Douglas Clare Fischer was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University, he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence, he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, 2+2 (1981), the first of Fischer's records to incorporate the vocal ensemble writing developed during his Hi-Lo's days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischer's three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).
Newport 1958 is a 1958 album by Duke Ellington, recorded at the Newport Jazz Festival of that year and later in the Columbia recording studio. It was released two years after Ellington at Newport, the 1956 album that led to Ellington's career resurgence.
...And His Mother Called Him Bill is a studio album by Duke Ellington recorded in the wake of the 1967 death of his long-time collaborator, Billy Strayhorn. It won the Grammy Award for Best Large Jazz Ensemble Album in 1968.
Far East Suite is a 1967 concept album by American jazz musician Duke Ellington, inspired by his group's tour of Asia. Ellington and longtime collaborator Billy Strayhorn wrote the compositions.
Mario Ruiz Armengol, was a Mexican pianist, composer, arranger, conductor and music teacher. He was the son of pianist and conductor Ismael Ruiz Suárez and Rosa Armengol.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Ellington Showcase is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label at various sessions in 1953-55. The album has not been released on CD but the tracks have appeared on The Complete Capitol Recordings of Duke Ellington released by Mosaic Records in 1995.
The Intimacy of the Blues is a studio album by the American pianist, composer and bandleader Duke Ellington, recorded in 1967 and 1970, and released on the Fantasy label in 1986.
Duke Ellington at the Alhambra is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at the Alhambra Theater, Paris and released on the Pablo label in 2002.
The Carnegie Hall Concerts: January 1943 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1943 and released on the Prestige label in 1977.
Cal Tjader Plays the Contemporary Music of Mexico and Brazil is a 1962 studio album by Cal Tjader.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
A Portrait of Duke Ellington is an album featuring trumpeter Dizzy Gillespie and orchestra performing compositions associated with Duke Ellington, recorded in 1960 and released on the Verve label. All of the orchestral arrangements were provided by then Hi-Lo's accompanist – and sometimes arranger – Clare Fischer, hired on the basis of a previously recorded but unreleased album with strings, arranged by Fischer for erstwhile University of Michigan classmate Donald Byrd. Byrd played the tape for Gillespie; Gillespie liked what he heard. Unfortunately for Fischer, especially in light of the critical accolades given the eventual fruit of his, and Gillespie's, labor, Fischer's name was nowhere to be found on the finished LP; widespread awareness of his participation would have to await the CD reissue almost 2½ decades later.
Alone Together is a studio album by American composer/arranger/pianist Clare Fischer, recorded in October 1975 and released in 1977 on the German label, MPS, and in the US by Discovery Records in 1980. Its 1997 reissue on CD accompanied a volume created by pianist, composer and educator Bill Dobbins, containing transcriptions of four of Alone Together 's tracks and five from Fischer's 1995 solo piano CD, Just Me, and described by saxophonist and longtime Fischer colleague Gary Foster as "among the very best materials published in the field of jazz pedagogy." Of the 1975 recording, Dobbins wrote: "If I had to make a list of the ten most important solo jazz piano recordings of all time, this recording would definitely be on the list."
Thesaurus is an album by American composer/arranger/pianist Clare Fischer, recorded and released in 1969 by Atlantic Records. Reissued in 1979 as 'Twas Only Yesterday by Discovery Records, and on CD, again by Discovery, in 1988 as part of a CD entitled Waltz, encompassing both Thesaurus and the 1980 LP, Duality. In 2000, Thesaurus received a dedicated CD reissue under its original title from Koch Records.
The State of His Art is a studio album by American composer/arranger/pianist Clare Fischer, recorded May 1973 and released in 1976 by Revelation Records, and on CD by Clare Fischer Productions in 2007. This is the first of five strictly solo piano recordings Fischer would make during his career.
Surging Ahead is the second album by American composer/arranger/keyboardist Clare Fischer, released in 1963 by Pacific Jazz Records.
Brent Sean Cecil Fischer is an American composer, arranger, bandleader, bass guitarist and percussionist. The son of noted composer, arranger, and keyboardist Clare Fischer, Brent Fischer made his recording debut with his father's Latin jazz combo, Salsa Picante, at the age of sixteen, thus inaugurating a more than 30-year-long professional association between the two. Initially confined to performing credits, his input gradually expanded, until, by 2004, Fischer had assumed not merely a large share of the elder Fischer's arranging workload, but also active leadership of the working ensembles directed by his father; moreover, since 2005, Brent Fischer has produced all of his father's albums, starting with Introspectivo. The first two of these released after Clare Fischer's death, ¡Ritmo! and Music for Strings, Percussion and the Rest, each won Grammys; the former in 2013 for Best Latin Jazz Album, the latter in 2014 for Best Instrumental Composition.
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You may listen to "A Wish Come True" here 