Our Russian Front | |
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Directed by | Joris Ivens Lewis Milestone |
Written by | Elliot Paul |
Produced by | Joris Ivens Lewis Milestone |
Narrated by | Walter Huston |
Cinematography | Roman Karmen Ivan Belyakov Dmitri Rymarev Arkadi Shafran Mark Troyanovsky Vladimir Yeshurin |
Edited by | Marcel Craven Albert Nalpas |
Production company | |
Distributed by | Artkino Pictures |
Release date |
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Running time | 45 minutes |
Country | United States |
Language | English |
Our Russian Front is a 1942 American documentary film directed by Joris Ivens and Lewis Milestone, and narrated by Walter Huston to promote support for the Soviet Union's war effort. [1] [2] [3]
In production before America entered World War II, the film was completed several weeks after the Japanese attack on Pearl Harbor, having gone through frantic last minute updates to ensure it meeting its February 1942 release date. [4] Joris Ivens anticipated that editing might take a week, but stated that Hollywood [ sic ] "fiddled with it for two months and unrecognizably altered the original version." [5] Walter Huston narrates a World War II documentary intended to bolster United States support for the USSR's war efforts. Created using front line footage taken by Russian battlefield cameramen, [6] and archive footage of Averell Harriman, Joseph Stalin, and Semyon Timoshenko, the film was edited in the US. Upon release, the film screened for more than 20 hours a day and broke all previous box office records at the Rialto Theater in Times Square. [5]
The New York Times reports that "the greatest battle in history" was assembled by Lewis Milestone and Joris Ivens into a "tersely contemporary document". They note that it did not rank favorably when compared to "great documentaries" because its commentary was uninspired, and it attempted to crowd too much within a timeframe of 40 minutes, resulting in it being only "a synoptic account of the Russian war effort". They granted that as a record of the Russian people's struggle, "it is a heartening account," and communicated the "urgency of this urgent moment." The reviewer noted that the film was a picture of total war, from the bayonets and shells of the front lines, to the efforts of the peasants and laborers and scientists struggling to support the war effort, sharing that in such circumstances, there are "no 'noncombatants' in this war." [1]
In the New York Daily News, reviewer Dorothy Masters noted that while "scenes of actual combat are few and far between" the film nevertheless provided "a fairly comprehensive outline of activity behind the front, with the home guard assembling for detail, guerrillas getting their secret orders, the hurried harvesting and storing of grain, old Cossacks getting back into saddle, replacement of women on tractors and in the factories, and care of infants not yet old enough to take their places in the machinery of war." [7]
In Russians in Hollywood, Hollywood's Russians: biography of an image, author Harlow Robinson writes that of the several pro-Soviet documentaries made in Hollywood, the most important were Our Russian Front, directed in 1942 by Lewis Milestone for Artkino Pictures and Russian War Relief, and The Battle of Russia , directed in 1943 by Anatole Litvak and Frank Capra as part of the Why We Fight series. [8]
Spain in Flames is a 1937 compilation film made by Helen van Dongen during the Spanish Civil War. Hal Erickson has written that the film "... is remarkable in its willingness to offer both sides of the conflict -- though its sympathies are firmly with the Loyalists." The film consists of two parts. The first, "The Fight for Freedom", was based on film footage from a Spanish government documentary Spain and the Fight for Freedom. A foreword by the then Spanish Ambassador to the United States, Fernando de los Ríos, began one of the film's screenings in New York in 1937.
Georg Henri Anton "Joris" Ivens was a Dutch documentary filmmaker. Among the notable films he directed or co-directed are A Tale of the Wind, The Spanish Earth, Rain, ...A Valparaiso, Misère au Borinage (Borinage), 17th Parallel: Vietnam in War, The Seine Meets Paris, Far from Vietnam, Pour le Mistral and How Yukong Moved the Mountains.
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subject is the Second World War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film.
Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
Lewis Milestone was a Russian-American film director. He is known for directing Two Arabian Knights (1927) and All Quiet on the Western Front (1930), both of which received Academy Awards for Best Director. He also directed The Front Page, The General Died at Dawn (1936), Of Mice and Men (1939), Ocean's 11 (1960), and received the directing credit for Mutiny on the Bounty (1962), though Marlon Brando largely appropriated his responsibilities during its production.
