Indonesia Calling | |
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Directed by | Joris Ivens |
Written by | Joris Ivens (script) Catherine Duncan (commentary) |
Produced by | Waterside Workers Federation |
Narrated by | Peter Finch |
Cinematography | Marion Michelle |
Edited by | Joris Ivens |
Release date |
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Running time | 22 minutes |
Country | Australia |
Language | English |
Indonesia Calling is a 1946 Australian short documentary film directed by Joris Ivens and produced by the Waterside Workers' Federation. The film depicts post-World War II Sydney as trade union seamen and waterside workers refuse to service Dutch ships (known as the "Black Armada") containing arms and ammunition destined for Indonesia to suppress the country's independence movement. [1] Ivens filming of the events taking place gradually became a symbol even for those who had not seen the film and had a growing following in the Netherlands, long before the film had an audience.
Joris Ivens suffered persecution for his stance about the Dutch and Indonesia. Ivens had his Dutch passport seized by Dutch authorities for a few months at a time in order to monitor his whereabouts.
In 1985, the Dutch government presented Ivens with a Golden Calf. At the ceremony, the Dutch minister gave a speech and in his words, "Shortly after the war, your support for Indonesia's right to self-determination and your film Indonesia Calling brought you into conflict with the Dutch government […] I can now say that history has come down more on your side than on the side of your adversaries."
Georg Henri Anton "Joris" Ivens was a Dutch documentary filmmaker. Among the notable films he directed or co-directed are A Tale of the Wind, The Spanish Earth, Rain, ...A Valparaiso, Misère au Borinage (Borinage), 17th Parallel: Vietnam in War, The Seine Meets Paris, Far from Vietnam, Pour le Mistral and How Yukong Moved the Mountains.
The Indonesian National Revolution, also known as the Indonesian War of Independence, was an armed conflict and diplomatic struggle between the Republic of Indonesia and the Dutch Empire and an internal social revolution during postwar and postcolonial Indonesia. It took place between Indonesia's declaration of independence in 1945 and the Netherlands' transfer of sovereignty over the Dutch East Indies to the Republic of the United States of Indonesia at the end of 1949.
From 1900 to 1940, the Netherlands experienced significant population growth. This era included significant colonial expansion, particularly in the Dutch East Indies, coupled with the challenges posed by World War I and the Great Depression. Although the Netherlands maintained neutrality during World War I, its strategic geographic location and colonial resources had profound implications for its economic and political stability. The period saw the rise of socialism and labor unrest, which were partly driven by industrialization and the shifting dynamics of Dutch society.
Cinema of the Netherlands refers to the film industry based in the Netherlands. Because the Dutch film industry is relatively small, and there is little or no international market for Dutch films, almost all films rely on state funding. This funding can be achieved through several sources, for instance through the Netherlands Film Fund or the public broadcast networks. In recent years the Dutch Government has established several tax shelters for private investments in Dutch films.
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Eye Filmmuseum is a film archive, museum, and cinema in Amsterdam that preserves and presents both Dutch and foreign films screened in the Netherlands.
Helen Victoria van Dongen was a pioneering editor of documentary films who was active from about 1925–1950. She collaborated with filmmaker Joris Ivens from 1925 to 1940, made several independent documentaries, and edited two of Robert Flaherty's films before retiring from filmmaking in her 40s.
Rain is a 1929 Dutch short documentary film directed by Mannus Franken and Joris Ivens. It premiered on 14 December 1929, in the Amsterdam Filmliga's theater, De Uitkijk.
De brug is a 1928 Dutch documentary silent short film directed by Joris Ivens. This silent film explores the then-newly constructed Koningshaven Bridge in Rotterdam, an elevator railway bridge. The film looks at its structure, mechanisms, complex actions, and the steam-powered trains and ships crossing it.
Leonard Retel Helmrich was a Dutch cinematographer and film director. Born in Tilburg, he had lived in Amsterdam since 1982. He received the highest honors for international documentaries at the Sundance Festival and was the first two-time International Documentary winner at the International Documentary Film Festival Amsterdam (IDFA). On June 5, 2018, he was awarded with the title Knight in the Order of the Netherlands Lion by the Dutch King Willem-Alexander.
Mannus Franken was a Dutch filmmaker who played an important role in the development of Indonesian cinema. He made his debut as a writer before working with Joris Ivens in producing two documentary films. In 1934 he was called to the Dutch East Indies by Albert Balink to help with the production of Pareh (1936). Franken stayed in the Indies until before World War II, making newsreels. After the war he returned to the country and continued this work. In 1949 Franken returned to the Netherlands, where he made another film before his death.
The Indo people or Indos are Eurasian people living in or connected with Indonesia. In its narrowest sense, the term refers to people in the former Dutch East Indies who held European legal status but were of mixed Dutch and indigenous Indonesian descent as well as their descendants today.
The Waterside Workers' Federation of Australia (WWF) was an Australian trade union that existed from 1902 to 1993. After a period of negotiations between other Australian maritime unions, it was federated in 1902 and first federally registered in 1907; its first general president was Billy Hughes.
The Black Armada was a name applied to Dutch merchant and military vessels which were prevented from sailing to the newly proclaimed independent Indonesia from Australian ports due to waterfront strikes or 'black bans' by maritime trade unions from 1945 to 1949.
Rupert Ernest Lockwood was an Australian journalist and communist activist.
Catherine Duncan was an Australian documentary filmmaker, actor, playwright, film researcher, script writer, film critic, archivist, and collagist. She is most well known for her work in radio broadcasts and short documentary films.
Philips-Radio is a 1931 Dutch documentary short film directed by Joris Ivens. Commissioned by Philips, the film served as a promotional tool to showcase the latest production processes of Philips radios in the company's facilities in Eindhoven. The cinematography, led by Ivens, captured the rhythmic interaction between machinery and factory workers, portraying the manufacturing procedures. Ivens made the decision to engage a Paris-based studio to integrate sound techniques into the film, making it the first Dutch sound film ever produced.
Lora Hays (Spindell) (1910–2009) was an American woman film editor, primarily television shows and documentary films, including the Academy Award-winning film Harlan County, USA (1976).