| The Everly Brothers Sing Great Country Hits | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | October 1963 | |||
| Recorded | June 20 & 21, 1963 Nashville, TN | |||
| Length | 29:35 | |||
| Label | Warner Bros. | |||
| The Everly Brothers chronology | ||||
| ||||
The Everly Brothers Sing Great Country Hits is an album by the Everly Brothers, originally released in 1963. It was re-released on CD in 2005 on the Collectors' Choice Music label.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
| The Encyclopedia of Popular Music | [2] |
Allmusic stated in their review: "The singing is some of the most beautiful in the Everlys' output, and the arrangements are models of creative simplicity — and for fans of the duo, it's almost as essential a record as Roots ."
Country USA was a 23-volume series issued by Time-Life Music during the late 1980s and early 1990s, spotlighting country music of the 1950s through early 1970s.
Both Sides Of An Evening is the fifth studio album and released in 1961 by The Everly Brothers. Though it was released at the peak of their career, it failed to make any of the record charts.
"Lovesick Blues" is a Tin Pan Alley song, composed by Cliff Friend, with lyrics by Irving Mills. It first appeared in the 1922 musical "Oh, Ernest", and was recorded that year by Elsie Clark and Jack Shea. Emmett Miller recorded it in 1925 and 1928, followed by country music singer Rex Griffin in 1939. The recordings by Griffin and Miller inspired Hank Williams to perform the song during his first appearances on the Louisiana Hayride radio show in 1948. Receiving an enthusiastic reception from the audience, Williams decided to record his own version despite initial push back from his producer Fred Rose and his band.
The Hit Sound of the Everly Brothers is an album by the Everly Brothers, released in 1967. It was re-released on CD by Collectors' Choice Music in 2005.
The Everly Brothers Sing is an album by the Everly Brothers, released by Warner Bros. in 1967. It was re-released on CD by Collectors' Choice Music in 2005.
Beat & Soul is an album by The Everly Brothers, originally released in 1965. It peaked at No. 141 on the Billboard Pop Albums charts. It was re-released on CD in 2005 on the Collectors' Choice Music label.
The Everly Brothers Show is a live album by the Everly Brothers, released in 1970.
The Everly Brothers' Best is the first compilation album by American singing duo the Everly Brothers, released in 1959 by their first record company, Cadence Records. The album contains both sides of their first six singles for the label in chronological order. Allmusic states in their review: "this original Cadence compilation still holds up nicely after almost half-a-century."
Sing: Chapter 1 is the seventh studio album from country music singer Wynonna Judd, released on February 3, 2009. It is her seventh solo studio album and the follow-up to her 2003 album What the World Needs Now Is Love and her holiday-themed 2006 release A Classic Christmas. This release celebrates Wynonna's 25th Anniversary in the music business.
Love Without Mercy is the second studio album by American country music singer Lee Roy Parnell. It was released in 1992 on Arista Records. The album includes the singles "The Rock", "What Kind of Fool Do You Think I Am", "Tender Moment" and "Love Without Mercy". The latter three all reached Top Ten on the Billboard country charts. "Back in My Arms Again" was also recorded & released as a single by Kenny Chesney in 1996 off of Me and You.
Kentucky Bluebird is the second compilation album by American country music singer Keith Whitley. His first posthumous album, it was released by RCA Records in September 1991. The album consists of four previously released songs, re-orchestrated demos, and other previously unreleased songs, as well as snippets from live performances that predate his professional music career.
Rosemary Clooney Sings Country Hits from the Heart is a 1963 RCA Victor studio album by Rosemary Clooney, arranged by Marty Paich. It was her first album of country music, the second being Look My Way in 1976.
Lonesome Love is the second studio album by American country artist Jean Shepard. The album was released in December 1958 on Capitol Records and was produced by Ken Nelson. It was another album released by another central theme.
Maverick is the forty-fourth studio album by American musician Hank Williams Jr. It was released by Curb/Capricorn Records on February 18, 1992. "Hotel Whiskey," "Come On Over to the Country" and "Lyin' Jukebox" were released as singles. The album peaked at number 7 on the Billboard Top Country Albums chart and has been certified Gold by the RIAA.
Out of Left Field is the forty-fifth studio album by American musician Hank Williams Jr. It was released by Curb/Capricorn Records on March 9, 1993. "Everything Comes Down to Money and Love" and "Diamond Mine" were released as singles. The album peaked at number 25 on the Billboard Top Country Albums chart.
You're the Reason I'm Living is a 1963 album by Bobby Darin. It contains Country and Western music, often with a big band twist, and features arrangements by Jimmie Haskell, Shorty Rogers and Gerald Wilson. The title track was a number three hit single. The album reached number 43 on the Billboard 200 chart.
Moanin' the Blues is the second album by American country musician Hank Williams, released on MGM Records in 1952.
Bill Anderson Sings for "All the Lonely Women in the World" is a studio album by American country singer-songwriter Bill Anderson. It was released in May 1972 on Decca Records and was produced by Owen Bradley. It was Anderson's nineteenth studio recording to be released during his music career. The album included one song that became a major hit for him in 1972, the title track. The album would also reach positions on national music charts at the time.
Hank Locklin Sings Hank Williams is a studio album by American country singer–songwriter Hank Locklin. It was released in September 1964 via RCA Victor Records. The record was co-produced by Chet Atkins and Bob Ferguson. The project was a tribute effort to Locklin's friend and fellow country artist Hank Williams. It was recorded with in an orchestral style that embodied Locklin's new Nashville Sound musical identity. It received mixed reviews from writers and critics.
 | This 1960s pop-album-related article is a stub. You can help Wikipedia by expanding it. |
