Douglas Clare Fischer was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University, he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor.
Stewart Roussin Fischer known professionally as Dirk Fischer or Dirty Dirk Fischer was an American composer, arranger, educator, trumpeter, and valve trombonist. Before moving to California in 1959, he spent his young adulthood in the Northern Plains, performing with and writing for territory bands booked out of Omaha, Nebraska. He was the brother of Clare Fischer.
Ugo Marotta is a Brazilian musician, conductor, arranger, composer, keyboardist and vibraphonist. He took part at the Brazilian music movements Bossa Nova and Musicanossa.
Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
Maestro is an album by Brazilian composer Moacir Santos recorded in 1972 and released on the Blue Note label.
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century.
Alone Together is a studio album by American composer/arranger/pianist Clare Fischer, recorded in October 1975 and released in 1977 on the German label, MPS, and in the US by Discovery Records in 1980. Its 1997 reissue on CD accompanied a volume created by pianist, composer and educator Bill Dobbins, containing transcriptions of four of Alone Together 's tracks and five from Fischer's 1995 solo piano CD, Just Me, and described by saxophonist and longtime Fischer colleague Gary Foster as "among the very best materials published in the field of jazz pedagogy." Of the 1975 recording, Dobbins wrote: "If I had to make a list of the ten most important solo jazz piano recordings of all time, this recording would definitely be on the list."
First Time Out is the debut album by American composer/arranger/keyboardist Clare Fischer, recorded and released in 1962 by Pacific Jazz Records.
Extension is the third album by composer/arranger/keyboardist Clare Fischer, and his first for big band, recorded and released in 1963 on the Pacific Jazz label, reissued on CD in 2002 as America the Beautiful, and, under its original name, in 2012.
So Danço Samba is the fourth album by keyboardist/composer-arranger Clare Fischer, and his first in the bossa nova vein, recorded and released in 1964 on the World Pacific label. Devoted primarily to the music of Antonio Carlos Jobim, it also features three of Fischer's own compositions.
Manteca! is an album by composer/arranger/keyboardist Clare Fischer, released in November 1965 on the Pacific Jazz label. Following his previous album, So Danço Samba, devoted primarily to the music of Antonio Carlos Jobim, and to the bossa nova in general, with this, his first devoted to Afro-Cuban jazz. Fischer also used the occasion to unveil what would become his second bona fide jazz standard, Morning.
Soul Finger is an album by drummer Art Blakey recorded in 1965 and originally released on the Limelight label. On the 2009 CD edition, Gary Bartz, whose recording debut this was, was left off the credits - he is the saxophonist (alto) for five of the six cuts. Lucky Thompson is on only one cut, playing soprano sax on "Spot Session" with the quartet of Blakey, Hicks and Sproles. A sixth cut from the Bartz sessions was used on the later Hold On, I'm Coming album. This was trumpeter Lee Morgan's last recording with Art Blakey after a seven-year association; Freddie Hubbard would return to tour with Blakey's group again in the 1980s.
Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. This was Getz's second bossa nova album for Verve following Jazz Samba, his very successful collaboration with guitarist Charlie Byrd.
Shearing Bossa Nova is a 1963 album by George Shearing accompanied by "woodwinds and a Brazilian rhythm", and arranged by Clare Fischer.
This is the discography for American jazz musician Clare Fischer.
Bossa Nova Jazz Samba is an album by saxophonist Bud Shank and pianist Clare Fischer released on the Pacific Jazz label, and is in the genre of bossa nova.
The Place to Be is an album by pianist Benny Green which was recorded in 1994 and released on the Blue Note label.
