Auckland University Festival Choir | |
---|---|
Choir | |
Origin | New Zealand |
Founded | 1970 |
Founder | Peter Godfrey |
Genre | Classical music |
Members |
|
Music director | Peter Godfrey |
The University of Auckland Festival Choir, conducted by Peter Godfrey was formed in 1970 to represent New Zealand at the third International University Choral Festival in New York in May 1972. In addition to attending the Festival the 40-voice choir toured and performed in England, the Netherland, Germany and Singapore.
In mid-1970 Godfrey formed the choir to audition for a place to attend the Festival. [1] It was the first time a New Zealand choir had been invited to participate in the non-competitive Festival. [1] [2] Two earlier Festivals had been held in 1965 and 1969. [1] Auditions were conducted by the Festival director James Bjorge who visited New Zealand in November 1970 to audition choirs in Auckland, Wellington and Dunedin. [1] [3] [4] The Auckland choir was selected to represent New Zealand as a joint universities choir was considered unfeasible. [5] : 1 [6] When travel arrangements were investigated it was found that the cost of travel around the world was not substantially more than a return flight to New York so concerts in England, Europe and Singapore were planned. [5] : 3
In preparation for giving recitals the choir gave its first concert in May 1971 followed by a tour of the North Island later that year performing in Palmerston North, Wellington, Hastings, Napier, Rotorua, Tauranga and Hamilton. [1] [6] These were also fundraising events as the 40–voice choir had to raise the funds for travel although once in the United States the Festival covered their expenses. [2] [3] No funding was forthcoming from the Golden Kiwi lottery funds and only a small amount from the Queen Elizabeth II Arts Council. [5] : 9
Choir uniforms were designed by fashion designer Colin Cole and made of wool donated by the Wool Board. [1] [7] For performing the women wore a long dark bottle green dress with a bib front over a saffron-coloured blouse while the men wore a dark brown trousers with a saffron shirt. For day wear the women had an emerald green suit and the men dark brown trousers and cinnamon-coloured jacket. [7] [5] : 6 The choir logo on souvenir programmes and brochures, consisting of lines representing the 40 choristers radiating from a harmonic centre, was designed by artist Richard Wolfe. [5] : 7
The choir undertook its tour to the United States, England, the Netherlands, Germany and Singapore between 7 April and 16 May 1972. [7] During April the choir toured the East Coast for ten days giving recitals at high school and university campuses. [1] [4] The tour included Suffolk Community College in Selden, Long Island; Fairleigh Dickinson University, Madison, New Jersey; West Chester State College, Pennsylvania; Philadelphia; Wilde Lake High School, Columbia, Maryland; Ferguson High School, Newport News, Virginia; the University of North Carolina, Chapel Hill; Stratford College, Danville, Virginia; Southern Seminary Junior College, Buena Vista, Virginia. [1] [4] [5] : 15–23 [8] At Ferguson High School the school library caught fire during the concert; after evacuating the choir continued to sing in the car park including the madrigal Fire Fire My Heart by Thomas Morley. [9] [10]
After the tour the choir joined the 15 other choirs in Washington D.C. to perform in the Kennedy Center and attend a reception at the White House hosted by Pat Nixon, First Lady of the United States. [11] [1] [4] [5] : 25
The choirs then moved to New York for the Festival where they performed at the United Nations, conducted by Willi Gohl [12] and at the Lincoln Center, conducted by Robert Shaw. [2] [1] [4] Under Shaw the massed choirs sang among other things Dona Nobis Pacem from the B Minor Mass by Bach, the Hallelujah Chorus by Handel, the spiritual Soon Ah will be Done, the Echo Madrigal by di Lasso and Gaudeamus Igitur by Brahms. [5] : 24, 30
After the Festival the choir travelled to England on 1 May. [7] Invitations had been received to sing at Westminster Abbey and in the chapel at King's College, University of Cambridge. [1] [4] [5] : 12 En route from London to Cambridge the choir visited The Maltings, Snape having been invited to visit by composer Benjamin Britten and tenor Peter Pears. [1] The purpose of the visit was for Britten and Pears to meet a choir member, Christopher Lackner, who was the first recipient of a Pears-Britten Award, [1] a scholarship set up by Britten and Pears in 1970 on a visit to Auckland. [13] "The choir presented a short recital in the Maltings Concert Hall and Christopher Lackner sang a group of songs." [5] : 33 They also made an impromptu visit to the convent at Hengrave Hall, the home of composer John Wilbye, where they sang his madrigal Sweet Honey-Sucking Bees. [1] [14]
