This is the discography for American jazz musician Clare Fischer.
With Donald Byrd
With Gene Puerling
With Dizzy Gillespie
With Al Grey
With Cal Tjader
With George Shearing
With Stan Kenton
With David Raksin
With Willie Ruff
With Hubert Laws
With Rufus (band)
With The Jacksons
With Osamu Kitajima
With Charles Lloyd
With Switch
With Carlos Santana
With Neil Diamond
With The Baylor University A Cappella Choir
With Desiree Coleman
With Robert Palmer
With Pieces of a Dream
With Paul McCartney
With Al Jarreau
With Paulyna Carraz
With The Family Stand
With João Gilberto
With Diane Schuur
With Jevetta Steele
With Terry Trotter
With Lalah Hathaway
With Najee
With Dee Dee Bridgewater
With Chanticleer
With John Pizzarelli
With Carl Saunders
With Toni Braxton
With Terri Walker
With Bud Shank
With Cal Tjader
With Joe Pass
With The Jazz Crusaders
With Lenita Bruno
With Bill Stewart
With Ralph Carmichael
With Quincy Jones
With Moacir Santos
With Lalo Schifrin
With Disneyland Records [5] |
With Laurindo Almeida
With Art Pepper
With Donald Byrd
With Bill Perkins
With various artists
With Sandi Shoemake
With Lisa Rich
With Jon Crosse
With Jeff Berlin
With Larry Carlton
With Amy Grant
With Ettore Stratta & The Royal Philharmonic Orchestra
With Armando Manzanero
With Nestor Torres
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Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform music of Africa, the Caribbean and Latin America.
Frank Rosolino was an American jazz trombonist.
Eumir Deodato de Almeida is a Brazilian pianist, composer, arranger and record producer, primarily in jazz but who has been known for his eclectic melding of genres, such as pop, rock, disco, rhythm and blues, classical, Latin and bossa nova.
Douglas Clare Fischer was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University, he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence, he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, 2+2 (1981), the first of Fischer's records to incorporate the vocal ensemble writing developed during his Hi-Lo's days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischer's three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).
William Correa, better known by his stage name Willie Bobo, was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music.
Claus Ogerman was a German arranger, conductor, and composer best known for his work with Billie Holiday, Antonio Carlos Jobim, Frank Sinatra, Michael Brecker, and Diana Krall.
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944.
James Elbert Raney was an American jazz guitarist, born in Louisville, Kentucky, United States, known for his work from 1951 to 1952 and then from 1953 to 1954 with the Red Norvo trio and, during the same time period, with Stan Getz. In 1954 and 1955, he won the DownBeat Critics' Poll for guitar. Raney worked in a variety of jazz mediums, including cool jazz, bebop, post bop, hard bop, and mainstream jazz.
João Donato de Oliveira Neto was a Brazilian jazz and bossa nova pianist as well as a trombonist from Rio Branco. He first worked with Altamiro Carrilho and went on to perform with Antonio Carlos Jobim and Astrud Gilberto. Because of the area he grew up in Brasil he was able to hear Cuban music on the radio. This influence would manifest itself in many of his compositions, piano, and trombone playing. Donato's most well-known compositions include: "Amazonas", "Lugar Comum", "Simples Carinho", "Até Quem Sabe" and "Nasci Para Bailar".
Milton Holland was an American drummer, percussionist, ethnomusicologist, and writer in the Los Angeles music scene. He pioneered the use of African, South American, and Indian percussion styles in jazz, pop and film music, traveling extensively in those regions to collect instruments and learn styles of playing them.
Lawrence Benjamin Bunker was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra.
Gary Ronald McFarland was an American composer, arranger, vibraphonist and vocalist. He recorded for the jazz imprints Verve and Impulse! Records during the 1960s. Down Beat magazine said he made "one of the more significant contributors to orchestral jazz". A 2015 review of a McFarland DVD documentary called him "one of the busiest New York jazz arrangers of the 1960s". The review further stated that McFarland's "ascendance coincided with the rise of bossa nova, and McFarland was adept at translating the mercurial song form into orchestrations. He wrote some beautiful orchestral settings for great soloists, yet wasn't immune to commercial forces."
