irresistible forward propulsion of the slightly syncopated twist that [percussionist Dave] Weckerman, drummer Stan Demeski, and bassist Brenda Sauter put on their Bo Diddley-via-the Velvet Underground grooves, combined with Bill Million’s relentless rhythm guitar and Glenn Mercer’s harmonic decorations and occasional lead-guitar eruptions" stating that the band's sound is the same as it has been for decades, but that is a good thing and they remain "undiminished, as fresh and undeniable today as they were" in their early career. [12]
All songs written by Glenn Mercer, except where noted.
The Feelies
Additional personnel
The Shins is an American indie rock band formed in Albuquerque, New Mexico, in 1996. The band is the project of singer-songwriter James Mercer, who has served as the band's sole constant member throughout numerous line-up changes. The band's current line-up consists of Mercer, alongside Yuuki Matthews, Mark Watrous, Patti King (keyboards), and Jon Sortland (drums). They are based in Portland, Oregon.
The Feelies are an American rock band from Haledon, New Jersey. They formed in 1976 and disbanded in 1992 after having released four albums. The band reunited in 2008, and released new albums in 2011 and 2017.
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Glenn Mercer is the vocalist and guitarist of the North Haledon, New Jersey–based rock band The Feelies. Together with Bill Million, Mercer has written and produced virtually all of the Feelies' recorded output.
Only Life is the third album by the American rock band the Feelies, released in 1988. It was made with the same line-up that appeared on the band's previous album, The Good Earth. The album contains a cover of the Velvet Underground's "What Goes On".
Time for a Witness is the fourth studio album by the American rock band the Feelies, released in 1991 on A&M/Coyote. The band supported the album with a North American tour.
Wilco (The Album) is the seventh studio album by the American rock band Wilco, released on June 30, 2009, by Nonesuch Records. Prior to release, Wilco streamed the album on their website. The album was nominated for a Grammy Award for Best Americana Album.
Here Before is the fifth studio album by the American rock band the Feelies. It was released on April 12, 2011, on Bar/None.
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Nothing Feels Natural is the debut studio album by American punk rock band Priests. It was released through Sister Polygon Records on January 27, 2017.
Out in the Storm is the fourth studio album by American singer-songwriter Waxahatchee, released on July 14, 2017 through Merge. It features her sister Allison Crutchfield on keyboards and percussion, as well as Katie Harkin, Katherine Simonetti, and Ashley Arnwine. Dinosaur Jr./Sonic Youth producer John Agnello recorded the album live. The album was released digitally, on vinyl and compact disc.
Nature Always Wins is the seventh studio album by English indie rock band Maxïmo Park. It was released on 26 February 2021 and reached number two on the UK Albums Chart, putting it level with Our Earthly Pleasures (2007) as the band's highest-charting album. The album was received positively by music critics, who compared it favourably to the band's early albums.
Melt the Honey is the third album by the Canadian indie rock band Packs, released on January 19, 2024, through Fire Talk. It was recorded in Mexico in March 2023, and received positive reviews from critics.
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