The Cats is a jazz album released in December 1959 on New Jazz, a subsidiary label of Prestige Records. It is credited to pianist Tommy Flanagan, saxophonist John Coltrane, guitarist Kenny Burrell, and trumpeter Idrees Sulieman. It was issued after Coltrane's Prestige contract had ended. The record was the first to feature Coltrane, Burrell, and Flanagan playing together in a small group. Eleven months later, the three recorded Kenny Burrell & John Coltrane, which was first released in April of 1963 on the New Jazz label.
Winner's Circle is a 1958 album by jazz musicians who came first or second in Down Beat's critics' poll of 1957.
Soul Meeting is a 1961 Atlantic Records album of recordings made by Ray Charles and Milt Jackson in 1957. The album was later re-issued together with the earlier Soul Brothers (1958), on a 2 CD compilation together with other 'bonus' tracks from the same Charles and Jackson recording sessions.
Guitar Forms is a 1965 album by Kenny Burrell, featuring arrangements by Gil Evans. Evans' orchestra appears on five of the album's nine tracks, including the nearly 9-minute "Lotus Land". Three tracks are blues numbers in a small group format and there is one solo performance: "Prelude #2".
The Complete Bud Powell on Verve is a five-disc box set, released on September 27, 1994, by Verve Records, containing all of jazz pianist Bud Powell's recordings as leader for producer Norman Granz.
Detroit–New York Junction is an album by American jazz trumpeter Thad Jones recorded on March 13, 1956 and released on Blue Note.
Introducing Kenny Burrell is the debut album by American jazz guitarist Kenny Burrell, recorded over May 29–30, 1956 and released on Blue Note later that year.
Kenny Burrell, also known as Kenny Burrell, Volume 2, is an album by American jazz guitarist Kenny Burrell primarily recorded on March 12, 1956 and released on Blue Note the following year.
Bean Bags is an album by vibraphonist Milt Jackson and saxophonist Coleman Hawkins featuring performances recorded in 1958 and released on the Atlantic label.
Vibrations is an album by vibraphonist Milt Jackson featuring performances recorded in 1960 and 1961 and released on the Atlantic label in 1964.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
Freedom is an album by jazz guitarist Kenny Burrell. It was recorded at Van Gelder Studio in 1963–1964, and originally released in Japan by Blue Note Records.
K. B. Blues is an album by guitarist Kenny Burrell recorded in 1957 and originally released on the Japanese Blue Note label in 1979. The tracks were reissued on CD as part of Introducing Kenny Burrell: The First Blue Note Sessions but incorrectly identified as being recorded in 1956.
Weaver of Dreams is an album by guitarist Kenny Burrell recorded in 1960 and 1961 and originally released on the Columbia label. The album features Burrell's vocal talents as well as his guitar playing.
Bluesy Burrell is an album by guitarist Kenny Burrell with saxophonist Coleman Hawkins recorded in 1962 and originally released on the Moodsville label.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Desert Winds is an album by saxophonist Illinois Jacquet with guitarist Kenny Burrell recorded in 1964 and released on the Argo label.
The Oscar Pettiford Orchestra in Hi-Fi is an album by bassist/cellist and composer Oscar Pettiford .It was recorded in 1956 and first issued on the ABC-Paramount label. The album was reissued on CD on Impulse! Records as Deep Passion in 1994 combined with The Oscar Pettiford Orchestra in Hi-Fi Volume Two.
Swingin' is a 1980 compilation album by American jazz guitarist Kenny Burrell. The album includes five tracks taken from three different studio sessions and a live recording between 1956-1959.
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