Cover of the first issue; artwork by Robert Engle | |
Editor | Larry T. Shaw |
---|---|
Publisher | Royal Publications |
First issue | November 1955 |
Final issue | November 1958 |
Country | United States |
Language | English |
Infinity Science Fiction was an American science fiction magazine, edited by Larry T. Shaw, and published by Royal Publications. The first issue, which appeared in November 1955, included Arthur C. Clarke's "The Star", a story about a planet destroyed by a nova (an exploding star) that turns out to have been the Star of Bethlehem; it won the Hugo Award for that year. Shaw obtained stories from some of the leading writers of the day, including Brian Aldiss, Isaac Asimov, and Robert Sheckley, but the material was of variable quality. In 1958 Irwin Stein, the owner of Royal Publications, decided to shut down Infinity; the last issue was dated November 1958.
The title was revived a decade later by Stein's publishing house, Lancer Books, as a paperback anthology series. Five volumes were published between 1970 and 1973, edited by Robert Hoskins; a sixth was prepared but withdrawn after Lancer ran into financial problems at the end of 1973.
American science fiction (sf) magazines first appeared in the 1920s with the launch of Amazing Stories , a pulp magazine published by Hugo Gernsback. [1] The beginnings of science fiction as a separately marketed genre can be traced to this time, [2] and by the end of the 1930s the field was undergoing its first boom. World War II and its attendant paper shortages led to the demise of several titles, [3] but by the late 1940s the market began to recover. [3] From a low of eight active magazines in 1946, the field expanded to twenty in 1950, and dozens more commenced publication over the next decade. [4] Infinity Science Fiction was launched in the middle of this publishing boom. [5]
In 1954, Irwin and Helen Stein started a publishing company, Royal Publications, and launched two magazines, Celebrity and Our Life, edited by Larry Shaw. Shaw left to edit a hot-rod magazine; when they started Infinity the following year he returned to Royal to become the editor. The first issue of Infinity was on newsstands in September 1955, with a November cover date. [5] The Steins also launched Suspect Detective Stories, a crime magazine, the same month, and gave it to Shaw to edit, but converted it to science fiction after five issues, retitling it Science Fiction Adventures . [6]
At the end of the 1950s, Irwin Stein decided to start two media-related magazines, Monster Parade and Monsters and Things, to take advantage of the new interest in horror and science fiction movies. [7] Science Fiction Adventures, which had been suffering from poor sales, was cancelled; the last issue was dated June 1958, and Infinity's last issue followed in November. [7] [8] [9] To save money over the last two issues Stein made a deal to acquire some lower-priced material and took over story selection from Shaw. [10]
In 1961, Irwin Stein and Walter Zacharius founded Lancer Books, [11] [12] and in 1963 Shaw was hired to be Lancer's editor; he was replaced by Robert Hoskins in 1968. [12] Hoskins tried to persuade Stein to restart Infinity, but their financial projections implied it would require a circulation of 50,000 to be profitable; Stein thought this unlikely for a magazine but possible for a paperback anthology series. The first in the series, Infinity One, appeared in January 1970, and four more appeared over the next three years, ending with Infinity Five in 1973. A sixth volume was prepared for publication but Lancer went bankrupt in November of that year. [12] [13] The book was cancelled, and Hoskins returned the manuscripts to the authors. [13]
Shaw knew the science fiction field well, and was friends with many established writers, [14] so he was occasionally able to acquire good stories. [5] The first issue included "The Star", by Arthur C. Clarke, about a planet destroyed by a nova (an exploding star): the light from the nova was seen from Earth as the Star of Bethlehem. A sequel, by Betsy Curtis, appeared in the June 1956 issue. [5] [15] "The Star", which won the Hugo award for that year's best short story, [5] had originally been submitted to The Observer in the UK for a short-story contest, but did not win any of the prizes. [15] It was rejected by several publishers in the US before Shaw bought it; Clarke recorded that The Saturday Evening Post turned it down on the grounds that it was "blasphemous". [16]
Harlan Ellison's first science fiction sale, "Glowworm", appeared in the second issue, [17] and Shaw was able to publish much early work by Robert Silverberg. [10] Notable stories included "Dio" by Damon Knight [10] and "Who Can Replace a Man?" by Brian Aldiss. [18] Shaw was able to obtain material by established writers such as Isaac Asimov, Robert Sheckley, Lester del Rey, Algis Budrys, and Jack Vance, though in the opinion of science fiction historian Joseph Marchesani these stories were in many cases not among the authors' best work. [10] Shaw was unhappy with the last two issues, for which Stein had taken over editorial duties, and Marchesani comments that the quality of those issues was "depressing to say the least". [10]
