"In Perpetuity" | |
---|---|
Severance episode | |
Episode no. | Season 1 Episode 3 |
Directed by | Ben Stiller |
Written by | Andrew Colville |
Cinematography by | Jessica Lee Gagné |
Editing by |
|
Original release date | February 25, 2022 |
Running time | 56 minutes |
Guest appearances | |
| |
"In Perpetuity" is the third episode of the American science fiction psychological thriller television series Severance . The episode was written by executive producer Andrew Colville, and directed by executive producer Ben Stiller. It was released on Apple TV+ on February 25, 2022.
The series follows employees of Lumon Industries, a biotechnology corporation that uses a medical procedure called "severance" to separate the memories of their employees depending spatially on whether they are at work or not. When severed workers are at work, they are dubbed "innies" and cannot remember anything of their lives or the world outside. When outside work, they are dubbed "outies" and cannot remember their time at work. Due to this, innie and outie experience two different lives, with distinct personalities and agendas. In the episode, Helly tries to get her "outie" to accept her resignation request, while Petey struggles to diffentiate the present from the past.
The episode received highly positive reviews from critics, who praised the performances, production design and intrigue.
Mark (Adam Scott) checks on Petey (Yul Vazquez), whose memories begin to be affected as he struggles to differentiate the present from the past. He explains that other benefactors, who oppose the severance procedure, helped him with surviving the experience. He wants Mark to do the same, but he refuses to participate, as he feels the severance procedure helped him after his wife's death.
Helly (Britt Lower) submits a resignation request to her "outie", but is shocked when she finds that it has been denied. Desperate, she locks herself in the restroom to leave a message in her body, but Mark warns that it will not work. Irving (John Turturro) suggests she could go to the Perpetuity Wing for help. Devon (Jen Tullock) and Ricken (Michael Chernus) arrive at Mark's house, leaving a book in his porch. After they leave, Mrs. Selvig (Patricia Arquette) retrieves the book and sneaks into Mark's house. Petey hides and flees from the house, having recognized her. She later returns to Lumon, assigning Milchick (Tramell Tillman) to check for hidden messages.
Mark, Irving and Dylan (Zach Cherry) take Helly to the Perpetuity Wing, a section that details Lumon's history. It shows the history of Lumon's founder, Kier Eagan, and his succeeding dynasty, with his descendant Jame as the current CEO. Despite them explaining how Lumon has made a positive impact in their lives as well as other people, Helly chooses to leave. She breaks a window in a door with a fire extinguisher to sneak a note, alerting security. Graner (Michael Cumpsty) takes her to Milchick, who forces her to enter the break room. There, she must read a statement wherein she apologizes for her actions, with Milchick forcing her to do it multiple times.
When the shift is over, Mark checks photos of Petey in his desk. As he checks different frames, he finds a hidden drawing of Lumon's structure. At a convenience store, Petey experiences a severe breakdown and collapses. After finding that Petey has left, Mark follows an ambulance to the convenience store and witnesses Petey being carried away by paramedics after his breathing stops. Shaken, Mark returns home and cleans the basement to hide Petey's presence. Suddenly, he finds Petey's cellphone ringing.
The episode was written by executive producer Andrew Colville, and directed by executive producer Ben Stiller. This marked Colville's first writing credit, and Stiller's third directing credit. [1]
"In Perpetuity" received highly positive reviews from critics. Matt Schimkowitz of The A.V. Club gave the episode a "B+" and wrote, "Consuming Severance's third episode is an intense albeit interesting history lesson. To give its suspense a solid foundation, “In Perpetuity” relies heavily on exposition. This isn't a complaint by any means because a TV show as dense as this one needs it. Plus, Severance has already developed a potent visual language that communicates subtext along with the explanation. What I mean is that to cram it in this single hour can be a lot to handle so early on. At least everything we learn about Lumon Industries' cryptic origins sheds a little light on how this company came to be, the family that runs it, and what the ultimate goal might be." [2]
Erin Qualey of Vulture gave the episode a perfect 5 star rating out of 5 and wrote, "It seems to be a combination of guilt-ridden prayer, the classic and agonizingly repetitive “write it 100 times” chalkboard punishment, and downright torture. Milchick's steely presence and curt responses fill the scene with a sense of impending dread and an understanding that any refusal to do exactly as he says will be met with severe consequences." [3]
Oliver VanDervoort of Game Rant wrote, "Directed by Ben Stiller, the overall tone of the third episode stayed very in tune with the first two episodes. However, when it came to the "edge of the seat" approach that was prevalent through the end of the first episode and the entirety of the second, "In Perpetuity" didn't quite hit the mark." [4] Breeze Riley of Telltale TV gave the episode a 4 star rating out of 5 and wrote, "There is no lack of suspense on this show, and I can't wait to hear who is on the other end of the line." [5]
Mary Littlejohn of TV Fanatic gave the episode a 4 star rating out of 5 and wrote, "This show continues to exude a sense of unease and low-grade terror. In that way, it does its job well." [6] Caemeron Crain of TV Obsessive wrote, "I expect he'll continue to investigate what's going on as best he can, which will mean continuing to go to work and the perpetuation of the split between the two versions of himself. Presumably he could quit, and it would just have to be the outie version of himself who did so, with work memories (and innie Mark) being forever lost to the void. But that wouldn't make a very good TV show. I wonder who is on the other end of that ringing phone Petey left behind." [7]
Gregory Martin Daniels is an American screenwriter, television producer, and director. He has worked on several television series, including writing for Saturday Night Live and The Simpsons, adapting The Office for the United States, and co-creating Parks and Recreation and King of the Hill. Daniels attended Harvard University, where he befriended and began collaborating with Conan O'Brien. His first writing credit was for Not Necessarily the News, before he was laid off because of budget cuts.