The choir then travelled to the Netherlands giving a concert in the church of St Servaas in Maastricht, followed by concerts at the Orangerie at Schloss Benrath in Düsseldorf and at St Andrew's Cathedral in Singapore. [1] [4] [15] [5] : 35–38
On its return to New Zealand the choir performed in Auckland at the closing of the Auckland Festival on 27 May. [4] [14] It was lauded in the press as the "best choir New Zealand has produced" [16] and in July 1972, it gave a concert in Christchurch [4] where its "supreme music" was likewise praised. [17]
The choir sang secular and sacred music and included 16 works by New Zealand composers in their repertoire. [5] : 12 [18] Works included were Lord, when the sense of Thy sweet grace by John Ritchie; An heavenly song by Donald Byars; Qui natus est by Gillian Whitehead; People look East by Jack Body; Dormi Jesu by David Griffiths; Estas in exilium by Nigel Eastgate; Three of a kind by David Farquhar and Blow me eyes by John Wells. [1] [17] [19] Some music was composed especially for the choir: Tenera Juventa by Ronald Tremain (words from Carmina Burana), [20] And is there care in heaven? a motet by Thomas Rive (words by Edmund Spenser), [21] and Ghosts, Fire, Water by Douglas Mews (words by British poet James Kirkup.) [17] The poem from Kirkup's anthology No more Hiroshimas: poems and translations was based on three of the Hiroshima Panels. [1] [4] [22] Audiences and choral conductors were interested in the works by contemporary New Zealand composers and by Ghosts, Fire, Water in particular. [23] Audiences were profoundly moved by Ghosts, Fire, Water with the audience in Maastricht giving it a standing ovation. [5] : 13 [18]
As there was particular interest overseas in Māori songs Mews arranged three songs for the choir: Hoki Hoki, Akoaka O te Rangi and Pōkarekare Ana . [1] [14] [5] : 12
The choir's standard repertoire for a programme consisted of Jubilate Deo by Orlando di Lasso, the Agnus Dei from the Mass for Four Voices by William Byrd, the double motet Warum Ist Das Licht Gegeben? by Brahms, Ghosts, Fire, Water by Douglas Mews and Tenera Juventa by Ronald Tremain. [4]
At the Lincoln Center concert the choir sang the following works: Jubilate Deo by Orlando di Lasso, Sweet Honey-Sucking Bees by John Wilbye, Tenera Juventa by Ronald Tremain and Ghosts, Fire, Water by Douglas Mews. [4]
After attending the Festival the choir was renamed the Auckland University Singers and toured Australia in 1974 and 1980. [4] Godfrey retired as conductor in 1982 and was succeeded by Peter Watts and Karen Grylls. [4]
A silver jubilee of the Festival Choir and Auckland University Singers was held in 1995. [24]
Notable former choir members include composers David Griffiths and Derek Williams.
The War Requiem, Op. 66, is a British choral and orchestral composition by Benjamin Britten, composed mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with extra-liturgical poems by Wilfred Owen, written during World War I.
The Aldeburgh Festival of Music and the Arts is an English arts festival devoted mainly to classical music. It takes place each June in the town of Aldeburgh, Suffolk and is centred on Snape Maltings Concert Hall.
James Harold Kirkup was an English poet, translator and travel writer. He wrote over 45 books, including autobiographies, novels and plays. He wrote under many pen-names including James Falconer, Aditya Jha, Jun Honda, Andrew James, Taeko Kawai, Felix Liston, Edward Raeburn, and Ivy B. Summerforest. He became a Fellow of the Royal Society of Literature in 1962.
Robert Tear, CBE was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas.
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Anthony Rolfe Johnson was an English operatic tenor.
Anna Leese is a New Zealand born soprano opera singer.
Albert Ronald Tremain was a New Zealand composer and music teacher.
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Peter David Hensman Godfrey was an English-born New Zealand choral conductor. He was Professor of Music at the University of Auckland and conducted numerous choirs including the Dorian Choir in Auckland, choirs of St Mary's Cathedral and Holy Trinity Cathedral in Auckland and the Wellington Cathedral of St Paul, the University of Auckland Festival Choir, Auckland University Singers, the Orpheus Choir in Wellington and the New Zealand Youth Choir.
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