It Chapter Two (Original Motion Picture Soundtrack) | ||||
---|---|---|---|---|
Film score by | ||||
Released | August 30, 2019 | |||
Recorded | 2019 | |||
Venue | Los Angeles, California | |||
Studio |
| |||
Genre | Film score | |||
Length | 1:41:15 | |||
Label | WaterTower Music | |||
Benjamin Wallfisch chronology | ||||
|
It Chapter Two (Original Motion Picture Soundtrack) is the score album to the 2019 film It Chapter Two , a follow-up to It (2017). The film had Benjamin Wallfisch who scored for the first film, returning to score for the sequel. The score is "larger and more matured" than the first film, which demanded Wallfisch a 100-piece orchestra from the Hollywood Studio Symphony and 40-member voice choir performing. The album consisting of 45 tracks, were released by WaterTower Music on August 30, 2019, a week before the film's release. [1] It was further released in double vinyl on December 6, 2019. [2]
"I wanted to take the themes, which have become familiar, and part of the storytelling from the first film, and give them the sense that they’ve gone through 27 years of not just maturing, but developing a complexity that time brings. That was something we tried to mirror in the musical choices."
One of the earliest discussion, Wallfisch had with Muschetti, is how to blend new themes and original themes from the first film with "more scale and ambition to reflect the scope of the film". [4] Hence for Chapter Two, Wallfisch used a 100-piece orchestra from the Hollywood Studio Symphony and 40-member vocal choir, and in addition to several new themes, he re-recorded the themes from the first film's score with more "complex and ambitious arrangements" so as to reflect the characters development over the past 27 years, explaining "There was a lot more music required, which really allowed room for the original themes to develop and evolve in a way driven by the emotional complexity of how the Losers Club grapple with inner demons from the past and painful memories, and ultimately unite to confront their biggest fears." [4]
Especially, for the theme of Pennywise, the film had him "vengeful and flagrant" and have a bigger presence in the film. So that "the music had to also reflect that increased darkness, whilst never losing sight of the adventure and emotion that are at the core of the movie". [4] With The Losers Club returning as adults, Wallfisch had the opportunity to give them more emotional potency. as "they're not just kids going through the process of coming together to defeat this evil. We’re dealing with adults who have grappled with trauma and are coming together and reforming memories that have been lost." Hence, the score was much more complex, as the visual scale and storytelling and much depth in the second instalment. [3] [5]
Wallfisch further experimented with close-miked solo strings, where he recorded for sequences which are more visceral, as while using the close miked strings "it had much more drama than going with a hundred people playing together". The sonic choices were "counter-intuitive". He used a lot of post-processing of acoustic instruments, which he turned into electronic textures, with the sounds that originated from the orchestra. He recorded the full orchestra scoring within a single day, so as to get all kinds of "completely off-the-wall and very unusual sounds, which then formed the basis of the more experimental parts of the score". A two-week recording was held at the Barbra Streisand Scoring Stage and Warner Bros.' Eastwood Scoring Stage in Los Angeles, California, while the choir was recorded with RSVP Voices in London, which featured several professional choirs around London. He further reprised the children's choir he used in the first film. He did not re-record, but used the original recordings. [3]
All music is composed by Benjamin Wallfisch
No. | Title | Length |
---|---|---|
1. | "27 Years Later" | 2:06 |
2. | "Memory" | 1:40 |
3. | "Come Home" | 2:24 |
4. | "I Swear, Bill" | 1:30 |
5. | "Beverly Escapes" | 2:21 |
6. | "Henry Bowers" | 1:21 |
7. | "Firefly" | 3:09 |
8. | "Losers Reunited" | 0:52 |
9. | "Echo" | 1:44 |
10. | "Fortune Cookies" | 2:11 |
11. | "You Knew" | 1:49 |
12. | "The Library" | 2:07 |
13. | "Shokopiwah" | 3:29 |
14. | "The Barrens" | 1:21 |
15. | "The Clubhouse" | 3:48 |
16. | "Perfume" | 2:36 |
17. | "Mrs. Kersh" | 1:47 |
18. | "Miss Me, Richie?" | 1:24 |
19. | "Your Dirty Little Secret (feat. Pennywise)" | 1:21 |
20. | "Silver Bullet" | 1:54 |
21. | "Why Georgie?" | 3:45 |
22. | "Your Hair Is Winter Fire" | 3:20 |
23. | "Eddie and the Leper" | 1:50 |
24. | "Festival Pursuit" | 1:06 |
25. | "Hall of Mirrors" | 2:14 |
26. | "Bar Mitzvah" | 1:36 |
27. | "Bowers Attack" | 1:19 |