Walter Thomas Huston was a Canadian actor and singer. Huston won the Academy Award for Best Supporting Actor for his role in The Treasure of the Sierra Madre, directed by his son John Huston. He is the patriarch of the four generations of the Huston acting family, including his son John, grandchildren Anjelica Huston, Danny Huston, Allegra Huston, and great-grandchild Jack Huston. The family has produced three generations of Academy Award winners: Walter, his son John, and granddaughter Anjelica.
Edge of Darkness is a 1943 World War II film directed by Lewis Milestone that features Errol Flynn, Ann Sheridan, and Walter Huston. The feature is based on a script written by Robert Rossen which was adapted from the 1942 novel The Edge of Darkness by William Woods.
Anatoly Mikhailovich LitvakOBE, better known as Anatole Litvak, was a Ukrainian-born American filmmaker who wrote, directed, and produced films in various countries and languages. He began his theatrical training at age 13 in Petrograd, Russia.
Mission to Moscow is a 1943 film directed by Michael Curtiz, based on the 1941 book by the former U.S. ambassador to the Soviet Union, Joseph E. Davies.
The Spanish Earth is a 1937 anti-fascist film made during the Spanish Civil War in support of the democratically elected Republicans, whose forces included a wide range from the political left like communists, socialists, anarchists, to moderates like centrists, and liberalist elements. The film was directed by Joris Ivens, written by John Dos Passos and Ernest Hemingway, narrated by Orson Welles and re-recorded by Hemingway, with music composed by Marc Blitzstein and arranged by Virgil Thomson.
Know Your Enemy: Japan is an American World War II propaganda film about the war in the Pacific directed by Frank Capra, with additional direction by experimental documentary filmmaker Joris Ivens. The film, which was commissioned by the U.S. War Department, sought to educate American soldiers about Japan, its people, society and history, and its totalitarian militaristic government. However, the film never realized its full purpose because its completion was delayed by disputes between Hollywood and Washington, and the abrupt end of the Pacific War soon after the film's release in August 1945. The film's first public screening was in 1977 as part of a PBS special.
Moscow Strikes Back is a Soviet war documentary about the Battle of Moscow made during the battle in October 1941 – January 1942, directed by Ilya Kopalin and Leonid Varlamov. It was one of four films that won a 1942 Academy Award for Best Documentary Feature.
Russian War Relief (RWR) was the largest American agency for foreign war relief. It had the "express and exclusive purpose of giving succor to the Russian people at a time of crisis."
The Song of the Rivers is a 1954 documentary film production by the East Germany film studio DEFA. Dutch filmmaker Joris Ivens was the leading director. The sprawling film celebrates international workers movements along six major rivers: the Volga, Mississippi, Ganges, Nile, Amazon and the Yangtze. Shot in many countries by different film crews, and later edited by Ivens, Song of the Rivers begins with a lyrical montage of landscapes and laborers and proceeds to glorify labor and modern industrial machinery. The musical score is by Dmitri Shostakovich, with lyrics written by Bertolt Brecht, and songs performed by German communism's star Ernst Busch and famous American actor, singer and activist Paul Robeson who also narrates. Song of the Rivers is an ode to international solidarity.
Helen Victoria van Dongen was a pioneering editor of documentary films who was active from about 1925–1950. She collaborated with filmmaker Joris Ivens from 1925 to 1940, made several independent documentaries, and edited two of Robert Flaherty's films before retiring from filmmaking in her 40s.
The World in Action was a monthly series of propaganda films from the National Film Board of Canada (NFB), created to boost morale and show the Allied war effort during the Second World War.
Marceline Loridan-Ivens was a French writer and film director. Her memoir But You Did Not Come Back details her time in Auschwitz-Birkenau. She was married to Joris Ivens.
Inside Fighting Russia is a 1942 22-minute Canadian short documentary film produced by the National Film Board of Canada (NFB) for distribution by United Artists, as part of the wartime The World in Action series. The film documents Russia's fight against Nazi Germany during the Second World War. Inside Fighting Russia is produced by Stuart Legg, and narrated by Lorne Greene. The film's French version title is La Russie sous les armes.
Five Came Back is an American documentary based on the 2014 book Five Came Back: A Story of Hollywood and the Second World War by journalist Mark Harris. It was released as a stand-alone documentary in New York and Los Angeles, and as a three-part series on Netflix, on March 31, 2017.
Harlow Loomis Robinson is a Matthews Distinguished University Professor of History at Northeastern University who specializes in Soviet and Russian cultural history, with writings on Soviet film and performing arts.