Irnina | |
---|---|
Goddess of victory or epithet of deities |
Irnina or Irnini [1] was a Mesopotamian goddess regarded as the personification of victory. The name could also be applied as an epithet to other deities.
The theonym Irnina was usually written in cuneiform as d ir-ni-na or dir-ni-ni. [2] An additional partially preserved logographic spelling using the sign MUŠ is known from the god list An = Anum . [3] It can be translated as "victory", and the goddess can accordingly be understood as a personification of this concept, a Victoria-like figure. [4] Jeremiah Peterson describes her as a deity associated with the underworld. [2] Margaret Jaques suggests comparing her with Irḫan. [5] She points out that the former appears in sequence with Kumulmul and Ušaḫara, the spouses of Shara, in the An = Anum forerunner, and the latter in zi-pad litanies. [6]
The distinct deity Irnina is to be separated from the use of this title to refer to a warlike aspect of Ishtar. [1] Margaret Jaques argues that the name originally referred to the former, but came to be used as an epithet of Ishtar possibly due to shared dangerous and unpredictable characteristics of the two. [6] Irnina is also an epithet of the warlike aspect of Ishtar in the Agushaya poem. [1] The Hymn to the City of Arbela identifies Ishtar of Arbela with Irnina. [7] The name could also function as a title of the name could also function as a title of Nanaya [8] and Damkina. [9] Furthermore, a syncretistic hymn to Marduk, which otherwise features only male deities, includes Irnina among the names rassigned to his aspects. [10]
Irnina is well attested in literary texts dealing with the campaigns of rulers of the Akkadian Empire, especially Sargon and Naram-Sin. [4] In the so-called Naram-Sin Epic, which describes the confrontation between the eponymous ruler and the king of Apišal and his allies, [11] Irnina is one of the deities assisting the former. [12]
An inscription of the Assyrian king Ashur-resh-ishi I dealing with the reconstruction of the temple of Ishtar in Nineveh [13] lists Irnina among the deities favorable to this king, alongside Enlil, Ashur, Anu and Ea. [14]
In the god list An = Anum Irnina occurs in the entourage of Ningishzida (tablet V, lines 260-261). [5] Her exact position in his court is not known. [3] Frans Wiggermann suggests that their association reflected Ningishzida's ability to guarantee victory, which he sees as one of the features of his character as a "reliable god". [15] He also suggests that Irnina might have been regarded as a hypostasis of his warlike aspect. [3] Irnina is also attested in the Weidner god list, where she is listed after Ereshkigal, Allatum and Irkalla and before Dannina, which might reflect a connection with the underworld. [5] Either Irnina or Irkalla might be present in a fragmentary non-standard god list from Old Babylonian Nippur, though the restoration of the name is uncertain. [2] Only the determinative and the first sign are preserved. [16]
In the so-called "Standard Babylonian" edition of the Epic of Gilgamesh , Ninsun mentions that she is aware that her son Gilgamesh is destined to be associated with deities such as Irnina and Ningishzida while she implores Shamash to help him. [17] This passage reflects the portrayal of Irnina as an underworld deity. [1] Later the Cedar Forest to which the hero and his companion Enkidu venture is described as the property of "Irnini", though according to Andrew R. George in this context the name might be used as a generic designation for goddesses, not as a specific deity, [1] as it occurs in parallel with īli, "gods". [18]
Inanna is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power. Originally worshiped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar. Her primary title was "the Queen of Heaven".
Sin or Suen (Akkadian: 𒀭𒂗𒍪, dEN.ZU) also known as Nanna (Sumerian: 𒀭𒋀𒆠DŠEŠ.KI, DNANNA) was the Mesopotamian god representing the moon. While these two names originate in two different languages, respectively Akkadian and Sumerian, they were already used interchangeably to refer to one deity in the Early Dynastic period. They were sometimes combined into the double name Nanna-Suen. A third well attested name is Dilimbabbar (𒀭𒀸𒁽𒌓). Additionally, the moon god could be represented by logograms reflecting his lunar character, such as d30 (𒀭𒌍), referring to days in the lunar month or dU4.SAKAR (𒀭𒌓𒊬), derived from a term referring to the crescent. In addition to his astral role, Sin was also closely associated with cattle herding. Furthermore, there is some evidence that he could serve as a judge of the dead in the underworld. A distinct tradition in which he was regarded either as a god of equal status as the usual heads of the Mesopotamian pantheon, Enlil and Anu, or as a king of the gods in his own right, is also attested, though it only had limited recognition. In Mesopotamian art, his symbol was the crescent. When depicted anthropomorphically, he typically either wore headwear decorated with it or held a staff topped with it, though on kudurru the crescent alone served as a representation of him. He was also associated with boats.
Shamash was the ancient Mesopotamian sun god, earlier known as Utu. He was believed to see everything that happened in the world every day, and was therefore responsible for justice and protection of travelers. As a divine judge, he could be associated with the underworld. Additionally, he could serve as the god of divination, typically alongside the weather god Adad. While he was universally regarded as one of the primary gods, he was particularly venerated in Sippar and Larsa.The moon god Nanna (Sin) and his wife Ningal were regarded as his parents, while his twin sister was Inanna (Ishtar). Occasionally other goddesses, such as Manzat and Pinikir, could be regarded as his sisters too. The dawn goddess Aya (Sherida) was his wife, and multiple texts describe their daily reunions taking place on a mountain where the sun was believed to set. Among their children were Kittum, the personification of truth, dream deities such as Mamu, as well as the god Ishum. Utu's name could be used to write the names of many foreign solar deities logographically. The connection between him and the Hurrian solar god Shimige is particularly well attested, and the latter could be associated with Aya as well.
