The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
A skinhead or skin is a member of a subculture that originated among working-class youth in London, England, in the 1960s. It soon spread to other parts of the United Kingdom, with a second working-class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working-class solidarity, skinheads are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide.
Punk fashion is the clothing, hairstyles, cosmetics, jewellery, and body modifications of the punk counterculture. Punk fashion varies widely, ranging from Vivienne Westwood designs to styles modeled on bands like The Exploited to the dressed-down look of North American hardcore. The distinct social dress of other subcultures and art movements, including glam rock, skinheads, greasers, and mods have influenced punk fashion. Punk fashion has likewise influenced the styles of these groups, as well as those of popular culture. Many punks use clothing as a way of making a statement.
Skinheads Against Racial Prejudice (SHARP) are anti-racist skinheads who oppose white power skinheads, neo-fascists and other political racists, particularly if they identify themselves as skinheads. SHARPs claim to reclaim the original multicultural identity of the original skinheads, hijacked by white power skinheads, who they sometimes deride as "boneheads".
Rude boy is a subculture that originated from 1960s Jamaican street culture. In the late 1970s, there was a revival in England of the terms rude boy and rude girl, among other variations like rudeboy and rudebwoy, being used to describe fans of two-tone and ska. This revival of the subculture and term was partially the result of Jamaican immigration to the UK and the so-called "Windrush" generation. The use of these terms moved into the more contemporary ska punk movement as well. In the UK and especially Jamaica, the terms rude boy and rude girl are used in a way similar to gangsta, yardie, or badman.
Angelic Upstarts are an English punk rock / Oi! band formed in South Shields in 1977. AllMusic calls them "one of the period's most politically charged and thought-provoking groups". The band espouse an anti-fascist and socialist working class philosophy, and have been associated with the punk and skinhead subcultures.
Anti-Racist Action (ARA), also known as the Anti-Racist Action Network, is a decentralized network of militant far-left political cells in the United States and Canada. The ARA network originated in the late 1980s to engage in direct action and doxxing against rival political organizations on the hard right to dissuade them from further involvement in political activities. Anti-Racist Action described such groups as racist or fascist, or both. Most ARA members have been anarchists, but some have been Trotskyists and Maoists.
Mod, from the word modernist, is a subculture that began in late 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz. Elements of the mod subculture include fashion ; music and motor scooters. In the mid-1960s when they started to fade out, the subculture listened to rock groups with jazz and blues influences such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs.
The 20th century saw the rise and fall of many subcultures.
White power skinheads, also known as racist skinheads and neo-Nazi skinheads, are members of a neo-Nazi, white supremacist and antisemitic offshoot of the skinhead subculture. Many of them are affiliated with white nationalist organizations and some of them are members of prison gangs. The movement emerged in the United Kingdom between the late 1960s and the late 1970s, before spreading across Eurasia and North America in the 1980–1990s.
The suedehead subculture was an early-1970s offshoot of skinhead subculture in the United Kingdom and Ireland. Although sharing similarities to 1960s skinheads, suedeheads grew their hair longer and dressed more formally. Although often working class like skinheads, some had white collar jobs. A female suedehead was a sort.
The Oppressed are a Welsh Oi! band that formed in 1981 in Cardiff, Wales. Most of the musicians in the band's various lineups have been skinheads. Throughout the band's career, the members openly expressed opposition to racism and fascism — in their lyrics, interviews, on-stage comments and other actions. In 1989, Moreno visited New York City and met a few members of Skinheads Against Racial Prejudice (SHARP). On his return to the United Kingdom, he started promoting SHARP ideals to British skinheads. The band has also had ties to other anti-racist groups, such as Anti-Fascist Action. Moreno is a Cardiff City F.C. supporter, and some of the band's songs express that support.
In the context of the skinhead subculture, a redskin is a Marxist skinhead, who often also subscribes to anarchist views. The term combines the word red, with the word skin, which is short for skinhead. Redskins take a militant anti-fascist and pro-working class stance.
Trojan skinheads are individuals who identify with the original British skinhead subculture of the middle 1960s, when ska, rocksteady, reggae, and soul music were popular, and there was a heavy emphasis on mod-influenced clothing styles. Named after the record label Trojan Records, these skinheads identify with the subculture's Jamaican rude boy and British working class roots.
Skrewdriver were an English punk rock band formed by Ian Stuart Donaldson in Poulton-le-Fylde, Lancashire, in 1976. Originally a punk band, Skrewdriver changed into a white power skinhead rock band after reuniting in the 1980s. Their original line-up split in January 1979 and Donaldson reformed the band with different musicians in 1982. This new version of the band played a leading role in the Rock Against Communism movement.
Alternative fashion or alt fashion is fashion that stands apart from mainstream, commercial fashion. It includes both styles which do not conform to the mainstream fashion of their time and the styles of specific subcultures. Some alternative fashion styles are attention-grabbing and more artistic than practical, while some develop from anti-fashion sentiments that focus on simplicity and utilitarianism.
Oi! is a subgenre of punk rock that originated in the United Kingdom in the late 1970s. The music and its associated subculture had the goal of bringing together punks, skinheads, and other disaffected working-class youth. The movement was partly a response to the perception that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, "trendy university people using long words, trying to be artistic... and losing touch."
Bodgies and widgies refer to a youth subculture that existed in Australia and New Zealand in the 1950s, similar to the rocker culture in the UK or greaser culture in the United States. Most bodgies rode motorbikes but some had cars, many of which were embellished with accessories such as mag wheels and hot dog mufflers. Males were called bodgies and females were called widgies.
The Press are an American Oi! band. Formed in New York City in 1984, the outspoken anti-fascist band were early members of Skinheads Against Racial Prejudice. Vocalist André Schlesinger also supported the views of the British Socialist Workers Party, and this was reflected in some of the band's lyrics. Their songs appeared on several compilation albums, as well as a posthumous CD collection of their recordings called The Complete Press: 1984-1994, released in 2007 by Insurgence Records, re-released on vinyl in 2017. Their song "21 Guitar Salute" has been covered by Dropkick Murphys and Hawkins Thugs; in 2000 The Franks recorded a version of The Press' "It's Not What I Want." In 2019 The Press’ song "Revolution Now" was recorded by another New York-based band, The Take.
White power music is music that promotes white nationalism. It encompasses various music styles, including rock, country, and folk. Ethnomusicologist Benjamin R. Teitelbaum argues that white power music "can be defined by lyrics that demonize variously conceived non-whites and advocate racial pride and solidarity. Most often, however, insiders conceptualized white power music as the combination of those themes with pounding rhythms and a charging punk or metal-based accompaniment." Genres include Nazi punk, Rock Against Communism, National Socialist black metal, and fashwave.
