| Catch Me! | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 1963 | |||
| Recorded | July 1963 | |||
| Studio | Pacific Jazz Studios, Hollywood | |||
| Genre | Jazz | |||
| Label | Pacific Jazz | |||
| Producer | Richard Bock | |||
| Joe Pass chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| DownBeat |   [1] |
| AllMusic |  [2] |
| The Rolling Stone Jazz Record Guide | [3] |
Catch Me! is an album by jazz guitarist Joe Pass that was released in 1963.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Catch Me" | Pass | |
| 2. | "No Cover, No Minimum" | Bill Evans | |
| 3. | "Just Friends" | John Klenner, Sam M. Lewis | |
| 4. | "Walkin' Up" | Bill Evans | |
| 5. | "Summertime" | George Gershwin, Ira Gershwin, DuBose Heyward | |
| 6. | "Falling in Love with Love" | Richard Rodgers, Lorenz Hart | |
| 7. | "Days of Wine and Roses" | Henry Mancini, Johnny Mercer | |
| 8. | "Mood Indigo" | Duke Ellington, Irving Mills, Barney Bigard | |
| 9. | "But Beautiful" | Johnny Burke, Jimmy Van Heusen | |
| 10. | "You Stepped Out of a Dream" | Nacio Herb Brown, Gus Kahn |
The Best Is Yet to Come is a 1982 studio album by the American jazz singer Ella Fitzgerald, accompanied by a studio orchestra arranged and conducted by Nelson Riddle.
Ella in London is a 1974 live album by Ella Fitzgerald, accompanied by a quartet led by the pianist Tommy Flanagan.
Fine and Mellow is an album by Ella Fitzgerald that was released in 1979. The album won the Grammy Award Grammy Award for Best Jazz Vocal Album in 1980.
Night Child is an album by Canadian pianist Oscar Peterson, accompanied by Joe Pass, Niels-Henning Ørsted Pedersen and Louie Bellson. It is notable in that all compositions are by Peterson and he plays the majority of the songs on electric piano. The album cover depicts his son Joel Peterson, to whom the album is dedicated.
'Round Midnight is a 1963 studio album by the American jazz singer Betty Carter that was arranged by Claus Ogerman and Oliver Nelson.
Duke Ellington Meets Coleman Hawkins is a jazz album by Duke Ellington and Coleman Hawkins that was recorded on August 18, 1962 and released in February 1963 by Impulse! Records.
The African Beat is a jazz album released by Art Blakey and The Afro-Drum Ensemble in November 1962 on Blue Note Records. He described it as the first opportunity he had to work with drummers from Africa; as a blend of American jazz with the traditional rhythms and tonal colors in the percussion of that continent. The album features compositions by African and American musicians, all based on aspects of West African music.
The Trip is a 1976 jazz album by saxophonist Art Pepper playing with George Cables, David Williams and Elvin Jones.
Zoot Sims and the Gershwin Brothers is a 1975 studio album by Zoot Sims, featuring the music of George and Ira Gershwin.
Happy Time is a 1975 studio album by Roy Eldridge.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones drums.
Jazz/Concord is a studio album by jazz guitarists Herb Ellis and Joe Pass, recorded at Wally Heider Studios, Los Angeles, California, and released in 1973. It was the first recording issued by Concord Records.
Portraits of Duke Ellington is an album by jazz guitarist Joe Pass that was released in 1975. It peaked at number 37 on the Jazz Albums chart. It is a tribute to jazz musician Duke Ellington and was recorded shortly after his death.
Eximious is an album by jazz guitarist Joe Pass and double bassist Niels-Henning Ørsted Pedersen that was released in 1982.
The Trumpet Summit Meets the Oscar Peterson Big 4 is a 1980 album featuring the trumpeters Dizzy Gillespie, Clark Terry, and Freddie Hubbard, supported by a quartet led by Oscar Peterson. Outtakes from the 1980 session that produced this album were released as The Alternate Blues.
Intercontinental is an album by jazz guitarist Joe Pass that was released in 1970. The album is a collection of mainly swing and Latin jazz standards with the exception of the country/pop hit "Ode to Billie Joe". It features drummer Kenny Clare and bassist Eberhard Weber. This album is notable as a rare example of Eberhard Weber playing straight ahead bass on covers of standards.
Simplicity is an album by jazz guitarist Joe Pass that was released in 1967. Simplicity was reissued with A Sign of the Times on CD by Euphoria Records in 2002.
The Stones Jazz is an album by jazz guitarist Joe Pass that was released in 1967. Except for one song, all tracks are jazz covers of songs recorded by The Rolling Stones.
Duke's Big 4 is a studio album by American pianist, composer and bandleader Duke Ellington featuring a small group session with Joe Pass, Ray Brown and Louie Bellson recorded in January 1973 and released on the Pablo label in 1974.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
 | This 1960s jazz album-related article is a stub. You can help Wikipedia by expanding it. |
