Ingrid Tobiasson

Last updated

Ingrid Margareta Tobiasson (born February 2, 1951, in Stockholm) is a Swedish mezzo-soprano opera singer. Her principal roles in an extremely versatile career include the title role in Bizet's Carmen and Elisabetta in Donizetti's Maria Stuarda .

Contents

Career

Tobiasson attended Adolf Fredrik's Music School (Swedish: Adolf Fredriks Musikklasser), a school in Stockholm known for its song and choral curriculum. She received the Jussi Björling stipend in 2001 [1] and was appointed Hovsångerska by Carl XVI Gustaf of Sweden in 2000. [2]

Tobiasson was employed at the Royal Swedish Opera in 1988, where she has sung numerous roles, including Carmen , a critically acclaimed Elisabetta in Donizetti's Maria Stuarda with guest appearances at the Teatro de la Maestranza in Seville, Omega in The Bacchae by Börtz, Gatekeeper in A Dream Play by Lidholm, Santuzza in Cavalleria rusticana , Ortrud in Lohengrin , Amneris in Aida , Kundry in Parsifal , Azucena in Il trovatore , Mistress Quickly in Falstaff , Klytemnestra in Elektra , Eboli in Don Carlos and the Countess in The Queen of Spades. [3]

The operatic repertoire also includes roles such as Brigitta in Die tote Stadt , the Hostess in Boris Godunov , Adalgisa in Norma and Fricka in Das Rheingold . In January 1998, she sang Adalgisa at the Deutsche Oper Berlin. Tobiasson has appeared at Malmö Opera and Music Theatre as Amneris in a series of performances of Aida that was also performed in France during the summer of 2001. She has sung Klytemnestra at Theatre de la Monnaie, the Oper Frankfurt and at the Opéra de Rouen. She is a frequent guest with the leading orchestras in Scandinavia and Finland, and she sings alto and mezzo-soprano parts ranging from Händel's Messiah to Mahler's Symphony of a Thousand and contemporary music. [3]

In 2010 Tobiasson appeared as Magdalena in The Göteborg Opera's Die Meistersinger von Nürnberg and Countess Coigny in Andrea Chénier at the Royal Swedish Opera. In 2011 she sang Filipjevna in Eugene Onegin at Göteborg Opera and Starenka Buryjovka in Janáček's Jenůfa at Malmö Opera. Other commitments at this time were Countess in The Queen of Spades at the Royal Swedish Opera, Mahler's Symphony of a Thousand at the Katarina Church in Stockholm, Beethoven's Symphony No. 9 in the Stockholm Concert Hall, Bianca in Britten's opera The Rape of Lucretia in Vattnäs Concert Barn and La Frugola in a concert performance of Puccini's Il Tabarro in the Berwaldhallen in Stockholm. In the summer of 2013 she returned to Vattnäs Concert Barn for Bianca in The Rape of Lucretia. [3] In 2014 she sang Klytemnästr in Elektra for NorrlandsOperan in Umeå under Rumon Gamba, later released on DVD. [4]

Discography

Filmography

Related Research Articles

<span class="mw-page-title-main">Royal Swedish Opera</span> Opera company in Stockholm, Sweden

Royal Swedish Opera is an opera and ballet company based in Stockholm, Sweden.

Lisa Kinkead Gasteen AO, is an Australian operatic soprano, known for her performances of the works of Wagner. She won the Cardiff Singer of the World competition in 1991. She did not perform between 2008 and 2011, due to neuro-muscular spasms in her neck.

Aida is a 1987 Swedish movie, directed by Claes Fellbom. The film is based on Giuseppe Verdi's opera, Aida.

<span class="mw-page-title-main">Kerstin Meyer</span> Swedish opera singer (1928–2020)

Kerstin Margareta Meyer, CBE was a Swedish mezzo-soprano who enjoyed an international career in opera and concert. A long-time member of the Royal Swedish Opera and Hamburg State Opera, she appeared regularly at the Royal Opera House in London and international opera houses and festivals, including in world premieres such as Alexander Goehr's Arden Must Die and György Ligeti's Le Grand Macabre.

<span class="mw-page-title-main">Violeta Urmana</span> Lithuanian opera singer (born 1961)

Violeta Urmanavičiūtė-Urmana is a Lithuanian opera singer who has sung leading mezzo-soprano and soprano roles in the opera houses of Europe and North America.

<span class="mw-page-title-main">Blanche Thebom</span> American opera singer (1915–2010)

Blanche Thebom was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which lasted 22 years. Opera News stated, "An ambitious beauty with a velvety, even-grained dramatic mezzo, Thebom was a natural for opera: she commanded the stage with the elegantly disciplined hauteur of an old-school diva, relishing the opportunity to play femmes du monde such as Marina in Boris Godunov, Herodias and Dalila."

