"With a Little Help from My Friends" is a song recorded by English rock band the Beatles for their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by Paul McCartney with contributions from John Lennon, and is sung by drummer Ringo Starr, his lead vocal for the album. As the second track on the album, it segues from the applause on the title track.
The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. With hits including "Searchin'", "Young Blood", "Charlie Brown", "Poison Ivy", and "Yakety Yak", their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame.
Duane Eddy was an American rock and roll guitarist. In the late 1950s and early 1960s, he had a string of hit records produced by Lee Hazlewood which were noted for their characteristically "twangy" guitar sound, including "Rebel-'Rouser", "Peter Gunn", and "Because They're Young". He had sold 12 million records by 1963. His guitar style influenced the Ventures, the Shadows, the Beatles, Bruce Springsteen, Steve Earle, and Marty Stuart.
Lawrence Eugene Williams was an American rhythm and blues and rock and roll singer, songwriter, and pianist from New Orleans. He is best known for writing and recording some rock and roll classics from 1957 to 1959 for Specialty Records, including "Bony Moronie", "Short Fat Fannie", "Slow Down", "Dizzy, Miss Lizzy" (1958), "Bad Boy" and "She Said Yeah" (1959). John Lennon was a fan, and the Beatles and several other British Invasion groups recorded several of his songs.
"That'll Be the Day" is a song written by Buddy Holly and Jerry Allison. It was first recorded by Buddy Holly and the Three Tunes in 1956 and was re-recorded in 1957 by Holly and his new band, the Crickets. The 1957 recording achieved widespread success. Holly's producer, Norman Petty, was credited as a co-writer, although he did not contribute to the composition.
David Louis Bartholomew was an American musician, bandleader, composer, arranger, and record producer. He was prominent in the music of New Orleans throughout the second half of the 20th century. Originally a trumpeter, he was active in many musical genres, including rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland. In his induction into the Rock and Roll Hall of Fame, he was cited as a key figure in the transition from jump blues and swing to R&B and as "one of the Crescent City's greatest musicians and a true pioneer in the rock and roll revolution".
"Rock and Roll Music" is a song by American musician and songwriter Chuck Berry, written and recorded by Berry in May 1957. It has been widely covered and is one of Berry's most popular and enduring compositions.
"Mannish Boy" is a blues standard written by Muddy Waters, Mel London, and Bo Diddley. First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's "I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
"Roll Over Beethoven" is a 1956 song written by Chuck Berry, originally released on Chess Records, with "Drifting Heart" as the B-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to be as respected as classical music. The song has been covered by many other artists, including the Beatles and the Electric Light Orchestra. Rolling Stone magazine ranked it number 97 on its 2004 list of the "500 Greatest Songs of All Time".
"Long Tall Sally", also known as "Long Tall Sally (The Thing)", is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with "Slippin' and Slidin'".
"(Let Me Be Your) Teddy Bear" is a popular song first recorded by Elvis Presley in 1957 for the soundtrack of his second motion picture, Loving You, during which Presley performs the song on screen. It was written by Kal Mann and Bernie Lowe and published in 1957 by Gladys Music.
"Coming Up" is a song written and performed by the English rock musician Paul McCartney, released as the opening track on his second solo studio album McCartney II (1980). Like other songs on the album, the song has a synthesised sound, featuring sped-up vocals created by using a vari-speed tape machine. McCartney played all instruments.
Concerts for the People of Kampuchea is a double album credited to Various Artists and released in March 1981. It contains live performances by Wings, the Who, Queen, Elvis Costello, Pretenders, the Clash, the Specials and other artists from the Concerts for the People of Kampuchea, held at London's Hammersmith Odeon in December 1979 to raise money for the victims of war-torn Cambodia. The event was organised by Paul McCartney and Kurt Waldheim.
"Come Go With Me" is a song written by C. E. Quick, an original member of the American doo-wop vocal group the Del-Vikings. The song was originally recorded by The Del-Vikings in 1956 but not released until July 1957 on the Luniverse LP Come Go With The Del Vikings. The final version was released in the second week of January 1957 and was led by Gus Backus. When Joe Averbach, the owner of Fee Bee Records couldn't handle the demand, he signed with Dot Records in late January 1957; the song became a hit, peaking at No. 5 on the US Billboard Top 100 Pop Charts. It also reached No. 2 on the R&B chart.
"Sweet Little Sixteen" is a rock and roll song written and first recorded by Chuck Berry, who released it as a single in January 1958. His performance of it at that year's Newport Jazz Festival was included in the documentary film Jazz on a Summer's Day. It reached number two on the Billboard Hot 100, one of two of Berry's second-highest positions—along with Johnny Rivers cover of "Memphis, Tennessee"—on that chart. "Sweet Little Sixteen" also reached number one on the R&B Best Sellers chart. In the UK, it reached number 16 on the UK Singles Chart. Rolling Stone magazine ranked the song number 272 on its list of the "500 Greatest Songs of All Time" in 2004. He used the same melody on an earlier song, "The Little Girl From Central" recorded on Checkmate in 1955.
"Kansas City" is a rhythm and blues song written by Jerry Leiber and Mike Stoller in 1952. First recorded by Little Willie Littlefield the same year, as "K. C. Loving", the song later became a chart-topping hit when it was recorded by Wilbert Harrison in 1959. "Kansas City" is one of Leiber and Stoller's "most recorded tunes, with more than three hundred versions", with several appearing in the R&B and pop record charts.
"Be-Bop-a-Lula" is a rockabilly song first recorded in 1956 by Gene Vincent and His Blue Caps.
"Baby Face" is a popular Tin Pan Alley jazz song. The music was written by Harry Akst, with lyrics by Benny Davis, and the song was published in 1926.
"Little Queenie" is a song written and recorded by Chuck Berry. Released in March 1959 as a double A-side single with "Almost Grown", it was included on Berry Is on Top (1959), Berry's first compilation album. He performed the song in the movies Go, Johnny Go! (1959) and Hail! Hail! Rock 'n' Roll (1987). One year earlier, Berry had released "Run Rudolph Run", a Christmas song with the same melody.
