Jim Self | |
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Born | James Martin Self August 20, 1943 Franklin, Pennsylvania, U.S. |
Education | Indiana State College (B.S., 1965) Catholic University of America (M.M., 1972) University of Southern California (D.M.A., 1976) |
Occupation(s) | Musician, composer |
Musical career | |
Genres |
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Instrument | Tuba |
Years active | 1965–present |
James Martin Self (born August 20, 1943) is an American tubist and composer from Los Angeles. Self has performed extensively in Los Angeles and internationally as a soloist, chamber musician, orchestral tubist, and, most notably, as a studio musician in the Los Angeles movie studios having appeared on over 1500 soundtracks. He is also known for his association with the Pasadena Symphony, the Pacific Symphony, the Los Angeles Opera and the Hollywood Bowl Orchestra.
James Martin Self was born on August 20, 1943, in Franklin, Pennsylvania, the third youngest of four siblings born to Helen Louise (née Martin, 1907–1980) [1] and James Warren "Pete" Self (1906–1959), [2] and grew up in neighboring Oil City, Pennsylvania. His father, James, worked as an assistant production manager at the Worthington Corporation and was a softball and baseball player. [2] His mother, Helen, was a member of his hometown's First Baptist Church. [1] His older brother, William, worked as an electrical engineer. [3]
After graduating from Oil City High School in 1961, Self went to Indiana State College (now known as Indiana University of Pennsylvania). He studied under trumpeter William Becker, [4] whom he considered a "a father figure and a kind of soul mate". [5] In 1965, he earned his bachelor's degree in music education. [6]
After graduation, Self joined the United States Army Band. The concert band tuba section included Leo Hurst, Bob Pallansch, Dan Perantoni, Chester Schmitz, and Paul Scott. During his time with the US Army Band, Self earned a Master of Music in Tuba Performance from Catholic University of America and studied with Harvey Phillips.
Self left the Army Band in 1967. He was offered the position of Assistant Professor of Tuba and the University of Tennessee in 1969.
In 1971, while still working at the University of Tennessee, Self began working on a Doctor of Musical Arts degree at the University of Southern California. At USC he studied under Tommy Johnson. [7]
Self has performed on the Los Angeles studios since 1974. In this time he has recorded over 1500 soundtracks for motion pictures and television. [8] One of Self's most notable soundtrack credits is his performance on Close Encounters of the Third Kind . His performance was featured as the "voice of the mothership." Self can be heard as a soloist in such films as Jurassic Park , Home Alone , Home Alone 2 , Casper , Batteries Not Included , Sleepless in Seattle , and Dennis the Menace . Jim Self has been the first call tubist for such notable film composers as John Williams, James Newton Howard, John Debney and James Horner. [9] In recent years, he performed on John Williams' scores for The Force Awakens , The Last Jedi , and The Rise of Skywalker . [10] Self often doubles on cimbasso for soundtrack work, particularly since the late 1990s. [11]
Jim Self holds principal tuba positions with the Hollywood Bowl Orchestra (1991–present), Pasadena Symphony (1975-present), Pacific Symphony (1986–present), [12] Los Angeles Opera (1986–present), [13] and Opera Pacific (1987-2008). In his opera orchestra performances he plays the cimbasso when required. Self is also a frequent substitute tubist with the Los Angeles Philharmonic. [14]
Jim Self taught at the University of Southern California from 1976-2024. His retirement at USC was celebrated with a "Swan Song Concert". [15] At USC Self taught tuba and coached brass chamber music. Self taught at the University of Tennessee from 1969-1975. He has also taught at such festivals as Music Academy of the West and the Henry Mancini Institute.
Self has published over 90 solo, chamber, and symphonic works. [16] In 2008 the Pacific Symphony performed his composition, Tour de Force: Episodes for Orchestra. [17] The 13 minute work has also been transcribed for wind ensemble and was co-premiered by the USC Thornton Wind Ensemble under the direction of H. Robert Reynolds and the IUP Wind Ensemble under the direction of Jack Stamp. [18]
Jim and his wife Jamie have made gifts to his alma mater Indiana University of Pennsylvania, including funding the Legacy Brass Quintet, a brass quintet for honors students, and establishing the Jim & Jamie Self Brass Scholarship in 2023. [19]
Harvey Phillips Award (ITEA), 2010
Roger Bobo Award for Excellence in Recording (ITEA), 2008 - InnerPlay [20]
Lifetime Achievement Award (ITEA), 2008 [21] [22]
Distinguished Alumni Award, Indiana University of Pennsylvania, 2003 [23]
Most Valuable Player Award (Tuba), National Association of Recording Arts and Sciences, 1983, 1985, 1986, 1987 [24]
President, International Tuba Euphonium Association, 1979-1981 [25]
Disc title | Year of release | Genre | Contributing artists |
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Children at Play | 1983 | Jazz |
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New Stuff | 1988 | Jazz |
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Tricky Lix | 1991 | Jazz |
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Changing Colors | 1995 | Classical | Terry Trotter, Piano |
The Basset Hound Blues | 1997 | Jazz |
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The Big Stretch | 1999 | Classical |
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My America | 2003 | Americana |
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Size Matters | 2003 | Jazz |
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Inner Play | 2005 | Jazz |
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The Odd Couple | 2008 | Jazz |
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Concerto for Tuba and Orchestra | 2012 | Classical/Jazz |
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'Tis the Season TUBA Jolly | 2013 | Christmas |
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Flying Circus | 2015 | Classical |
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YO | 2016 | Latin Jazz |
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Floating in Winter | 2017 | Jazz |
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Out on the Coast | 2020 | Jazz |
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The Light Fantastic | 2020 | Jazz |
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Hangin' Out | 2022 | Jazz |
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My America 2: Destinations | 2022 | Jazz |
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Touch and Go | 2023 | Jazz |
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Tour de Force | 2024 | Jazz |
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Feels So Good | 2024 | Jazz |
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The tuba is the largest and lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration – a buzz – into a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. Tuba is Latin for "trumpet".
The serpent is a low-pitched early wind instrument in the lip-reed family, developed in the Renaissance era. It has a trombone-like mouthpiece, with six tone holes arranged in two groups of three fingered by each hand. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is made from wood with an outer covering of leather. A distant ancestor of the tuba, the serpent is related to the cornett and was used for bass parts from the 17th to the early 19th centuries.
The cimbasso is a low brass instrument that covers the same range as a tuba or contrabass trombone. First appearing in Italy in the early 19th century as an upright serpent, the term cimbasso came to denote several instruments that could play the lowest brass part in 19th century Italian opera orchestras. The modern cimbasso design, first appearing as the trombone basso Verdi in the 1880s, has four to six rotary valves, a forward-facing bell, and a predominantly cylindrical bore. These features lend its sound to the bass of the trombone family rather than the tuba, and its valves allow for more agility than a contrabass trombone. Like the modern contrabass trombone, it is most often pitched in F, although models are occasionally made in E♭ and low C or B♭.
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