Iron & Silk | |
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Directed by | Shirley Sun |
Screenplay by | Mark Salzman |
Based on | Iron & Silk by Mark Salzman |
Produced by | Shirley Sun |
Starring | Mark Salzman Vivian Wu Pan Qingfu Jeanette Lin Tsui |
Cinematography | James Hayman |
Edited by | James Y. Kwei Geraldine Peroni |
Music by | Michael Gibbs |
Production companies | SUN-Productions Tokyo Broadcasting System |
Distributed by | Prestige Films (United States) Cineplex Odeon Films (Canada) |
Release dates |
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Running time | 101 minutes |
Country | Canada |
Language | English |
Iron & Silk is a 1990 Canadian action comedy-drama based on the eponymous book by American writer Mark Salzman. It details his journey to China after college to study Chinese wu shu, better known in the west as kung fu, and to teach English. Though not trained as an actor, Salzman starred as himself, as did Pan Qingfu, who claimed no one else could portray him on film. [1] Salzman's experiences occurred in Changsha, Hunan, though the film was shot in Hangzhou, Zhejiang. The film was directed by Shirley Sun, and was the editorial debut for Geraldine Peroni.
Mark Franklin arrives in Hangzhou, China to teach Chinese teachers the English language. He learns the refinements of correct behavior among Chinese people, makes friends with his pupils, falls in love with the young doctor Ming, learns wushu (Chinese martial arts) from the famous teacher Pan... but also learns about political repression, especially when he's forbidden contact with some of his friends.
The movie gained mostly positive reviews, ranging from a "modest charmer; a true sleeper" [2] to "unsophisticated [and] bittersweet". [3] The movie was met with some criticism, ranging from "an unhappy teenager's fantasy of finally fitting in" [4] to "we're talking geekarama here". [5]
Samuel "Sammo" Hung Kam-bo is a Hong Kong actor, martial artist, film producer and director, known for his work in martial arts films, Hong Kong action cinema, and as a fight choreographer for other actors such as Kim Tai-chung, Jackie Chan, Yuen Biao, and Yuen Wah.
Shaolin kung fu, also called Shaolin Wushu, or Shaolin quan, is the largest and most famous style of kung fu. It combines Zen philosophy and martial arts. It was developed in the Shaolin Temple in Henan, China during its 1500-year history. In Chinese folklore there is a saying, "Shaolin kung fu is the best under heaven," which indicates its superiority among martial arts, and "All martial arts under heaven originated from Shaolin," which indicates its influence on other martial arts. The name Shaolin is also used as a brand for the so-called external styles of kung fu. Many styles in southern and northern China use the name Shaolin.
Northern Praying Mantis is a style of Chinese martial arts, sometimes called Shandong Praying Mantis after its province of origin. According to common folk stories, it was created by Wang Lang (王朗) and was named after the praying mantis, an insect, the aggressiveness of which inspired the style. One version of the myth places the creation of the style during the Song dynasty when Wang Lang was supposedly one of 18 masters gathered by the Abbot Fu Ju (福居), a legendary persona of the historical Abbot Fu Yu, to improve Shaolin martial arts. However, most legends place Wang Lang in the late Ming dynasty, or early Qing dynasty.
Chinese martial arts, commonly referred to with umbrella terms kung fu, kuoshu or wushu, are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal, while others that concentrate on improving muscle and cardiovascular fitness are called external. Geographical associations, as in northern and southern, is another popular classification method.
Mark Joseph Salzman is an American writer. Salzman is best known for his 1986 memoir Iron & Silk, which describes his experiences living in China as an English teacher in the early 1980s.
Fujian White Crane, also known as White Crane Style is a Southern Chinese martial art that originated in Yongchun County, Fujian (福建) province. According to oral tradition, the style was developed by Fang Qiniang, a female martial artist. It is associated with traditional fighting techniques, including long range, but is most similar to close-quarter or hand-to-hand combat. It is most recognizable by the way the fighter imitates a bird's pecking or flapping of wings. While some white crane styles make use of traditional weapons, others have discontinued the use of weaponry.