Knight provided a book review column, [5] and a good deal of the material in his critical collection In Search of Wonder initially appeared in Infinity; [19] Knight left to edit If in 1958, and Silverberg took over the book reviews for the last three issues. [10] Shaw also included a column titled "Fanfare" as a regular feature, which reprinted material from science-fiction fanzines. [10] The artwork for the first issue's cover was provided by Robert Engle, but all the remaining covers were painted by Ed Emshwiller. [20] [21]
The title page of the first anthology, Infinity One, said it was "a magazine of speculative fiction in book form", but it did not include the nonfiction sections or review columns that appeared in most magazines, printing nothing but fiction and some brief introductory material. [13] Infinity One reprinted Clarke's "The Star", but that was the only reprint Hoskins used in the series. [12] The same volume included George Zebrowski's first story, "The Water Sculptor of Station 233". [13] Silverberg and Barry Malzberg had stories in each of the five volumes, and other contributors included established names such as Poul Anderson, Gordon R. Dickson, and Clifford D. Simak, along with newer writers such as Ed Bryant and Dean R. Koontz. [12]
Assessments of Infinity by science fiction historians vary. Mike Ashley describes Infinity as "essentially an adventure magazine aiming at a juvenile readership", [22] and Marchesani calls Shaw "an editor of the middle echelon". [10] Malcolm Edwards considers it "one of the most interesting of the flood of new sf magazines in the early and mid-1950s". [19] In Edwards' opinion it became "one of the leading sf magazines of its period". [14] David Kyle describes it as "exceptional", [23] and writer and critic Algis Budrys calls Infinity "Larry Shaw's short-lived but immortal magazine". [24] Edwards assesses the anthology series as "competent but not outstanding". [25]
Year | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec |
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1955 | 1/1 | |||||||||||
1956 | 1/2 | 1/3 | 1/4 | 1/5 | 1/6 | |||||||
1957 | 2/1 | 2/2 | 2/3 | 2/4 | 2/5 | 2/6 | 3/1 | |||||
1958 | 3/2 | 3/3 | 3/4 | 3/5 | 3/6 | 4/1 | 4/2 | |||||
Larry Shaw was editor throughout. |
The magazine was published by Royal Publications, and was edited by Larry Shaw for all twenty issues. The first issue was dated November 1955; the schedule varied, with a bimonthly period from June 1956 to Jun 1957, followed by an attempt to keep to a six-weekly schedule for over a year. At the time it was cancelled in October 1958, Shaw was hoping to switch to a monthly schedule. [10]
The volume numbering was regular, three volumes of six numbers each and a final volume of two numbers. [26] All issues were digest-sized, 128 pages, and priced at 35 cents. [10]
The anthology series were all edited by Robert Hoskins and appeared once each year from 1970 to 1973, except for 1972, during which Infinity Three and Infinity Four both appeared. [27] The first anthology was priced at 75 cents; the remaining four were 95 cents. [13]
Galaxy Science Fiction was an American digest-size science fiction magazine, published from 1950 to 1980. It was founded by a French-Italian company, World Editions, which was looking to break into the American market. World Editions hired as editor H. L. Gold, who rapidly made Galaxy the leading science fiction magazine of its time, focusing on stories about social issues rather than technology.
If was an American science fiction magazine launched in March 1952 by Quinn Publications, owned by James L. Quinn.
Unknown was an American pulp fantasy fiction magazine, published from 1939 to 1943 by Street & Smith, and edited by John W. Campbell. Unknown was a companion to Street & Smith's science fiction pulp, Astounding Science Fiction, which was also edited by Campbell at the time; many authors and illustrators contributed to both magazines. The leading fantasy magazine in the 1930s was Weird Tales, which focused on shock and horror. Campbell wanted to publish a fantasy magazine with more finesse and humor than Weird Tales, and put his plans into action when Eric Frank Russell sent him the manuscript of his novel Sinister Barrier, about aliens who own the human race. Unknown's first issue appeared in March 1939; in addition to Sinister Barrier, it included H. L. Gold's "Trouble With Water", a humorous fantasy about a New Yorker who meets a water gnome. Gold's story was the first of many in Unknown to combine commonplace reality with the fantastic.
Startling Stories was an American pulp science fiction magazine, published from 1939 to 1955 by publisher Ned Pines' Standard Magazines. It was initially edited by Mort Weisinger, who was also the editor of Thrilling Wonder Stories, Standard's other science fiction title. Startling ran a lead novel in every issue; the first was The Black Flame by Stanley G. Weinbaum. When Standard Magazines acquired Thrilling Wonder in 1936, it also gained the rights to stories published in that magazine's predecessor, Wonder Stories, and selections from this early material were reprinted in Startling as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by Oscar J. Friend in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by Sam Merwin Jr. in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing Arthur C. Clarke's Against the Fall of Night, and several other well-received stories.
