The International University Choral Festival was a non-competitive international festival for university choruses held in the United States. Five festivals were held between 1965 and 1982.
The idea for an International University Choral Festival was conceived by Marshall Bartholomew, director of the Yale Glee Club, who had witnessed the power of singing during his work with prisoners of war during World War I. [1] [2] He passed his idea onto James Bjorge who, with the composer and president of the Lincoln Center William Schuman, arranged the first festival in September 1965. [2] The purpose was to raise choral standards and to enhance international relations through singing. [1] Choirs paid the cost of travel to get to the US but once there all expenses were covered by the Festival. [3]
Twenty university choruses participated in the first festival in 1965 singing in New York at the Lincoln Center, the United Nations and Rockefeller Center and in Washington D.C. at the Washington Cathedral, followed by a concert tour of university campuses. [1] Choirs were asked to include music from their country in their program, both indigenous and contemporary. [1]
The second festival was held in 1969. [4] The third in 1972 was attended by choirs from 16 countries: the Monteverdi Choir, University of Hamburg, Germany; Coral da Universidade de São Paulo, Brazil; Waseda University Glee Club, Japan; Academic Choir of Szczecin Technical University, Poland; Coro Universitario de San Juan, Argentina; Béla Bartók Choir, Eötvös Loránd University, Budapest, Hungary; Gandharva Choir, New Delhi, India; London Student Chorale, University of London, Great Britain; Amsterdam University Choir, Netherlands; Nyonza Singers, Kampala, Uganda; Choeur Madrigal de L'Université de Strasbourg, France; Ewha Womans University Glee Club, S. Korea; Copenhagen University Music Students Choir, Denmark; University of Auckland Festival Choir, New Zealand; Brno Academic Choir, Czechoslovakia; United States Universities Choir . [2] [5] [6] [7]
The programme for the massed choir concert in 1972, conducted by Robert Shaw, included: Declaration Chorale by William Schuman, In Ecclesiis by Orlando di Lasso, Rosa Amarela by Hector Villa-Lobos, Solov'yem Zalyetnym (The Fleeting Nightingale) by Alexander Alyabyev, the Japanese folksong Sohran Bushi (Fisherman's Work Song) arranged by Osamu Shimizu, spirituals My God is a Rock and Soon-ah will be done, Psalm 90 by Charles Ives, Hallelujah Chorus by Handel and Dona Nobis Pacem by J.S. Bach. [8] Marshall Bartholomew conducted the choirs in Gaudeamus Igitur. [8]
At the fourth festival in 1974 there were 12 foreign choirs and a specially formed United States Universities Chorus. [9] As in previous festivals the choirs toured in the US between them visiting 100 universities, colleges and schools in 23 states before coming together to sing in the Kennedy Center and the Lincoln Center. [9] Choir conductors also attended seminars in choral conducting. [9]
The fifth festival in 1982 was called Choruses of the World. Choirs from ten countries performed sponsored by the Kennedy Center and the city of Philadelphia. [3] [10] [11]
The festivals were directed by James R. Bjorge, [11] Robert Shaw was the music director [7] [12] and the associate music directors were Thomas Hilbish [3] and Willi Gohl. [9] Matthew Bartholomew was Honorary Festival Director. [8]
Robert Lawson Shaw was an American conductor most famous for his work with his namesake Chorale, with the Cleveland Orchestra and Chorus, and the Atlanta Symphony Orchestra and Chorus. He was known for drawing public attention to choral music through his wide-ranging influence and mentoring of younger conductors, the high standard of his recordings, his support for racial integration in his choruses, and his support for modern music, winning many awards throughout his career.
The Cornell University Glee Club (CUGC), founded in 1868, is the oldest student organization at Cornell University. The CUGC is a thirty-nine member chorus for tenor and bass voices, with repertoire including classical, folk, 20th-century music, and traditional Cornell songs. The Glee Club also performs major works with the Cornell University Chorus such as Beethoven's Missa Solemnis, Handel's Messiah, and Bach's Mass in B Minor.
The Harvard Glee Club is a 60-voice, Tenor-Bass choral ensemble at Harvard University. Founded in 1858 in the tradition of English and American glee clubs, it is the oldest collegiate chorus in the United States. The Glee Club is part of the Harvard Choruses of Harvard University, which also include the treble voice Radcliffe Choral Society and the mixed-voice Harvard-Radcliffe Collegium Musicum. All three groups are led by Harvard's current Director of Choral Activities Andrew Clark.
The Yale Glee Club is a mixed chorus of men and women, consisting of students of Yale University in New Haven, Connecticut. Founded in 1861, it is the third oldest collegiate chorus in the United States after the Harvard Glee Club, founded in 1858, and the University of Michigan Men's Glee Club, founded in 1859. The Glee Club performs several concerts each year in New Haven and goes on tour each January. According to music critic Zachary Woolfe of the New York Times, it is "one of the best collegiate singing ensembles, and one of the most adventurous." Its members are "world famous for their harmonic precision" per New York Times music critic Robert Sherman.
The University of Michigan Men's Glee Club is an all-male glee club at the University of Michigan. With roots tracing back to 1859, it is the second oldest glee club in the United States and is the oldest student organization at the university. The club has won the Llangollen International Musical Eisteddfod on four separate occasions. Since 2018, the Club's musical director has been Mark Stover, who has continued to expand the Club's repertoire and arranged performances.