<span class="mw-page-title-main">Rosalind Plowright</span>

Rosalind Anne Plowright is an English opera singer who spent much of her career as a soprano but in 1999 changed to the mezzo-soprano range.

<span class="mw-page-title-main">Nina Stemme</span> Swedish opera singer

Nina Maria Stemme is a Swedish dramatic soprano opera singer.

<span class="mw-page-title-main">Ildikó Komlósi</span> Hungarian mezzo-soprano

Ildikó Komlósi is a Hungarian mezzo-soprano.

Elisabeth Höngen was a German operatic mezzo-soprano and singing-actress. She was particularly associated with Richard Wagner and Richard Strauss roles, and with Verdi's Lady Macbeth. From 1947 onward she was one of the Vienna State Opera's most prominent artists for nearly 30 years.

Daniel Börtz is a Swedish composer, born in Hässleholm.

<span class="mw-page-title-main">Hjördis Schymberg</span> Swedish opera singer

Hjördis Gunborg Schymberg was a Swedish coloratura and lyric soprano active on the opera stage and in concert halls between 1934 and 1968. One of the leading singers of the Royal Swedish Opera, she was awarded the title of Hovsångerska in 1943, and in her later years became a distinguished voice teacher.

Bernadette Eileen Cullen is an Australian dramatic mezzo-soprano.

Markus Leoson, born 1970 in Linköping, Sweden, is a percussionist, cimbalom player and pedagogue.

<span class="mw-page-title-main">Katarina Karnéus</span> Swedish opera singer

Katarina Esmé Marie Karnéus is a Swedish mezzo-soprano opera singer, winner of the BBC Cardiff Singer of the World competition, active on many of the opera world's major stages such as the Metropolitan Opera and the Paris Opera, and named Hovsångerska by the King of Sweden in 2018.

<span class="mw-page-title-main">Margareta Hallin</span> Swedish opera soprano (1931–2020)

Gunhild Margareta Hallin Ekerot was a Swedish opera singer, composer and actress.

<span class="mw-page-title-main">Elin Rombo</span> Swedish operatic soprano (born 1976)

Eva Elin Rombo, née Karlsson, is a Swedish operatic soprano. In November 2013 she was named Hovsångerska.

Béatrice Uria Monzon is a French mezzo-soprano.

Sven Adolf Hack d'Ailly, was a Swedish baritone, lute player, director, actor, and grandmaster of Par Bricole.

<span class="mw-page-title-main">Tichina Vaughn</span> American operatic mezzo-soprano

Tichina Vaughn is an American operatic dramatic mezzo-soprano active internationally in opera, concert halls and recitals. Starting at the Lindemann Young Artist Development Program at the Metropolitan Opera, her American career expanded into Europe, as member of the permanent ensembles of the Semperoper in Dresden and the Stuttgart Opera, where she was awarded the title of Kammersängerin in 2006. She has been a regular at the Arena di Verona and other major theaters worldwide, singing a wide repertoire span, with a "voluminous and dark mezzo" voice the dramatic Verdi roles such as Amneris in Aida, Eboli in Don Carlo, Azucena in Il trovatore and Ulrica in Un ballo in maschera, Wagner's Ortrud Lohengrin, Venus Tannhäuser, Fricka Die Walküre, Waltraute in Götterdämmerung and Strauss, Herodias in Salome and Klytemnestra in Elektra. According to Opernglas, Vaughn has a natural "great intensity" on stage, with an ample "voice, which flows richly, even in the low registers." The Neue Zürcher Zeitung describes her voice as an "enchanting satisfyingly rich mezzosoprano". Bernard Holland of The New York Times called hers "A voice of quality", which had "the presence and personality that might well fit the Met... a mezzo-soprano whose strong upper register gave hints of a dramatic soprano to come".

References

  1. ↑ "Jussi Björling" (in Swedish). Stiftelsen Kungliga Teaterns Solister. Archived from the original on 2014-10-06. Retrieved 2014-10-05.
  2. ↑ "Ingrid Tobiasson" (in Swedish). The Göteborg Opera. Archived from the original on 2016-05-05. Retrieved 2014-10-05.
  3. 1 2 3 "Ingrid Tobiasson" (in Swedish). Eliasson Artists. Archived from the original on 2014-10-06. Retrieved 2014-10-05.
  4. ↑ Hall, George. Review of Elektra, Strauss. Opera , Vol. 67 No. 4, April 2016, p. 514-15.
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 "Ingrid Tobiasson fonogram" (in Swedish). The Swedish Media Database (SMDB). Retrieved 2014-10-05.
  6. ↑ 2003, Nosag : NOSAG CD 083
  7. ↑ "Möten i skymningen". Svensk Filmdatabas. Retrieved 2014-10-05.
  8. ↑ "Ingrid Tobiasson Filmography". Allmovie. Retrieved 2014-10-05.
  9. ↑ "Backanterna". Internet Movie Database. Retrieved 2014-10-05.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.