Imagination was an American fantasy and science fiction magazine first published in October 1950 by Raymond Palmer's Clark Publishing Company. The magazine was sold almost immediately to Greenleaf Publishing Company, owned by William Hamling, who published and edited it from the third issue, February 1951, for the rest of the magazine's life. Hamling launched a sister magazine, Imaginative Tales, in 1954; both ceased publication at the end of 1958 in the aftermath of major changes in US magazine distribution due to the liquidation of American News Company.
Beyond Fantasy Fiction was a US fantasy fiction magazine edited by H. L. Gold, with only ten issues published from 1953 to 1955. The last two issues carried the cover title of Beyond Fiction, but the publication's name for copyright purposes remained as before.
Fantastic Universe was a U.S. science fiction magazine which began publishing in the 1950s. It ran for 69 issues, from June 1953 to March 1960, under two different publishers. It was part of the explosion of science fiction magazine publishing in the 1950s in the United States, and was moderately successful, outlasting almost all of its competitors. The main editors were Leo Margulies (1954–1956) and Hans Stefan Santesson (1956–1960); under Santesson's tenure the quality declined somewhat, and the magazine became known for printing much UFO-related material. A collection of stories from the magazine, edited by Santesson, appeared in 1960 from Prentice-Hall, titled The Fantastic Universe Omnibus.
Space Science Fiction Magazine was a US science fiction magazine published by Republic Features Syndicate, Inc. as part of a package of radio shows and related genre magazines. Two issues appeared, both in 1957. It published short stories by well-known writers, including Arthur C. Clarke and Jack Vance, but it was not successful, and the magazine ceased publication late in 1957.
Famous Fantastic Mysteries was an American science fiction and fantasy pulp magazine published from 1939 to 1953. The editor was Mary Gnaedinger. It was launched by the Munsey Company as a way to reprint the many science fiction and fantasy stories which had appeared over the preceding decades in Munsey magazines such as Argosy. From its first issue, dated September/October 1939, Famous Fantastic Mysteries was an immediate success. Less than a year later, a companion magazine, Fantastic Novels, was launched.
Science Fiction Adventures was an American digest-size science fiction magazine, published from 1956 to 1958 by Royal Publications as a companion to Infinity Science Fiction, which had been launched the previous year. It was edited by Larry T. Shaw throughout its short run. Science Fiction Adventures focused on longer fiction than appeared in Infinity; these were often labelled as novels, though they were rarely longer than 20,000 words. Shaw declared in his first editorial that he wanted to bring back a "sense of wonder", and he printed straightforward action adventure stories. Robert Silverberg was a prolific contributor, under his own name and under the pseudonym "Calvin M. Knox", and he also collaborated with Randall Garrett, under the name "Robert Randall", on a story in the first issue. Other well-known writers occasionally appeared, including Cyril M. Kornbluth, Algis Budrys, and Harry Harrison. The magazine was cancelled because of disappointing sales; the final issue was dated June 1958.
Science Fiction Adventures was an American digest-size science fiction magazine, published from 1952 to 1954 by Science Fiction Publications. It was edited by Lester del Rey, under the pseudonym "Philip St. John", and was targeted at a younger audience than its companion magazine, Space Science Fiction. Contributors included Algis Budrys, Raymond Z. Gallun, Robert Sheckley, and del Rey himself, who published his novel Police Your Planet under the pseudonym "Erik van Lhin". Damon Knight contributed a book review column beginning with the fifth issue. Cyril M. Kornbluth's novel The Syndic was serialized in 1954. Artwork was provided by H.R. van Dongen, Kelly Freas, and Paul Orban, among others.
Comet was a pulp magazine which published five issues from December 1940 to July 1941. It was edited by F. Orlin Tremaine, who had edited Astounding Stories, one of the leaders of the science fiction magazine field, for several years in the mid-1930s. Tremaine paid one cent per word, which was higher than some of the competing magazines, but the publisher, H-K Publications, was unable to sustain the magazine while it gained circulation, and it was cancelled after less than a year when Tremaine resigned. Comet published fiction by several well-known and popular writers, including E.E. Smith and Robert Moore Williams. The young Isaac Asimov, visiting Tremaine in Comet's offices, was alarmed when Tremaine asserted that anyone who gave stories to competing magazines for no pay should be blacklisted; Asimov promptly insisted that Donald Wollheim, to whom he had given a free story, should make him a token payment so he could say he had been paid.
