 First edition | |
| Author | Greg Egan |
|---|---|
| Country | United Kingdom |
| Language | English |
| Genre | Science fiction |
| Publisher | Gollancz |
Publication date | 15 May 2008 |
| Media type | Print (Hardback & Paperback) |
| Pages | 304 |
| ISBN | 978-0-575-08162-8 |
| OCLC | 192027449 |
Incandescence is a 2008 science fiction novel by Australian author Greg Egan. The book is based on the idea that the theory of general relativity could be discovered by a pre-industrial civilisation. [1]
The novel has two narratives in alternate chapters. The first follows two citizens of the Amalgam, a Milky Way-spanning civilisation, investigating the origin of DNA found on a meteor by the Aloof. The Aloof control the galactic core and, until the novel begins, have rejected all attempts at contact by the Amalgam. The second narrative is set on a small world known as the Splinter, and covers the attempts by its inhabitants to understand the environment within which their home exists. As the story progresses, it becomes clear that the Splinter orbits a collapsed star within its accretion disk and is subject to various dangers. The two stories come together in a complex twist which involves a kind of past/future first contact role reversal.
Much of the narrative explores the effects of orbital dynamics around a high mass object and requires an understanding of Newtonian gravitation and at least a basic familiarity with general relativity and its application to black holes and neutron stars to be compelling. Understanding the story's wider frame of reference and the Splinter's encounter with the Wanderer are tied in with this.
The Amalgam is explored in three other short stories, Glory, [2] Riding the Crocodile, [3] and Hot Rock.
One review compared Incandescence to "a not particularly enthralling lecture on the process of scientific discovery, combined with the physics of a black hole". [4] Another reviewer described much of this criticism as "trite received opinion" and said the book had "hints of greatness and pleasing moments" but its structure was "a failed literary experiment" and ultimately rather dull. [5]
On June 6, 2008, British writer Adam Roberts released a review [6] criticizing Incandescence for its awkward prose and weak characterization. In response, Egan dissected the review, going so far as to call it "probably the first genuine hatchet job I've ever received." [7] In particular, he accuses Adam Roberts of malicious nitpicking and a straw man argument, and suggests that Roberts should have known he would be unfairly biased against the book and refused to review it:
But if someone aspires to be taken seriously as a reviewer, they either need to read the entire book, carefully, and give at least as much thought to what they've read as a twelve-year-old would when sitting a reading comprehension test, or — if that prospect is far too unpleasant to bear — they should decline to review the book. [...] In short, Roberts has as much of a good time as I'd have at the Bayreuth Festival, and as little worth reporting about the experience. The mystery is why he bought the ticket in the first place; a previous encounter with Schild's Ladder should have warned off any but the most masochistic of science-haters.
— Greg Egan [7]
Greg Egan is an Australian science fiction writer and mathematician, best known for his works of hard science fiction. Egan has won multiple awards including the John W. Campbell Memorial Award, the Hugo Award, and the Locus Award.
Hard science fiction is a category of science fiction characterized by concern for scientific accuracy and logic. The term was first used in print in 1957 by P. Schuyler Miller in a review of John W. Campbell's Islands of Space in the November issue of Astounding Science Fiction. The complementary term soft science fiction, formed by analogy to the popular distinction between the "hard" (natural) and "soft" (social) sciences, first appeared in the late 1970s. Though there are examples generally considered as "hard" science fiction such as Isaac Asimov's Foundation series, built on mathematical sociology, science fiction critic Gary Westfahl argues that while neither term is part of a rigorous taxonomy, they are approximate ways of characterizing stories that reviewers and commentators have found useful.
Teranesia is a 1999 science fiction novel by Greg Egan. The novel follows protagonist Prabir Suresh, who lives on an island in the South Moluccas with his biologist parents, who are investigating the unique evolutionary traits of butterflies on the island. As civil war erupts in Indonesia, Prabir and his baby sister Madhusree must escape the islands. When they grow up, Madhusree becomes a biology student, motivated to carry on her parents' legacy in uncovering the evolutionary phenomenon. Prabir reluctantly follows her, as he must navigate and confront the truth that shaped his past.
Lucius Shepard was an American writer. Classified as a science fiction and fantasy writer, he often leaned into other genres, such as magical realism.
Femtotechnology is a term used in reference to the hypothetical manipulation of matter on the scale of a femtometer, or 10−15 m. This is three orders of magnitude lower than picotechnology, at the scale of 10−12 m, and six orders of magnitude lower than nanotechnology, at the scale of 10−9 m.
Far Horizons: All New Tales from the Greatest Worlds of Science Fiction is an anthology of original science fiction stories edited by Robert Silverberg, first published in hardcover by Avon Eos in May 1999, with a book club edition following from Avon and the Science Fiction Book Club in July of the same year. Paperback and trade paperback editions were issued by Eos/HarperCollins in May 2000 and December 2005, respectively, and an ebook edition by HarperCollins e-books in March 2009. The first British edition was issued in hardcover and trade paperback by Orbit/Little Brown in June 1999, with a paperback edition following from Orbit in July 2000.
One Million A.D. is a science fiction anthology edited by American writer Gardner Dozois, published in 2005.