Mamitu was a Mesopotamian goddess associated with the underworld. She was regarded as the wife of Nergal, or sometimes of other gods regarded as analogous to him, such as Erra. Her importance in Mesopotamian religion was minor, and she was most likely chiefly worshiped in Kutha, though attestations are available from other cities too. It is possible that she was the forerunner of Mandean Amamit.
Ninlil was a Mesopotamian goddess regarded as the wife of Enlil. She shared many of his functions, especially the responsibility for declaring destinies, and like him was regarded as a senior deity and head of the pantheon. She is also well attested as the mother of his children, such as the underworld god Nergal, the moon god Nanna or the warrior god Ninurta. She was chiefly worshiped in Nippur and nearby Tummal alongside Enlil, and multiple temples and shrines dedicated to her are attested in textual sources from these cities. In the first millennium BCE she was also introduced to Ḫursaĝkalamma near Kish, where she was worshiped alongside the goddess Bizilla, who was likely her sukkal.
Ištaran was a Mesopotamian god who was the tutelary deity of the city of Der, a city-state located east of the Tigris, in the proximity of the borders of Elam. It is known that he was a divine judge, and his position in the Mesopotamian pantheon was most likely high, but much about his character remains uncertain. He was associated with snakes, especially with the snake god Nirah, and it is possible that he could be depicted in a partially or fully serpentine form himself. He is first attested in the Early Dynastic period in royal inscriptions and theophoric names. He appears in sources from the reign of many later dynasties as well. When Der attained independence after the Ur III period, local rulers were considered representatives of Ištaran. In later times, he retained his position in Der, and multiple times his statue was carried away by Assyrians to secure the loyalty of the population of the city.
Nanaya was a Mesopotamian goddess of love closely associated with Inanna.
Ningishzida was a Mesopotamian deity of vegetation, the underworld and sometimes war. He was commonly associated with snakes. Like Dumuzi, he was believed to spend a part of the year in the land of the dead. He also shared many of his functions with his father Ninazu.
Ninshubur, also spelled Ninšubura, was a Mesopotamian goddess whose primary role was that of the sukkal of the goddess Inanna. While it is agreed that in this context Ninshubur was regarded as female, in other cases the deity was considered male, possibly due to syncretism with other divine messengers, such as Ilabrat. No certain information about her genealogy is present in any known sources, and she was typically regarded as unmarried. As a sukkal, she functioned both as a messenger deity and as an intercessor between other members of the pantheon and human petitioners.
Ninazu was a Mesopotamian god of the underworld of Sumerian origin. He was also associated with snakes and vegetation, and with time acquired the character of a warrior god. He was frequently associated with Ereshkigal, either as a son, husband, or simply as a deity belonging to the same category of underworld gods.
Ninmena was a Mesopotamian goddess who represented the deified crown. She was closely associated with the deified scepter, Ninĝidru, and with various goddesses of birth, such as Ninhursag.
Anu or Anum, originally An, was the divine personification of the sky, king of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshipped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result he was actively worshipped by inhabitants of the city in the final centuries of the history of ancient Mesopotamia.
Kanisurra was a Mesopotamian goddess who belonged to the entourage of Nanaya. Much about her character remains poorly understood, though it is known she was associated with love. Her name might be derived from the word ganzer, referring to the underworld or to its entrance. In addition to Nanaya, she could be associated with deities such as Gazbaba, Ishara and Uṣur-amāssu. She is first attested in sources from Uruk from the Ur III period, and continued to be worshiped in this city as late as in the Seleucid period.
Ašratum was a Mesopotamian goddess of Amorite origin. She was regarded as the wife of the god Amurru. Her name is a cognate of Ugaritic Athirat, but despite likely sharing the same origin these two goddesses occupied different positions in the respective pantheons.
Gazbaba, also known as Kazbaba or Kazba, was a Mesopotamian goddess closely associated with Inanna, Nanaya and Kanisurra. Like them, she was connected with love and eroticism.
An = Anum, also known as the Great God List, is the longest preserved Mesopotamian god list, a type of lexical list cataloging the deities worshiped in the Ancient Near East, chiefly in modern Iraq. While god lists are already known from the Early Dynastic period, An = Anum most likely was composed in the later Kassite period.
Laṣ was a Mesopotamian goddess who was commonly regarded as the wife of Nergal, a god associated with war and the underworld. Instances of both conflation and coexistence of her and another goddess this position was attributed to, Mammitum, are attested in a number sources. Her cult centers were Kutha in Babylonia and Tarbiṣu in Assyria.
Tadmuštum or Dadamušda was a Mesopotamian goddess associated with the underworld. She was regarded as the daughter of Nergal, and in known texts often appears in association with his main cult center, Kutha.
Ulmašītum was a Mesopotamian goddess regarded as warlike. Her name was derived from (E-)Ulmaš, a temple in the city of Akkad dedicated to Ishtar. She was commonly associated with Annunitum, and in many texts they appear as a pair. While she originated in northern Mesopotamia, in the Ur III period she is best attested in Ur, though later she was also worshiped in Malgium.
Epithets of Inanna were titles and bynames used to refer to this Mesopotamian goddess and to her Akkadian counterpart Ishtar. In Mesopotamia, epithets were commonly used in place of the main name of the deity, and combinations of a name with an epithet similar to these common in ancient Greek religion are comparatively uncommon. Inanna had more titles than any other Mesopotamian deity. They pertained to her associations with specific cities or areas, such as Uruk, Zabalam, Akkad, Nineveh, or the Sealand. Others instead highlighted her specific roles, for example, that of an astral goddess personifying the planet Venus—or that of a war deity. In some cases, her individual epithets eventually developed into separate deities.