The Shaolin Temple (少林寺) is a 1982 Chinese–Hong Kong martial arts film directed by Chang Hsin Yen and starring Jet Li in his debut role along with Ding Lan and Yu Hai in supporting roles. The film is based on the Shaolin Monastery in China and depicts Shaolin Kung Fu. The film was among the first major co-productions between Hong Kong and mainland China, and the first to be filmed in mainland China with a mostly mainland cast. The film's plot has an episodic storytelling structure while combining action, comedy and romance elements.
Lo Wei was a Hong Kong film director and film actor best known for launching the martial arts film careers of both Bruce Lee, in The Big Boss and Fist of Fury, and Jackie Chan, in New Fist of Fury.
Shaolin and Wu Tang is a 1983 Hong Kong martial arts film directed by and starring Gordon Liu. The film is about the rivalry between the Shaolin and Wu-Tang martial arts schools. It is also called Shaolin vs. Wu-Tang in the Master Killer Collection.
Pan Qingfu, also known as Grandmaster Pan, was a Chinese martial artist.
Zhou Tong was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
Kung fu film is a subgenre of martial arts films and Hong Kong action cinema set in the contemporary period and featuring realistic martial arts. It lacks the fantasy elements seen in wuxia, a related martial arts genre that uses historical settings based on ancient China. Swordplay is also less common in kung-fu films than in wuxia and fighting is done through unarmed combat.
The Prodigal Son is a 1981 Hong Kong martial arts film directed by Sammo Hung, who also supporting role and co-writer with Barry Wong. The film stars Yuen Biao, Lam Ching-ying, and Frankie Chan. The film was released on 22 December 1981 and grossed HK$9,150,729. The Prodigal Son was nominated for two Hong Kong Film Awards and won the award for Best Action Choreography.
Various martial arts have been attributed to or associated with Zhou Tong, the archery teacher of the Song dynasty general Yue Fei. This is because assorted wuxia novels and folk legends portray him as being either a Shaolin monk or a lay disciple of Shaolin. Some of these skills range from mastery of the bow, double swords and Chinese spear to that of Wudang hard qigong, Chuojiao boxing and even magical X-ray eyes. However, the oldest historical record that mentions his name only says he taught archery to Yue Fei. Nothing is ever said about him knowing or teaching a specific style of Chinese martial arts.
Iron and Silk is a 1986 autobiographical novel written by Mark Salzman. It describes his experiences in China as an English teacher and as a student of Kung Fu. The book was later made into a film of the same name.
The Incredible Kung Fu Master, also known as The Kung Fu Master is a 1979 martial arts action comedy film directed by Joe Cheung in his directorial debut and starring Sammo Hung and Stephen Tung, the latter in his first leading role. This film features an action direction from a number of famous action directors including Sammo Hung Stunt Team, Lam Ching-ying, Billy Chan, Bryan Leung and Yuen Biao.
Phillip Ko-fei was a Hong Kong–based actor, screenwriter and film director.
Chung Fat is a Hong Kong–based actor, choreographer, producer, and director. He primarily stars in jiangshi fictions and martial art movies.
Zhejiang Xiaobaihua Yue Opera Troupe is a professional all-women Yue opera troupe in Hangzhou, Zhejiang, China. Along with Zhejiang Yue Opera Troupe and Shanghai Yueju Troupe, it is one of China's most famous Yue opera troupes. It has toured the U.S., France, Holand, Belgium, Japan, South Korea, Singapore, Thailand, Hong Kong, Macao, Taiwan and other places.
Birthday Celebration by Five Daughters (五女拜壽) is a Chinese Yue opera play written by Gu Xidong (顾锡东) in 1982, set in the Ming dynasty before and after the fall of Yan Song. There is some similarity between the story and that of King Lear, although Gu Xidong never acknowledged any Shakespearean influence. The story emphasizes the importance of traditional Confucian values such as filial piety, which like traditional theatre had been attacked and suppressed during the Cultural Revolution (1966–1976).