Dynamic Science Fiction was an American pulp magazine which published six issues from December 1952 to January 1954. It was a companion to Future Science Fiction, and like that magazine was edited by Robert W. Lowndes and published by Columbia Publications. Stories that appeared in its pages include "The Duplicated Man" by Lowndes and James Blish, and "The Possessed" by Arthur C. Clarke. It was launched at the end of the pulp era, and when publisher Louis Silberkleit converted Future to a digest format in 1954, he decided not to do the same with Dynamic, simply cancelling the magazine.
Dynamic Science Stories was an American pulp magazine which published two issues, dated February and April 1939. A companion to Marvel Science Stories, it was edited by Robert O. Erisman and published by Western Fiction Publishing. Among the better known authors who appeared in its pages were L. Sprague de Camp and Manly Wade Wellman.
Marvel Science Stories was an American pulp magazine that ran for a total of fifteen issues in two separate runs, both edited by Robert O. Erisman. The publisher for the first run was Postal Publications, and the second run was published by Western Publishing; both companies were owned by Abraham and Martin Goodman. The first issue was dated August 1938, and carried stories with more sexual content than was usual for the genre, including several stories by Henry Kuttner, under his own name and also under pseudonyms. Reaction was generally negative, with one reader referring to Kuttner's story "The Time Trap" as "trash". This was the first of several titles featuring the word "Marvel", and Marvel Comics came from the same stable in the following year.
Two Complete Science-Adventure Books was an American pulp science fiction magazine, published by Fiction House, which lasted for eleven issues between 1950 and 1954 as a companion to Planet Stories. Each issue carried two novels or long novellas. It was initially intended to carry only reprints, but soon began to publish original stories. Contributors included Isaac Asimov, Robert A. Heinlein, Arthur C. Clarke, Poul Anderson, John Brunner, and James Blish. The magazine folded in 1954, almost at the end of the pulp era.
Uncanny Stories was a pulp magazine which published a single issue, dated April 1941. It was published by Abraham and Martin Goodman, who were better known for "weird-menace" pulp magazines that included much more sex in the fiction than was usual in science fiction of that era. The Goodmans published Marvel Science Stories from 1938 to 1941, and Uncanny Stories appeared just as Marvel Science Stories ceased publication, perhaps in order to use up the material in inventory acquired by Marvel Science Stories. The fiction was poor quality; the lead story, Ray Cummings' "Coming of the Giant Germs", has been described as "one of his most appalling stories".
Wonder Story Annual was a science fiction pulp magazine which was launched in 1950 by Standard Magazines. It was created as a vehicle to reprint stories from early issues of Wonder Stories, Startling Stories, and Wonder Stories Quarterly, which were owned by the same publisher. It lasted for four issues, succumbing in 1953 to competition from the growing market for paperback science fiction. Reprinted stories included Twice in Time, by Manly Wade Wellman, and "The Brain-Stealers of Mars", by John W. Campbell.
Amazing Stories Quarterly was a U.S. science fiction pulp magazine that was published between 1928 and 1934. It was launched by Hugo Gernsback as a companion to his Amazing Stories, the first science fiction magazine, which had begun publishing in April 1926. Amazing Stories had been successful enough for Gernsback to try a single issue of an Amazing Stories Annual in 1927, which had sold well, and he decided to follow it up with a quarterly magazine. The first issue of Amazing Stories Quarterly was dated Winter 1928 and carried a reprint of the 1899 version of H.G. Wells' When the Sleeper Wakes. Gernsback's policy of running a novel in each issue was popular with his readership, though the choice of Wells' novel was less so. Over the next five issues, only one more reprint appeared: Gernsback's own novel Ralph 124C 41+, in the Winter 1929 issue. Gernsback went bankrupt in early 1929, and lost control of both Amazing Stories and Amazing Stories Quarterly; associate editor T. O'Conor Sloane then took over as editor. The magazine began to run into financial difficulties in 1932, and the schedule became irregular; the last issue was dated Fall 1934.
Fantasy Book is a defunct semi-professional American science fiction magazine that published eight issues between 1947 and 1951. The editor was William Crawford, and the publisher was Crawford's Fantasy Publishing Company, Inc. Crawford had problems distributing the magazine, and his budget limited the quality of the paper he could afford and the artwork he was able to buy, but he attracted submissions from some well-known writers, including Isaac Asimov, Frederik Pohl, A. E. van Vogt, Robert Bloch, and L. Ron Hubbard. The best-known story to appear in the magazine was Cordwainer Smith's first sale, "Scanners Live in Vain", which was later included in the first Science Fiction Hall of Fame anthology, and is now regarded as one of Smith's finest works. Jack Gaughan, later an award-winning science fiction artist, made his first professional sale to Fantasy Book, for the cover illustrating Smith's story.