Jeffrey Douma is the Director of the Yale Glee Club and the Marshall Bartholomew Professor in the Practice of Choral Music at the Yale School of Music. He is the founding Director of the Yale Choral Artists and serves as Artistic Director of the Yale International Choral Festival.
The Radcliffe Choral Society(RCS) is a 60-voice treble choral ensemble at Harvard University. Founded in 1899, it is one of the country's oldest soprano-alto choruses and one of its most prominent collegiate choirs. With the tenor-bass Harvard Glee Club and the mixed-voice Harvard-Radcliffe Collegium Musicum, it is one of the Harvard Choruses. All three groups are led by Harvard Director of Choral Activities Andrew Clark. The RCS Resident Conductor is Elizabeth Eschen. RCS tours domestically every year and travels internationally every four years.
The Cornell University Chorus was founded at Cornell University in 1920 as the Cornell Women's Glee Club. The chorus is a 60-member treble choir with a repertoire that includes masses, motets, spirituals, classical, folk, 20th-century music, and traditional Cornell songs. The Chorus also performs major works with the Cornell University Glee Club such as Beethoven's Missa Solemnis, Handel's Messiah, and Bach's Mass in B Minor and St Matthew Passion.
Frank Scott Albinder is a conductor of male choral music. A former director of Chanticleer, Albinder currently conducts the Washington Men's Camerata, the Woodley Ensemble, and the Virginia Glee Club, and is president of Intercollegiate Men's Choruses, Inc., a national association of men's choruses. Albinder designed the concept and chose the repertoire for Chanticleer's Grammy Award winning album Colors of Love. Albinder holds degrees in conducting and vocal performance. Perhaps his best known work is the vocal solo of Loch Lomond, featured on the Chanticleer album Wondrous Love. He is a past president of the Alumni Association of Pomona College in Claremont, California. Albinder lives and works primarily in the District of Columbia.
The Fairfield University Glee Club is a mixed chorus of about 60 undergraduate and graduate singers at Fairfield University in Fairfield, Connecticut. The Glee Club has performed in churches, schools and recital and concert halls throughout Europe, singing from Galway to Rome and Florence to London. The choir has performed at Carnegie Hall, the National Cathedral in Washington, D.C., Westminster Cathedral in London, the Aula Paolo VI at the Vatican and the U.S. military academies at West Point and Annapolis.
Leonard Etienne De Paur was an American composer, choral director, and arts administrator.
Donald Loach is Associate Professor Emeritus of Music at the University of Virginia where he taught courses in music history and theory, and conducted numerous student choral ensembles including the University of Virginia Glee Club, University Singers, and Coro Virginia. In the Charlottesville community, he was for many years music director of the Charlottesville/Albemarle Oratorio Society now called the Oratorio Society of Virginia and of the senior choir of St. Paul's Memorial Church. In retirement he continued to teach general music courses, primarily for older students, through the UVa School of Continuing and Professional Studies and Osher Lifelong Learning Institute. His principal field of scholarship centers on the history of Renaissance Music.
St. Bartholomew's is an Episcopal parish in Atlanta, Georgia, which is notable for its ministries, choral music, and architecture.
The London Philharmonic Choir (LPC) is one of the leading independent British choirs in the United Kingdom based in London. The patron is Princess Alexandra, The Hon Lady Ogilvy and Sir Mark Elder is president. The choir, comprising more than 200 members, holds charitable status and is governed by a committee of 6 elected directors. As a charity, its aims are to promote, improve, develop and maintain education in the appreciation of the art and science of music by the presentation of public concerts.
David Griffiths is a composer, baritone and convener of the Conservatorium of Music at the University of Waikato. Griffiths has gained national and international recognition as a composer, opera singer and recital soloist. His choral compositions are particularly popular in the United States of America and have, in recent years, been recorded by several choirs while many works have been included on various record labels including Naxos Records, Kiwi Pacific and Atoll.
Eudenice V. Palaruan is a Filipino conductor, composer, and music educator.
John Barry Talley is a musical director at the United States Naval Academy.
William Thomas Appling was a renowned American conductor, pianist, educator and arranger. As a conductor he led the William Appling Singers & Orchestra for almost twenty-five years and conducted other choirs and musical organizations, premiering new works by many American composers. As a pianist he played under the batons of conductors including Robert Shaw, Louis Lane, and Darius Milhaud, and he was the first African American to record the complete piano music of Scott Joplin. As an educator he taught at American schools and universities including Vassar College, Case Western Reserve University, the Cleveland Institute of Music and Western Reserve Academy. He made a number of recordings as both conductor and pianist, and his choral arrangements have been performed and recorded by such prominent ensembles as Chanticleer, Cantus and Dale Warland Singers.
The University of Auckland Festival Choir, conducted by Peter Godfrey was formed in 1970 to represent New Zealand at the third International University Choral Festival in New York in May 1972. In addition to attending the Festival the 40-voice choir toured and performed in England, the Netherland, Germany and Singapore.
Peter David Hensman Godfrey was an English-born New Zealand choral conductor. He was Professor of Music at the University of Auckland and conducted numerous choirs including the Dorian Choir in Auckland, choirs of St Mary's Cathedral and Holy Trinity Cathedral in Auckland and the Wellington Cathedral of St Paul, the University of Auckland Festival Choir, Auckland University Singers, the Orpheus Choir in Wellington and the New Zealand Youth Choir.