Mark Mylod is an English director and executive producer of film and television. He began his career directing comedy shows such as Shooting Stars, The Fast Show, and The Royle Family, for which he received two BAFTA TV Awards.
Stacy A. Littlejohn is an American screenwriter, producer and showrunner. She was the creator, writer and an executive producer of the VH1 network television series Single Ladies. Littlejohn has worked as a writer on Fox network's The Wanda Sykes Show, as a writer and supervising producer on The CW's All of Us, and as a producer on ABC's Life with Bonnie. She is currently working as a writer & co-executive producer on Empire.
Britt Lower is an American actress known for her roles as Liz Greenberg in Man Seeking Woman, Tanya Sitkowsky in Unforgettable and Helly R in Severance.
Severance is an American science fiction psychological thriller television series created by Dan Erickson and directed by Ben Stiller and Aoife McArdle. It stars Adam Scott, Zach Cherry, Britt Lower, Tramell Tillman, Jen Tullock, Dichen Lachman, Michael Chernus, John Turturro, Christopher Walken, and Patricia Arquette. The plot follows Mark Scout (Scott), an employee of the fictional corporation Lumon Industries who agrees to a "severance" program in which his non-work memories are separated from his work memories.
"Good News About Hell" is the series premiere of the American science fiction psychological thriller television series Severance. The episode was written by series creator Dan Erickson, and directed by executive producer Ben Stiller. It was released on Apple TV+ on February 18, 2022.
"Half Loop" is the second episode of the American science fiction psychological thriller television series Severance. The episode was written by series creator Dan Erickson, and directed by executive producer Ben Stiller. It was released on Apple TV+ on February 18, 2022.
"The You You Are" is the fourth episode of the American science fiction psychological thriller television series Severance. The episode was written by co-executive producer Kari Drake, and directed by producer Aoife McArdle. It was released on Apple TV+ on March 4, 2022.
"Light Skinned-ed" is the fourth episode of the fourth season of the American comedy-drama television series Atlanta. It is the 35th overall episode of the series and was written by executive producer Stefani Robinson, and directed by executive producer Hiro Murai. It was first broadcast on FX in the United States on September 29, 2022.
"Pressure's Looking Good So Far" is the second episode of the American television satire black comedy The Curse. The episode was written by co-executive producer Carrie Kemper, from a story by Kemper and series creators Nathan Fielder and Benny Safdie, and directed by David Zellner and Nathan Zellner. It originally aired on streaming and on-demand for all Showtime and Paramount+ with Showtime subscribers on November 17, 2023, before making its on-air debut on Showtime on November 19, 2023. The episode was screened at the 2023 New York Film Festival.
"In the Dark Night of the Soul It's Always 3:30 in the Morning" is the series premiere of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. The episode was written by series developers Kerry Ehrin and Jay Carson, and directed by executive producer Mimi Leder. It was released on Apple TV+ on November 1, 2019, the same day when the service was launched.
"Play the Queen" is the ninth episode of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. The episode was written by co-executive producer Erica Lipez and Ali Vingiano, and directed by Kevin Bray. It was released on Apple TV+ on December 13, 2019.
"The Interview" is the tenth episode and first season finale of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. The episode was written by series developer Kerry Ehrin, and directed by executive producer Mimi Leder. It was released on Apple TV+ on December 20, 2019.
"The Kármán Line" is the first episode of the third season of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. It is the 21st overall episode of the series and was written by executive producer Charlotte Stoudt, and directed by executive producer Mimi Leder. It was released on Apple TV+ on September 13, 2023.
"Ghost in the Machine" is the second episode of the third season of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. It is the 22nd overall episode of the series and was written by producer Michelle Denise Jackson, and directed by executive producer Mimi Leder. It was released on Apple TV+ on September 13, 2023, airing back-to-back with the previous episode, "The Kármán Line".
"DNF" is the eighth episode of the third season of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. It is the 28th overall episode of the series and was written by Selina Fillinger, and directed by Millicent Shelton. It was released on Apple TV+ on October 25, 2023.
"The Overview Effect" is the tenth episode and season finale of the third season of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. It is the 30th overall episode of the series and was written by consulting producer Anya Leta from a story by Charlotte Stoudt and Leta, and directed by executive producer Mimi Leder. It was released on Apple TV+ on November 8, 2023.
"Chaos Is the New Cocaine" is the third episode of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. The episode was written by co-executive producer Erica Lipez, and directed by David Frankel. It was released on Apple TV+ on November 1, 2019, the same day when the service was launched.
"It's Like the Flu" is the second episode of the second season of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. It is the twelfth overall episode of the series and was written by supervising producer Torrey Speer and supervising producer Kristen Layden, and directed by executive producer Mimi Leder. It was released on Apple TV+ on September 24, 2021.
"P.I. Undercover: New York" is the eighth episode of the sixth season of the American mockumentary comedy horror television series What We Do in the Shadows, set in the franchise of the same name. It is the 58th overall episode of the series and was written by supervising producer Max Brockman, and directed by executive producer Kyle Newacheck. It was released on FX on November 25, 2024.