First Time Out (album)

Last updated
First Time Out
Album "First Time Out" cover.jpg
Studio album by
Released1962
RecordedApril 12 & 14, 1962
StudioPacific Jazz Studios, Hollywood
Genre Jazz
Label Pacific Jazz
PJ 52
Producer Richard Bock
Clare Fischer chronology
First Time Out
(1962)
Bossa Nova Jazz Samba
(1962)
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [1]
Atlanta Daily World favorable [2]
Audio favorable [3]
Down Beat Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [4]
Gramophone "superlative" [5]
Mademoiselle favorable [6]
Saturday Review favorable [7]
External audio
Nuvola apps arts.svg You may listen to "Toddler" here

First Time Out is the debut album by American composer/arranger/keyboardist Clare Fischer, [lower-alpha 1] recorded and released in 1962 by Pacific Jazz Records. [9]

Contents

Reception

Aside from the overwhelmingly positive response that greeted Fischer's debut, the most pervasive reaction was sheer surprise; indeed, Down Beat's 5-star review dubbed it "the biggest surprise of the year." [4] As jazz historian and critic Martin Williams observes, writing in The Saturday Review :

First Time Out is from a rather unexpected source: it is a recital by a piano trio, led by Clare Fischer, a man previously known for his arranging and composing. Fischer's piano is not 'interesting,' as an arranger's piano is apt to be. It is much more accomplished than that." [7]

While struggling to pinpoint Fischer's pianistic forebears, finding elements of both Bill Evans and Dodo Marmarosa, critic Leonard Feather echoes Williams' essential point, noting Fischer's "complete command of the keyboard; unlike Gil Evans, Tadd Dameron, and other arrangers who are secondarily pianists, he can be judged entirely by a pianistic yardstick." [10]

Gramophone's review praises "this superlative album," in part for preventing Fischer from "becoming one of the most neglected figures in jazz." [5] The Atlanta Daily World's Albert Anderson stops short of such hyperbole, but does acknowledge his own surprise:

I knew well before reviewing this record that Fischer was a composer of note. What I didn't know, though, was that he is such an outstanding pianist. However, after listening to these tracks (five of which are Fischer originals), I was tremendously impressed by his facility with a tune - He plays with mastery, melody and perhaps, too, with his audience in mind. The latter is suggested clearly in shifting moods and tempos; there is never a dull moment. [2]

Track listing

All compositions by Clare Fischer except where noted.

Side 1

  1. "Nigerian Walk" (Ed Shaughnessy) - 7:02
  2. "Toddler" - 4:40
  3. "Stranger" (Gary Peacock) - 4:00
  4. "Afterfact" - 4:06

Side 2

  1. "Free Too Long" - 7:30
  2. "Piece for Scotty" - 3:13
  3. "Blues for Home" - 5:09
  4. "I Love You" (Cole Porter) - 5:13

Personnel

Notes

  1. Fischer actually recorded an album prior to this, the previous year, while in Mexico with the Hi-Lo's, but it was not released until later, and with little fanfare even then. [8]

Related Research Articles

<span class="mw-page-title-main">Gary Peacock</span> American jazz double bassist (1935–2020)

Gary George Peacock was an American jazz double bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as avant garde saxophonist Albert Ayler, pianists Bill Evans, Paul Bley and Marilyn Crispell, and as a part of Keith Jarrett’s “Standards Trio” with drummer Jack DeJohnette. The trio existed for over thirty years, and recorded over twenty albums together. DeJohnette once stated that he admired Peacock's "sound, choice of notes, and, above all, the buoyancy of his playing." Marilyn Crispell called Peacock a "sensitive musician with a great harmonic sense."

<span class="mw-page-title-main">Ralph Towner</span> American musician

Ralph Towner is an American multi-instrumentalist, composer, arranger and bandleader. He plays the twelve-string guitar, classical guitar, piano, synthesizer, percussion, trumpet and French horn.

<span class="mw-page-title-main">Tommy Flanagan</span> American jazz pianist

Thomas Lee Flanagan was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album Saxophone Colossus. Recordings under various leaders, including Giant Steps of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade.