"Wang's Carpets" is a science-fiction short story by Australian writer Greg Egan, first published in New Legends edited by Greg Bear and Martin H. Greenberg on 5 April 1995. It was later included in The Year's Best Science Fiction: Thirteenth Annual Collection in 1996 and Best of the Best: 20 Years of the Year's Best Science Fiction in 2005, both edited by Gardner Dozois, as well as The Mammoth Book of Extreme Science Fiction edited by Mike Ashley in 2006. The short story was also included in Egan's novel Diaspora. The title refers to the mathematician Wang Hao.
"Oceanic" is a science fiction novella by Australian writer Greg Egan, published in 1998. It won the 1999 Hugo Award for Best Novella.
The Culture series is a science fiction series written by Scottish author Iain M. Banks and released from 1987 through to 2012. The stories centre on The Culture, a utopian, post-scarcity space society of humanoid aliens, and advanced superintelligent artificial intelligences living in artificial habitats spread across the Milky Way galaxy. The main themes of the series are the dilemmas that an idealistic, more-advanced civilization faces in dealing with smaller, less-advanced civilizations that do not share its ideals, and whose behaviour it sometimes finds barbaric. In some of the stories, action takes place mainly in non-Culture environments, and the leading characters are often on the fringes of the Culture, sometimes acting as agents of Culture in its plans to civilize the galaxy. Each novel is a self-contained story with new characters, although reference is occasionally made to the events of previous novels.
Zendegi is a science fiction novel by Australian author Greg Egan, first published in the United Kingdom by Gollancz in June 2010. It is set in Iran in the near future and deals with mapping the human brain, virtual reality and the democratization of Iran. The title of the book means "life" in Persian; the name of the virtual reality system featured in the story is Zendegi-ye Behtar, Persian for "better life".
The Clockwork Rocket is a hard science-fiction novel by Australian author Greg Egan and the first part of the Orthogonal trilogy. The novel was published by Night Shade Books on 1 July 2011 with a cover art by Cody Tilson and by Gollancz on 15 September 2011 with a cover art by Greg Egan. The novel describes an alien civilization being threatened by the appearance of hurtling meteors entering their planetary system with an unprecedented speed and the implementation of an unusual plan: All the technology needed for an effective defense shall be developed on board of a generation ship launched into the void while only a few years pass back on the home world in the meantime due to time dilation. This is possible due to different laws for space and time in this universe, in which they have the same signature instead of different ones, or which is alternatively described by a Riemannian instead of a Lorentzian manifold. The consequences on some of the physical concepts needed in the novel including time dilation and radiation, are described by Greg Egan with diagrams in the novel and also his website. The story is continued in The Eternal Flame and The Arrows of Time.
A Closed and Common Orbit is a 2016 science fiction novel by Becky Chambers, published by Hodder and Stoughton. It is a sequel to her 2014 novel The Long Way to a Small, Angry Planet.
"True Names" is a 2008 science fiction story by Cory Doctorow and Benjamin Rosenbaum. It was first published in the anthology Fast Forward 2.
The Eternal Flame is a hard science-fiction novel by Australian author Greg Egan and the second part of the Orthogonal trilogy. The novel was published by Night Shade Books on 26 August 2012 with a cover art by Cody Tilson and by Gollancz on 8 August 2013 with a cover art by Greg Egan. The novel describes the journey of the generation ship Peerless, which has departed in The Clockwork Rocket, and the development of new technology as well as changes of the society on board. An essential task is the construction of an engine not needing any fuel to generate thrust, but instead perfectly balancing out the radiation it emits with the energy this generates. To make such a process work, the universe of the novel is based on a Riemannian instead of a Lorentzian manifold, changing the rules of physics. The details are described by Greg Egan on his website. The story is continued in The Arrows of Time.
The Arrows of Time is a hard science-fiction novel by Australian author Greg Egan and the third part of the Orthogonal trilogy. The novel was published by Gollancz on 21 November 2013 with a cover art by Greg Egan and by Night Shade Books on 5 August 2014 with a cover art by Cody Tilson. The novel describes the return journey of the generation ship Peerless, which has been launched in The Clockwork Rocket and traveled into the void in The Eternal Flame, and the reverse enabling the construction of a device to receive messages from the own future as well as the journey to a world where time runs in reverse. The universe of the novel is therefore based on a Riemannian instead of a Lorentzian manifold, changing the rules of physics. The details are described by Greg Egan on his website.
Dark Integers and Other Stories is a collection of five science-fiction short stories by Australian writer Greg Egan, published in 2008 by Subterranean Press. One of them, "Oceanic", won the Hugo Award for Best Novella, while two others were nominated.
Oceanic is a collection of 12 science fiction short stories by Australian writer Greg Egan, published on 16 July 2009 by Gollancz.
"Luminous" is a science-fiction short story by Australian writer Greg Egan, first published in Asimov’s Science Fiction in September 1995. The short story was included in the collections Luminous in 1998, Dark Integers and Other Stories in 2008, and The Best of Greg Egan in 2020. It was nominated for the Hugo Award for Best Novelette in 1996. It has a sequel, the short story "Dark Integers".
"Dark Integers" is a science-fiction short story by Australian writer Greg Egan, first published in Asimov's Science Fiction in October/November 2007. The short story was included in the collections Dark Integers and Other Stories in 2008, Oceanic in 2009 and The Best of Greg Egan in 2020. It was nominated for the Hugo Award for Best Novelette in 2008. It is a sequel to the short story "Luminous".