Douglas Clare Fischer was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University, he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence, he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, 2+2 (1981), the first of Fischer's records to incorporate the vocal ensemble writing developed during his Hi-Lo's days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischer's three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).
The Hi-Lo's were a vocal quartet formed in 1953, who achieved their greatest fame in the late 1950s and 1960s. The group's name is a reference to their extreme vocal and physical ranges.
Harold Mabern Jr. was an American jazz pianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as "one of the great post-bop pianists".
Lawrence Benjamin Bunker was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra.
Mysterium is an album of contemporary classical music by New York avant-garde composer John Zorn.
Luis Conte is a Cuban percussionist best-known for his performances in the bands of artists including James Taylor, Madonna, Pat Metheny Group, Eric Clapton, Carlos Santana, Phil Collins, Rod Stewart and Shakira. He began his music career as a studio musician for Latin Jazz acts like Caldera. Conte's live performance and touring career took off when he joined Madonna's touring band in the 1980s. Neil Strauss of The New York Times describes Conte's playing as "grazing Latin-style percussion".
Tender Feelin's is the second album by American pianist and arranger Duke Pearson featuring performances originally recorded in 1959 and released on the Blue Note label in 1960.
Movin' & Groovin' is the debut album by American jazz pianist Horace Parlan recorded on February 29, 1960 and released on the Blue Note later that year.
This topic covers notable events and articles related to 2012 in music. This year was the peak of music downloads sales in the United States, with sales declining year on year since then.
"Pensativa" is a bossa nova jazz standard by American pianist/composer/arranger Clare Fischer, first recorded in 1962 by a quintet under the joint leadership of Fischer and saxophonist Bud Shank, and released that year as part of an album entitled Bossa Nova Jazz Samba, comprising music in this style, as per its title, all of it arranged by Fischer, and, with the exception of Erroll Garner's "Misty", composed by him as well. In retrospect, this would prove to be just the first of countless forays by Fischer into various areas of Latin music. This particular song was one of the first, and almost certainly the most famous, of all the foreign-born - i.e. non-Brazilian - bossa novas. Its form, though extended (64 mm.), is standard A-A-B-A, with each section consisting of 16 measures instead of eight.
The Soul of Hollywood is an album by jazz pianist Junior Mance featuring interpretations of music from motion pictures which was recorded in late 1961 and early 1962 and released on the Jazzland label.
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century.
2+2 is an eponymous album of a vocal quartet called 2+2 with music by the Latin jazz ensemble known as Salsa Picante that was led by the American keyboardist/composer-arranger Clare Fischer. It was recorded in September 1980 and released in February 1981 by Pausa Records, and in Germany on the MPS label, as Foreign Exchange – The First Album. Tracks 1, 2, 3, 6 and 7 would be reissued on CD in 1999, and as a digital download in 2012, as Latin Patterns, a compilation of remastered highlights from four of Fischer's MPS LPs from this period.
First Time Out is the debut album by American composer/arranger/keyboardist Clare Fischer, recorded and released in 1962 by Pacific Jazz Records.
Songs for Rainy Day Lovers is an album by American keyboardist/composer-arranger Clare Fischer, recorded in August 1966 and released in September 1967 by Columbia Records. It would be reissued in 1978 on the Discovery label as America the Beautiful, and in 2002 on CD under the same name by Clare Fischer Productions.
Machaca is an album by American composer-arranger/keyboadist Clare Fischer, the second to feature his Latin jazz combo, Salsa Picante. Recorded on May 16 and 17, 1979, it was released in 1980 on the German label, MPS, and in the U.S. the following year on the Discovery label.
Michael Publig is an Austrian composer, pianist, instructor, and music manager. He studied piano with Roland Batik at the City of Vienna Conservatory and Social and Economic Sciences at the Vienna University of Economics.
Grand Baton is an Afro-Caribbean, progressive rock and jazz fusion band based in New York City. The band was founded by the composer, arranger, guitarist, pianist, singer and songwriter Jean-Cristophe (JC) Maillard, a native of Pointe-à-Pitre, Guadeloupe.
Confessin' the Blues is an album by the American musician Esther Phillips. It was released in 1975, with an Atlantic Jazzlore reissue in 1987.
Renaissance is an album by the American musician Branford Marsalis, released in 1987. It peaked at No. 4 on Billboard's Traditional Jazz Albums chart. Marsalis supported the album with a North American tour.
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