<span class="mw-page-title-main">Clare Fischer</span> American keyboardist, composer, arranger, and bandleader

Douglas Clare Fischer was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University, he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence, he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, 2+2 (1981), the first of Fischer's records to incorporate the vocal ensemble writing developed during his Hi-Lo's days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischer's three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).

<span class="mw-page-title-main">The Hi-Lo's</span> Vocal quartet

The Hi-Lo's were a vocal quartet formed in 1953, who achieved their greatest fame in the late 1950s and 1960s. The group's name is a reference to their extreme vocal and physical ranges.

"Pensativa" is a bossa nova jazz standard by American pianist/composer/arranger Clare Fischer, first recorded in 1962 by a quintet under the joint leadership of Fischer and saxophonist Bud Shank, and released that year as part of an album entitled Bossa Nova Jazz Samba, comprising music in this style, as per its title, all of it arranged by Fischer, and, with the exception of Erroll Garner's "Misty", composed by him as well. In retrospect, this would prove to be just the first of countless forays by Fischer into various areas of Latin music. This particular song was one of the first, and almost certainly the most famous, of all the foreign-born - i.e. non-Brazilian - bossa novas. Its form, though extended (64 mm.), is standard A-A-B-A, with each section consisting of 16 measures instead of eight.

"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, would provide fertile ground for Fischer's musical explorations over the next half-century.

<i>West Side Story</i> (Cal Tjader album) 1961 studio album by Cal Tjader

West Side Story is an album featuring American vibraphonist Cal Tjader, consisting of musical numbers from Leonard Bernstein's West Side Story in jazz arrangements, by Tjader's pianist and musical director Clare Fischer, without vocals. It was recorded in October 1960 and released on the Fantasy label in January 1961 as Fantasy 3310 / 8054. On July 30, 2002, Fantasy would reissue it – along with the 1962 LP Cal Tjader Plays Harold Arlen – on CD as Cal Tjader Plays Harold Arlen and West Side Story.

<i>Cal Tjader Plays Harold Arlen</i> 1962 studio album by Cal Tjader

Cal Tjader Plays Harold Arlen is an album by American vibraphonist Cal Tjader, five of its 11 tracks arranged by Tjader's longtime colleague Clare Fischer. Recorded in June 1960 and released in February 1962 on the Fantasy label, it would be reissued on CD – together with Tjader's similarly semi-orchestral 1961 LP, West Side Story – on July 30, 2002, as Cal Tjader Plays Harold Arlen and West Side Story.

<i>Touch of the Rare</i> 1985 studio album by Lisa Rich

Touch of the Rare is an album by American jazz vocalist Lisa Rich, backed by a quartet led by pianist/composer/arranger Clare Fischer, who also wrote or co-wrote six of its 11 tracks. Released by Trend Records in 1985 as TR 541, and reissued the following year on CD, Touch of the Rare was the second album released by Rich. Her first album was Listen Here.

<i>Alone Together</i> (Clare Fischer album) 1977 studio album by Clare Fischer

Alone Together is a studio album by American composer/arranger/pianist Clare Fischer, recorded in October 1975 and released in 1977 on the German label, MPS, and in the US by Discovery Records in 1980. Its 1997 reissue on CD accompanied a volume created by pianist, composer and educator Bill Dobbins, containing transcriptions of four of Alone Together 's tracks and five from Fischer's 1995 solo piano CD, Just Me, and described by saxophonist and longtime Fischer colleague Gary Foster as "among the very best materials published in the field of jazz pedagogy." Of the 1975 recording, Dobbins wrote: "If I had to make a list of the ten most important solo jazz piano recordings of all time, this recording would definitely be on the list."

<i>Thesaurus</i> (album) 1969 studio album by Clare Fischer

Thesaurus is an album by American composer/arranger/pianist Clare Fischer, recorded and released in 1969 by Atlantic Records. Reissued in 1979 as 'Twas Only Yesterday by Discovery Records, and on CD, again by Discovery, in 1988 as part of a CD entitled Waltz, encompassing both Thesaurus and the 1980 LP, Duality. In 2000, Thesaurus received a dedicated CD reissue under its original title from Koch Records.

