In Our Image | ||||
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Studio album by | ||||
Released | April 1966 | |||
Recorded | April 4, 1965 - February 3, 1966 | |||
Length | 28:04 | |||
Label | Warner Bros. | |||
Producer | Dick Glasser | |||
The Everly Brothers chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Encyclopedia of Popular Music | [2] |
In Our Image is an album by The Everly Brothers, originally released in 1966.
Several of the songs had appeared on singles in 1965, where their biggest success came in the United Kingdom off the back of "The Price Of Love" (present on this album) and "Love Is Strange" (from Beat & Soul ), the former of which ascended to No. 2 on the UK Charts, but only No. 104 in America.
Included on the album also was the flipside for "The Price Of Love", "It Only Costs A Dime", a self-written piece.
In December of that year, the final single "It's All Over" appeared, in an arrangement containing harpsichord and vocals. In a break from the usual routine, however, this song would feature Phil singing the principle vocal line and Don singing the harmony line a third lower. The song would later be covered by Cliff Richard.
Revisiting their classic style of singing, they recorded the Sonny Curtis-written "I Used To Love You". Curtis, former member of The Crickets, had previously written another Everly Brothers hit single, "Walk Right Back".
For the first 45 release of 1966, they visited the songwriting partnership of Barry Mann and Cynthia Weil, with a rendition of "Glitter And Gold". This arrangement, featuring fuzz guitar and harpsichord, was backed with another Brill Building number, the Howard Greenfield and Jack Keller-written "Lovey Kravezit".
With hardly enough time to gauge the success of this single "(You Got) The Power of Love" (written by Delaney Bramlett and Joey Cooper), containing Motown influences aplenty and backed with "Leave My Girl Alone", was to hit the stores.
Filling out the album, "The Doll House Is Empty" (later to become Warner Brothers single 5689 in February 1966), the mainstream-orientated "(Why Am I) Chained To A Memory" (Edward A. Snyder/Richard Ahlert) and "June Is As Cold As December" from Marge Barton.
Bonnie Bramlett is an American singer and occasional actress known for performing with her husband, Delaney Bramlett, as Delaney & Bonnie. She continues to sing as a solo artist.
Howard Greenfield was an American lyricist and songwriter, who for several years in the 1960s worked out of the famous Brill Building. He is best known for his successful songwriting collaborations, including one with Neil Sedaka from the late 1950s to the mid-1970s, and near-simultaneous songwriting partnerships with Jack Keller and Helen Miller throughout most of the 1960s.
Stories We Could Tell is a country rock album by The Everly Brothers, released in 1972. It was reissued as Stories We Could Tell:The RCA Years by BMG in 2003 and included additional tracks, all stemming from the successor album Pass the Chicken & Listen. In 2014 it was re-released once more on Stories We Could Tell + Pass The Chicken & Listen by Morello Records.
Eric Clapton is the debut studio album by British rock musician Eric Clapton, released in August 1970 under Atco and Polydor Records.
The Everly Brothers recorded "(You Got) The Power of Love", written by Delaney Bramlett and Joey Cooper, in Hollywood on February 3, 1966. Session artists included Glen Campbell, Larry Knechtel, Jim Gordon and Hal Blaine. Released by Warner Brothers as a single in April 1966, this rock and roll tune was a cohesive effort and remains a favorite today. The song featured on the In Our Image album subsequently released by Warner Brothers, one of a trio of albums regarded by Don Everly as the best they recorded for the Warner Brothers label, the other two being Rock N Soul and Beat N Soul.
Motel Shot is a studio album by Delaney & Bonnie and Friends, released in 1971. The album, their third for Atco/Atlantic and fifth overall, is a mostly acoustic set. The album's title refers to the impromptu, sometimes late-night, jam sessions pursued by touring musicians when on the road.
To Bonnie from Delaney is the fourth album by Delaney & Bonnie and Friends. It was their first studio album for the Atco/Atlantic label, and their fourth album overall. Coincidentally, Atco/Atlantic's parent company purchased the Bramletts' previous label Elektra Records around this time.
D&B Together is the sixth album by Delaney & Bonnie and Friends and their first for Columbia Records. It was their last album of new material, as Delaney and Bonnie Bramlett would divorce soon after its release.
The Best of Delaney & Bonnie is a compilation album of music recorded by Delaney & Bonnie and Friends during the years 1969-71.
Eric Clapton at His Best is a two-LP compilation of Eric Clapton's work after he left his earlier band Cream, released in September 1972. It was concurrently released with a two-LP compilation of Cream tracks, Heavy Cream, along with "at His Best" solo retrospectives by Cream's other members Jack Bruce and Ginger Baker.
Bubblegum, Lemonade &... Something for Mama is the second solo album released by Cass Elliot under the billing "Mama Cass". It was recorded in 1969 and arranged and produced by Steve Barri. The album was originally released on July 5, 1969, with only 11 tracks. It was released again on December 6, 1969, under a new title and with a different album cover as Make Your Own Kind of Music/It’s Getting Better. "Make Your Own Kind of Music" had just become a hit and was added to the album.
Delaine Alvin "Delaney" Bramlett was an American singer, songwriter, musician, and producer. Bramlett is best known for his musical partnership with his then-wife Bonnie Bramlett in the band Delaney & Bonnie and Friends, which included a wide variety of other musicians, many of whom were successful in other contexts.
Look at Us is the debut album by American pop duo Sonny & Cher, released in 1965 by Atco Records. The album reached number two on the Billboard 200 and was certified gold.
Stories We Could Tell: The RCA Years is a country rock compilation album by The Everly Brothers, released in 2003. The original LP Stories We Could Tell was produced by Paul Rothchild and released by RCA Victor in 1972. This CD contains the original album plus eight of the twelve tracks from the Everlys' other RCA album, Pass the Chicken & Listen.
Heartaches and Harmonies is a compilation box-set CD by the rock and roll duo The Everly Brothers, released in 1994. It contains 103 songs spanning from a 1951 radio performance of "Don't Let Our Love Die" through 1990. It contains their early Cadence hits and a large representation of their Warner Bros. output. Alternate takes and less-successful singles are also included.
Bobby Whitlock is the debut solo album by American songwriter and rock musician Bobby Whitlock, released in early 1972. The album features all of the former members of Derek and the Dominos – Whitlock, Eric Clapton, Carl Radle and Jim Gordon – although never all together. Other contributors include George Harrison, the sessions for whose 1970 triple album All Things Must Pass had led to the formation of the Dominos; Delaney and Bonnie Bramlett; and ex-Manfred Mann bassist Klaus Voormann.
Clapton is a 1973 compilation album of Eric Clapton's early solo work. It was the second of two such compilations that Polydor Records would issue; the first, Eric Clapton at His Best, was released in late 1972.
Do the Twist! is a studio album recorded in late 1961/early 1962 by U. S. Entertainer Connie Francis. It was released in early 1962 on MGM Records. Later that same year it was repackackaged and re-released under a new title, Dance Party.
Rockin' 50's Rock'n'Roll is a rock and roll album by the Crickets. It was The Crickets' first release in the 1970s, and marked the band's embrace of their legacy as Buddy Holly's backing band. The album is a concept album of nostalgia for the 1950s, consisting mostly of songs written by Holly and framed by the new retrospectively-minded title track. Originally released as an LP record in December 1970, the album was re-released on CD by in 2000.
"It's All Over" is a song by the Everly Brothers, released as a single in December 1965 from their album In Our Image.