This article relies largely or entirely on a single source .(December 2015) |
The Second Coming | ||||
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Studio album by | ||||
Released | September 1972 | |||
Recorded | 27 March 1972 - 12 April 1972 | |||
Studio | Record Plant (Los Angeles) | |||
Genre | ||||
Length | 41:02 | |||
Label | Reprise | |||
Producer | Richard Penniman, Robert "Bumps" Blackwell | |||
Little Richard chronology | ||||
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The Second Coming was Little Richard's third album for Reprise Records, released in 1972. The album saw him reunited with Robert "Bumps" Blackwell from his Specialty days, with them co-writing the majority of the album together. The concept was to unite the best rock studio musicians of the '50s with the best rock studio musicians of the '70s. The album failed to chart.
Little Richard's profile was high during this period, with works including a track, "Miss Ann", on the album To Bonnie from Delaney , a still unreleased track with Joey Covington of The Jefferson Airplane and Hot Tuna, "Bludgeon of a Bluecoat (The Man)", a duet with Mylon LeFevre on his 1972 release, "He's Not Just a Soldier", a cover of his 1961 Mercury track, and two tracks on the soundtrack to $ . He also cut "But I Try" with The James Gang (unreleased until 2013), and "Rockin' With the King", with Canned Heat, in late 1971. However, his own records weren't selling, and a fourth (apparently planned as his third) and final album for Reprise - Southern Child - was dropped from release. The tracks to all of Richard's Reprise sessions, including the Southern Child album, were finally released on CD in 2005 by Rhino Records.
Second Coming was recorded in 1972, at the Record Plant, in Los Angeles, California, and employed top 1950s and 1970s players. Whereas the previous Reprise album, King of Rock and Roll was considered to be under-produced and too commercial, the third released album was considered vastly over-produced, yet featuring little of the star himself. To wit, the 7 minute, one-chord instrumental, "Satisfied, Sanctified, Toe-Tapper", was a standout.
Richard recalled: "I left Reprise because I felt that the producers didn't have me at heart. The Rill Thing was a good album. All the Reprise albums were, but they didn't push them. So I left them. It wasn't mutual. I went to Reprise because I felt the company could do something. [...] I think the producers and people who worked there thought I wasn't their main singer." [1] (page 167).
All tracks composed by Richard Penniman; except where indicated
Album
Year | Chart | Position |
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1972 | Billboard Pop Albums | Did not chart |
Single
Year | Chart | Position | |
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Mockingbird Sally/Nuki Suki | 1972 | Billboard Pop Albums | Did not chart |
Richard Wayne Penniman, known professionally as Little Richard, was an American musician, singer, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the "Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations.
"Good Golly, Miss Molly" is a hit rock 'n' roll song first recorded in 1956 by the American musician Little Richard and released in January 1958 as Specialty single 624 and next in July 1958 on Little Richard. The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first, Little Richard had the hit, reaching No. 4. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 94 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time.
Across the Great Divide is a box set by Canadian-American rock group the Band. Released in 1994, it consists of two discs of songs from the Band's first seven albums, and a third disc of rarities taken from various studio sessions and live performances. The set is now out of print, having been replaced by the five-CD/one-DVD box set A Musical History that was released in September 2005.
Here's Little Richard is the debut album by American musician Little Richard, released on March 4, 1957. Promoted as "six of Little Richard's hits and six brand new songs of hit calibre", the album compiles many of the A-sides and B-sides from Richard's hit singles including the Billboard top 40 entries "Tutti Frutti", "Long Tall Sally", "Slippin' and Slidin'", "Rip It Up" and "Jenny, Jenny" and the top 10 Rhythm and Blues Best-Sellers hits "Ready Teddy", "She's Got It" and "Miss Ann".
The song "Hey-Hey-Hey-Hey", also known as "Hey-Hey-Hey-Hey! ", was written by Little Richard and recorded on May 9, 1956 at J&M Studio, New Orleans, Louisiana,.
Tutti Frutti is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!", and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also for rock and roll itself. The song introduced several of rock music's most characteristic musical features, including its loud volume, powerful vocal style, and distinctive beat and rhythm.
Eskew Reeder, Jr., usually known by the stage name Esquerita, and occasionally as S.Q. Reeder or The Magnificent Malochi, was an American R&B singer, songwriter and pianist, known for his frenetic performances. He has been credited with influencing rock and roll pioneer Little Richard.
Glad All Over Again is a compilation album by The Dave Clark Five, released in 1993.