A Portrait of Duke Ellington is an album featuring trumpeter Dizzy Gillespie and orchestra performing compositions associated with Duke Ellington, recorded in 1960 and released on the Verve label. All of the orchestral arrangements were provided by then Hi-Lo's accompanist – and sometimes arranger – Clare Fischer, hired on the basis of a previously recorded but unreleased album with strings, arranged by Fischer for erstwhile University of Michigan classmate Donald Byrd. Byrd played the tape for Gillespie; Gillespie liked what he heard. Unfortunately for Fischer, especially in light of the critical accolades given the eventual fruit of his, and Gillespie's, labor, Fischer's name was nowhere to be found on the finished LP; widespread awareness of his participation would have to await the CD reissue almost 2½ decades later.
"Pensativa" is a bossa nova jazz standard by American pianist/composer/arranger Clare Fischer, first recorded in 1962 by a quintet under the joint leadership of Fischer and saxophonist Bud Shank, and released that year as part of an album entitled Bossa Nova Jazz Samba, comprising music in this style, as per its title, all of it arranged by Fischer, and, with the exception of Erroll Garner's "Misty", composed by him as well. In retrospect, this would prove to be just the first of countless forays by Fischer into various areas of Latin music. This particular song was one of the first, and almost certainly the most famous, of all the foreign-born - i.e. non-Brazilian - bossa novas. Its form, though extended (64 mm.), is standard A-A-B-A, with each section consisting of 16 measures instead of eight.
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century.
West Side Story is an album featuring American vibraphonist Cal Tjader, consisting of musical numbers from Leonard Bernstein's West Side Story in jazz arrangements, by Tjader's pianist and musical director Clare Fischer, without vocals. It was recorded in October 1960 and released on the Fantasy label in January 1961 as Fantasy 3310 / 8054. On July 30, 2002, Fantasy would reissue it – along with the 1962 LP Cal Tjader Plays Harold Arlen – on CD as Cal Tjader Plays Harold Arlen and West Side Story.
Cal Tjader Plays Harold Arlen is an album by American vibraphonist Cal Tjader, five of its 11 tracks arranged by Tjader's longtime colleague Clare Fischer. Recorded in June 1960 and released in February 1962 on the Fantasy label, it would be reissued on CD – together with Tjader's similarly semi-orchestral 1961 LP, West Side Story – on July 30, 2002, as Cal Tjader Plays Harold Arlen and West Side Story.
Songs for Rainy Day Lovers is an album by American keyboardist/composer-arranger Clare Fischer, recorded in August 1966 and released in September 1967 by Columbia Records. It would be reissued in 1978 on the Discovery label as America the Beautiful, and in 2002 on CD under the same name by Clare Fischer Productions.
Brent Sean Cecil Fischer is an American composer, arranger, bandleader, bass guitarist and percussionist. The son of noted composer, arranger, and keyboardist Clare Fischer, Brent Fischer made his recording debut with his father's Latin jazz combo, Salsa Picante, at the age of sixteen, thus inaugurating a more than 30-year-long professional association between the two. Initially confined to performing credits, his input gradually expanded, until, by 2004, Fischer had assumed not merely a large share of the elder Fischer's arranging workload, but also active leadership of the working ensembles directed by his father; moreover, since 2005, Brent Fischer has produced all of his father's albums, starting with Introspectivo. The first two of these released after Clare Fischer's death, ¡Ritmo! and Music for Strings, Percussion and the Rest, each won Grammys; the former in 2013 for Best Latin Jazz Album, the latter in 2014 for Best Instrumental Composition.
Soul Sauce is an album by Latin jazz vibraphonist Cal Tjader recorded in late 1964 and released on the Verve label.