<i>The State of His Art</i> 1976 studio album by Clare Fischer

The State of His Art is a studio album by American composer/arranger/pianist Clare Fischer, recorded May 1973 and released in 1976 by Revelation Records, and on CD by Clare Fischer Productions in 2007. This is the first of five strictly solo piano recordings Fischer would make during his career.

<i>Introspectivo</i> 2005 studio album by Clare Fischer

Introspectivo is a studio album by American composer/arranger/pianist Clare Fischer, recorded in December 2004 and released in October 2005 on the Mexican label, M&L Music. Composed largely of previously unrecorded original compositions unearthed by his son Brent, this would be the 76-year-old Fischer's fifth and final strictly solo piano recording.

<i>Surging Ahead</i> 1963 studio album by Clare Fischer

Surging Ahead is the second album by American composer/arranger/keyboardist Clare Fischer, released in 1963 by Pacific Jazz Records.

<i>Só Danço Samba</i> (album) 1964 studio album by Clare Fischer

So Danço Samba is the fourth album by keyboardist/composer-arranger Clare Fischer, and his first in the bossa nova vein, recorded and released in 1964 on the World Pacific label. Devoted primarily to the music of Antonio Carlos Jobim, it also features three of Fischer's own compositions.

<i>Songs for Rainy Day Lovers</i> 1967 studio album by Clare Fischer

Songs for Rainy Day Lovers is an album by American keyboardist/composer-arranger Clare Fischer, recorded in August 1966 and released in September 1967 by Columbia Records. It would be reissued in 1978 on the Discovery label as America the Beautiful, and in 2002 on CD under the same name by Clare Fischer Productions.

Brent Sean Cecil Fischer is an American composer, arranger, bandleader, bass guitarist and percussionist. The son of noted composer, arranger, and keyboardist Clare Fischer, Brent Fischer made his recording debut with his father's Latin jazz combo, Salsa Picante, at the age of sixteen, thus inaugurating a more than 30-year-long professional association between the two. Initially confined to performing credits, his input gradually expanded, until, by 2004, Fischer had assumed not merely a large share of the elder Fischer's arranging workload, but also active leadership of the working ensembles directed by his father; moreover, since 2005, Brent Fischer has produced all of his father's albums, starting with Introspectivo. The first two of these released after Clare Fischer's death, ¡Ritmo! and Music for Strings, Percussion and the Rest, each won Grammys; the former in 2013 for Best Latin Jazz Album, the latter in 2014 for Best Instrumental Composition.

<i>Machaca</i> (album) 1979 studio album by Clare Fischer

Machaca is an album by American composer-arranger/keyboadist Clare Fischer, the second to feature his Latin jazz combo, Salsa Picante. Recorded on May 16 and 17, 1979, it was released in 1980 on the German label, MPS, and in the U.S. the following year on the Discovery label.

"Old Folks" is a 1938 popular song and jazz standard composed by Willard Robison with lyrics by Dedette Lee Hill, the wife and occasional colleague of Billy Hill. The lyrics tell of an old man nicknamed "Old Folks" and reference his service in the American Civil War, his habit of smoking with a "yellow cob pipe", and the prospect of his death.

References

  1. "Clare Fischer: First Time Out (Overview)". All Music. Retrieved 2013-03-12.
  2. 1 2 Anderson, Albert. "Week in Records: Strictly Jazz". The Atlanta Daily World. October 23, 1962. Retrieved 2013-03-12 via Proquest.
  3. Audio. Volume 47. 1963. page 68. Retrieved 2013-03-12.
  4. 1 2 "First Time Out" cover image. 'CD and LP. Retrieved 2013-03-12.
  5. 1 2 "1962 Review". Gramophone. Volume 41. 1962. Part 1 & Part 2 Retrieved 2013-02-22.
  6. "1962 Review". Mademoiselle. Volume 56. 1962. Retrieved 2013-02-22.
  7. 1 2 Williams, Martin. "Pianists With Fortes". The Saturday Review. Volume 46. January 26, 1963. Retrieved 2013-03-12.
  8. "'Charity Begins at the Tax Collector's". Downbeat. Volume 28. 1961. Retrieved 2013-03-12.
  9. "First Time Out" LOC online. Retrieved 2013-03-12.
  10. Leonard Feather's liner notes for Surging Ahead. livedoor Blog. Retrieved 2013-03-20.