Songs Our Daddy Taught Us | ||||
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Studio album by | ||||
Released | December 1958 | |||
Recorded | August 13–17, 1958 | |||
Length | 40:22 | |||
Label | Cadence | |||
Producer | Archie Bleyer | |||
The Everly Brothers chronology | ||||
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Songs Our Daddy Taught Us (1958) is the second studio album by American singing duo the Everly Brothers. The album is based on a selection of songs that the brothers learned as boys from their father, Ike Everly. Originally released on Cadence Records, the album has been re-released on LP and CD many times, primarily by Rhino and EMI.
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Music journalist Richie Unterberger notes that the album of traditional music, released at the peak of the duo's commercial success as a rock and roll act, was unexpected and "ahead of its time". [1] Rolling Stone , which awarded the album 4 out of 5 stars, noted that not even Elvis Presley "had the nerve to do an album as rootsy" as this one. [4]
In 2013, Green Day frontman Billie Joe Armstrong and jazz singer Norah Jones recorded a remake of the album, titled Foreverly . It was released on November 25, 2013.
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
Folk rock is a genre of rock music with heavy influences from English folk and American folk music. Combining the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
Let It Bleed is the eighth British and tenth American album studio album by the English rock band the Rolling Stones, released on 28 November 1969 by London Records in the United States and on 5 December by Decca Records in the United Kingdom. Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.
The Rolling Stones, Now! is the third American studio album by English rock band the Rolling Stones, released in March 1965 by their initial American distributor, London Records. Although it contains two previously unissued songs and an alternative version, the album mostly consists of songs released earlier in the United Kingdom, as well as the group's recent single in the United States, "Heart of Stone" backed with "What a Shame". Mick Jagger and Keith Richards wrote four of the songs on the album, with the balance composed by American rhythm and blues and rock and roll artists.
The Holy Modal Rounders was an American folk music group, originally the duo of Peter Stampfel and Steve Weber, who formed in 1963 on the Lower East Side of New York City. Their sense of humor and unique blend of folk music revival and psychedelia gave them a cult-like following and has influenced bands like Yo La Tengo and Espers.
"I Put a Spell on You" is a 1956 song written and composed by Jalacy "Screamin' Jay" Hawkins, whose own recording of it was selected as one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was also included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in Christgau's Record Guide: Rock Albums of the Seventies (1981)—and ranked No. 313 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. The selection became a classic cult song covered by a variety of artists and was his greatest commercial success, reportedly surpassing a million copies in sales, even though it failed to make the Billboard pop or R&B charts.
Both Sides Of An Evening is the fifth studio album and released in 1961 by The Everly Brothers. Though it was released at the peak of their career, it failed to make any of the record charts.
"Bitch" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, "Bitch" is a "hard-bitten rocker" featuring Jagger on vocals and a powerful horn line. It was released as the B-side to the advance single, "Brown Sugar", from their ninth British and eleventh American studio album, Sticky Fingers. It was originally released one week before the album. Despite not being used as an official single by itself, the tune has garnered major airplay from AOR radio stations. The song was recorded in October 1970 at London's Olympic Studios, and at Stargroves using the Rolling Stones Mobile studio.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
The Everly Brothers is the 1958 eponymous debut album of close harmony singing duo the Everly Brothers. The album peaked at No. 16 on Billboard's pop albums chart and launched three very successful singles. Originally on the Cadence label, (CLP-3003), the album was re-released on LP in 1988 by EMI and on CD in 2000 by Emporio Records. It was re-released again in 2009 on 180-gram vinyl by Doxy music.
Roots is a 1968 studio album by American singing duo the Everly Brothers. Originally on the Warner Bros. label, the album was re-released on CD in 1995 by Warner Bros. and in 2005 by Collectors' Choice Music. The album is a classic example of early country rock.
Live & Well is a live and studio album by B. B. King, released in 1969. The side A contains five tracks recorded "live" at the Village Gate, in New York City, and the side B five titles recorded in 'The Hit Factory' also in New York.
It's Everly Time is the third studio album by American singing duo The Everly Brothers, released in 1960. It peaked at No. 9 on the Billboard Pop albums chart. It's Everly Time was their first album on Warner Bros. after leaving the independent label Cadence. Though Warner Brothers was based in Los Angeles, they continued to record in Nashville with top session players, laying down all the dozen tracks over the course of five sessions in March 1960.
A Date with the Everly Brothers is the fourth studio album by American singing duo the Everly Brothers, released in 1960. It peaked at No. 9 on the Billboard Pop albums charts and reached No. 3 in the UK.
The Everly Brothers Sing Great Country Hits is an album by the Everly Brothers, originally released in 1963. It was re-released on CD in 2005 on the Collectors' Choice Music label.
Of Rivers and Religion is an album by American folk musician John Fahey, released in 1972. It was his first recording on a major label and is credited to John Fahey and His Orchestra. It marked a significant change from Fahey's previous releases, incorporating a backing band and performing songs and arrangements in a Dixieland jazz style. Although Time picked it as one of the Top Ten albums of 1972, it was also a difficult album to market and had little enthusiasm at Reprise.
Young Brigham is an album by American folk musician Ramblin' Jack Elliott, released in 1968.
Indian War Whoop is the third studio album by the Holy Modal Rounders, released in 1967 through ESP-Disk. The album is the band's first with contributions outside of the original members Peter Stampfel and Steve Weber. The title track is a cover of an obscure song featured on Harry Smith's Anthology of American Folk Music.
"I Walk on Guilded Splinters" is a song written by Mac Rebennack using his pseudonym of Dr. John Creaux. It first appeared as the closing track of his debut album Gris-Gris (1968), credited to Dr. John the Night Tripper. The song has subsequently been performed and recorded by many other musicians, including Widespread Panic, The Neville Brothers, Cher, Marsha Hunt, Johnny Jenkins, Humble Pie, King Swamp, the Allman Brothers Band, Paul Weller, the Flowerpot Men, Michael Brecker, Tedeschi Trucks Band and Jello Biafra.
You Got What It Takes is the eleventh US album by the British band the Dave Clark Five, released on 26 June 1967 by Epic Records. The album contained four successful songs, a cover of Marv Johnson's soul hit "You Got What It Takes", the hit single "I've Got to Have a Reason" written by the band's guitarist Lenny Davidson and the bubblegum "Tabatha Twitchit" written for the band by Les Reed and Barry Mason. The album also features the band's earlier UK top 30 hit "Thinking of You Baby". The LP reached the Billboard and Cashbox charts.