Lee Francis Allen was an American tenor saxophone player. Phil Alvin, Allen's bandmate in The Blasters, called him one of the most important instrumentalists in rock'n'roll. Allen's distinctive tone has been hailed as "one of the defining sounds of rock'n'roll" and "one of the DNA strands of rock."
"Good Golly, Miss Molly" is a hit rock 'n' roll song first recorded in 1956 by the American musician Little Richard and released in January 1958 as Specialty single 624 and next in July 1958 on Little Richard. The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first, Little Richard had the hit, reaching #4. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked #94 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time.
Here's Little Richard is the debut album from Little Richard, released on 4 March 1957. He had scored six Top 40 hits the previous year, some of which were included on this recording. It was his highest charting album, at 13 on the Billboard Pop Albums chart. The album contained two of Richard's biggest hits, "Long Tall Sally", which reached No. 6, and "Jenny, Jenny", which reached No. 10 in the U.S. Pop chart. It also contained "Tutti Frutti", "Slippin' and Slidin'", and "Rip It Up," all of which were Billboard top 40 hits; and "Ready Teddy", "She's Got It," and "Miss Ann," all of which, in addition to the prior songs listed, were top 10 Billboard "Hot R&B Singles." In all, 9 of the LP's 12 songs made the US Billboard Hot 100 charts between 1955 and 1958.
The song "Hey-Hey-Hey-Hey", also known as "Hey-Hey-Hey-Hey! ", was written by Little Richard and recorded on May 9, 1956 at J&M Studio, New Orleans, Louisiana,.
"Long Tall Sally" is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with "Slippin' and Slidin'".
"Tutti Frutti" is a song written by Little Richard and Dorothy LaBostrie that was first recorded in 1955, becoming Little Richard's first major hit record. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!", and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also a model for rock and roll itself. The song introduced several of rock music's most characteristic musical features, including its loud volume, powerful vocal style, and distinctive beat and rhythm.
"Twistin' the Night Away" is a song written and recorded by Sam Cooke. It was released as a single in 1962 and became very popular, charting in the top ten of both the Billboard Hot 100 (#9) and Billboard's R&B chart (#1). "Twistin' the Night Away" was successful overseas as well, peaking at #6 on the UK Singles Chart.
"Lucille" is a 1957 rock and roll song originally recorded by American musician Little Richard. Released on Specialty Records in February 1957, the single reached number one on the Billboard R&B chart, 21 on the US pop chart, and number 10 on the UK chart. It was composed by Albert Collins and Little Richard. First pressings of Specialty 78rpm credit Collins as the sole writer. Little Richard bought half of the song's rights while Collins was in Louisiana State Penitentiary.
Alvin Owen "Red" Tyler was an American R&B and neo-bop jazz saxophonist, composer and arranger, regarded as "one of the most important figures in New Orleans R&B".
"Slippin' and Slidin' " is a R&B/rock 'n' roll song performed by Little Richard. The song is credited to Little Richard, Edwin Bocage, Al Collins, and James Smith.
The Second Coming was Little Richard's third album for Reprise Records, and saw him reunited with Robert "Bumps" Blackwell from his Specialty days, with them co-writing the majority of the album together. The concept was to unite the best rock studio musicians of the '50s with the best rock studio musicians of the '70s. Many fans were disappointed in the material and in the over-syncopated, over-produced tracks. The album again failed to chart.
Southern Child is an unreleased album by Little Richard, scheduled to be released in 1972 as his third album for Reprise Records. For unconfirmed reasons the album was shelved in favour of The Second Coming, released in October. The tracks comprising the album were released in 2005 from Rhino Records as part of their Complete Reprise Recordings collection.
Little Richard's Greatest Hits is an album of Little Richard songs re-recorded in 1964 and first released in US by Vee-Jay Records in January 1965. It features updated versions of twelve of his best-known songs originally recorded in the 1950s for Specialty Records. Some of these re-recordings use different musical arrangements, including unusual syncopation, tambourine and jazz horns.
K-tel Presents Little Richard Live! 20 Super Hits is Little Richard's first album of new material since 1974, and the first album he had recorded since 1973. Recorded at the Jack Clement Studio in Nashville, the album featured remakes of twenty of his Specialty Records tracks. If you count live takes, this was actually the fifth or sixth time that Richard had recorded his classic mid-1950s hits. Despite the album's title, the tracks are studio recordings, not live performances. These August 1976 sessions and an early 1990s set with Japanese guitarist, Masayoshi Takanakka, are the last times that Penniman would re-record his mid-1950s hits for a studio album before Penniman's death in May 2020. Alternate takes from these sessions are found on a full stereo "Audiophile" album from 1980.
"Rip It Up" is a song written by Robert Blackwell and John Marascalco. It was first released by Little Richard in June 1956. Bill Haley and his Comets also released a recording of the song that year. The Little Richard version hit number one on the R&B Best Sellers chart for two weeks and peaked at number 17 on the pop chart. The Bill Haley and the Comets recording reached number 25 on the Billboard pop singles chart and number four in the UK. Bill Haley and the Comets also performed their version of the song in the 1956 film Don't Knock the Rock, in which Little Richard also appeared.
This page is a discography for musician Little Richard. Little Richard was a pioneer rock n roll singer-songwriter in the pre-Beatles era, whose career also encompassed R 'n' B, soul, and gospel. He began his recording career in 1951, signing to RCA Victor, releasing his first singles, and his first album in 1957, although he released his last album in 1992, he continued to tour into the 21st century. He attained international success after signing with Specialty Records in 1955.
Mr. Big, released in the middle of his Reprise Records period, was another compilation of Little Richard's mid-1960s recordings for Vee Jay Records, released on the UK Joy label. None of the tracks had previously been released on an album - many had been released on singles in 1965, the rest were previously unreleased. A later album with not only the same name, but also the same cover was released for the US market in 1974 with different tracks. . Another similar release came in the form of Talkin‘ ‘bout Soul, also in 1974, with one previously unreleased track and stereo versions of released single sides.
The Fabulous Little Richard was the third album from Little Richard, and the end of his rock and roll period. Released seventeen months after he had left the Specialty Records label, Richard had returned to religion and turned his back on the music that made him famous. Though he would briefly rescind that decision in 1962, and sporadically throughout his career, this album marked the end of his peak period. In order to make the record more accessible to listeners, over half of the tracks featured an overdubbed female backing group. The record was put together including out-takes and other leftover studio tracks, which saw Richard in a somewhat more mellow styling.
"Keep A-Knockin' " is a popular song that has been recorded by a variety of musicians over the years. The lyrics concern a lover at the door who will not be admitted; some versions because someone else is already there, but in most others because the knocking lover has behaved badly.
"Send Me Some Lovin'" is a 1957 rock and roll standard recorded by Little Richard. John S. Marascalso co-wrote "Send Me Some Lovin'" with Leo Price.