Together: Edgar Winter and Johnny Winter Live is a 1976 album by brothers Johnny Winter and Edgar Winter. Released just three months after Johnny Winter's Captured Live!, it is composed entirely of rock and roll and soul standards.
The New Age of Atlantic, released in 1972, was the third in a series of rock music samplers released by the Atlantic label in the UK. The collection is notable for its inclusion of two tracks, those by Yes and Led Zeppelin, unavailable in the UK at the time. It reached no. 25 on the UK album charts in 1972.
Little Richard's Greatest Hits - Recorded Live! is the second and last album by Little Richard for the Okeh label. A live album, it was recorded in the CBS Studios at Hollywood.
The Rill Thing is Little Richard's first album for Reprise Records, released in August 1970. It was considered a comeback album for Richard, following a three-year hiatus on new albums and an acclaimed performance at Atlantic City Pop Festival. The album utilizes a soul-influenced sound and contains Little Richard's biggest post-Specialty single in "Freedom Blues", which broke the Billboard top 50. The follow-up single, "Greenwood, Mississippi" made the top 100 and number 56 on Cashbox Black Singles. Despite the success of the singles, the album failed to chart.
The King of Rock and Roll is an album by Little Richard, released in 1971. It was his second album for Reprise Records. It was rereleased as part of the King of Rock and Roll: The Complete Reprise Recordings set.
Southern Child is an album by Little Richard, scheduled to be released in 1972 as his third album for Reprise Records. It was going to be Reprise RS 2097. For unconfirmed reasons the album was shelved in favour of The Second Coming, released in October. The tracks comprising the album were released in 2005 from Rhino Records as part of their Complete Reprise Recordings collection. A stand-alone version was released in December 2020.
Little Richard's Greatest Hits is an album of Little Richard songs re-recorded in 1964 and first released in the US by Vee-Jay Records in January 1965. It features updated versions of twelve of his best-known songs originally recorded in the 1950s for Specialty Records. Some of these re-recordings use different musical arrangements, including unusual syncopation, tambourine and jazz horns.
K-tel Presents Little Richard Live! 20 Super Hits is Little Richard's first album of new material since 1974, and the first album he had recorded since 1973. Recorded at the Jack Clement Studio in Nashville, the album featured remakes of twenty of his Specialty Records tracks. If you count live takes, this was actually the fifth or sixth time that Richard had recorded his classic mid-1950s hits. Despite the album's title, the tracks are studio recordings, not live performances. These August 1976 sessions and an early 1990s set with Japanese guitarist, Masayoshi Takanakka, are the last times that Penniman would re-record his mid-1950s hits for a studio album before Penniman's death in May 2020. Alternate takes from these sessions are found on a full stereo "Audiophile" album from 1980.
This page is a discography for American musician Little Richard (1932–2020). Described as "the architect of rock and roll", Little Richard was a pioneering singer-songwriter whose career also encompassed rhythm and blues, soul, and gospel. He began his recording career in 1951, signing to RCA Victor, releasing his first singles, and his first album in 1957, although he released his last album in 1992, he continued to tour into the 21st century. He attained international success after signing with Specialty Records in 1955.
Mr. Big, released in the middle of his Reprise Records period, was another compilation of Little Richard's mid-1960s recordings for Vee Jay Records, released on the UK Joy label. None of the tracks had previously been released on an album - many had been released on singles in 1965, the rest were previously unreleased. A later album with not only the same name, but also the same cover was released for the US market in 1974 with different tracks. . Another similar release came in the form of Talkin‘ ‘bout Soul, also in 1974, with one previously unreleased track and stereo versions of released single sides.
Historical Figures and Ancient Heads is the eighth album by Canned Heat, released in 1971. It was the first album not to feature original member and songwriter Alan Wilson who had died the previous year, and their bassist Larry Taylor, who had left to join John Mayall's band. Featuring new guitarman Joel Scott Hill and Little Richard on "Rockin’ With the King". The record also includes Tony de la Barreda on bass, who left with Hill after this album and subsequent tour.
Little Richard is the second album by American musician Little Richard, released in July 1958, ten months after Richard announced a retirement from rock and roll to pursue a life in the ministry. Like his first album, it largely contains previously released A-sides and B-sides including several which reached Billboard's Rhythm & Blues and Hot 100 charts. Nine of its twelve tracks charted in the US including Richard's fourth million-seller "Lucille", the rock and roll standard "Good Golly, Miss Molly" and "The Girl Can't Help It", the title song from the motion picture of the same name. Among the previously unreleased tracks are two Tin Pan Alley songs recorded in Richard's frantic style.