28. | "Back to Neibolt" | 2:50 |
29. | "Home At Last" | 1:29 |
30. | "It's Stan" | 2:03 |
31. | "This Is Where It Happened" | 2:03 |
32. | "The Place of It" | 1:57 |
33. | "Artifacts" | 3:10 |
34. | "The Ritual of Chüd" | 2:04 |
35. | "Very Scary" | 1:39 |
36. | "Scary" | 1:31 |
37. | "Not Scary At All" | 1:25 |
38. | "You Lied and I Died" | 2:55 |
39. | "My Heart Burns There Too" | 2:30 |
40. | "Spider Attack" | 3:28 |
41. | "You're All Grown Up Ew" | 5:24 |
42. | "Neibolt Escape" | 1:36 |
43. | "Nothing Lasts Forever" | 4:18 |
44. | "Goodbye" | 0:54 |
45. | "Stan's Letter" | 4:18 |
Total length: | 1:41:15 |
Zanobard Reviews wrote "Benjamin Wallfisch’s score to IT Chapter Two is very, very good. The album expertly captures the atmosphere of IT and embraces its horrific nature to great effect, and of particular note is the way the composer picks out elements from children’s nursery rhymes and then twists and distorts them into something completely petrifying. While the album is a little lengthy (ninety minutes is a long time for a horror score) it is extremely well composed." [6] Jonathan Broxton wrote "with his work on these It movies, Benjamin Wallfisch has created two of the best horror movie scores in many years. To the untrained ear a great deal of the most anarchic dissonance may seem like little more than ear-splitting noise, but I find it all quite fascinating. The creative collisions of sounds, the extended performance techniques, and the allusions to the most challenging and advanced 20th century modernism, are all worthy of significant praise. Not only that, but Wallfisch weaves a half dozen or so identifiable and memorable recurring themes through the score too, and allows them the room to create moments of emotional catharsis when required. The Oranges & Lemons chant for the demented toddlers remains one of the most brilliant and spine-chilling horror music motifs in recent memory. There will be a large number of listeners who simply will not be able to tolerate the onslaught of noise that assails you from the first cue to the last, and those people need to be forewarned that a large portion of this score is very, very, difficult indeed." [7]
Filmtracks.com wrote "the music on the whole is a noteworthy achievement and an improvement on the prior score, which itself was a more than decent entry in the genre. The album release is once again long. At 103 minutes, there is more than twenty minutes of top-notch lyrical suspense material here to add to similar sequences from It and The Cure for Wellness for a fantastic compilation. Note that these generous Wallfisch albums tend to go out of print on CD within a year or two, so you should not hesitate to appreciate a lossless presentation of this strong genre entry sooner rather than later." [8] Film Music Central wrote "Benjamin Wallfisch clearly put a lot of work into this score, and if it’s this scary by itself, I shudder to think what it would be like to hear this music with the film it was written to accompany. If you liked the score for the first It, then you will love the music for It: Chapter Two." [9]
Don Kaye of Den of Geek felt that "Benjamin Wallfisch returns to compose the music for Chapter Two, unfortunately overscoring this one even more than he did Chapter One (one of the first film’s few missteps)." [10] Los Angeles Times writer Jen Yamato wrote "Benjamin Wallfisch’s portentous score signaling the way". [11] Rob Slack of BarrieToday.com score is "top shelf, amazingly creepy and wonderful". [12] Mark Kermode of The Guardian wrote "expansive score amplifies the sense of adventure". [13]
Credits adapted from CD liner notes. [14]
Batman v Superman: Dawn of Justice is the soundtrack to the film of the same name composed by Hans Zimmer and Junkie XL. It was released on March 18, 2016, by WaterTower Music. The exclusive deluxe edition of the album contains five bonus tracks, entitled "Blood of My Blood", "Vigilante", "May I Help You, Mr. Wayne?", "They Were Hunters" and "Fight Night". The soundtrack also features the Eric Whitacre Singers.
Solo: A Star Wars Story is the soundtrack album to the 2018 film of the same name directed by Ron Howard, which is the second instalment in the Star Wars anthology series. The score is composed by John Powell, with the Han Solo's theme conducted and composed by John Williams, whom he had collaborated for several Star Wars films, was included in the album. Williams further composed several demos, that were not included in the soundtrack but was released in the deluxe edition. Besides composing the original themes, Powell also incorporated Williams' music from Star Wars films.
Bumblebee (Motion Picture Soundtrack) is the soundtrack to the 2018 film of the same name directed by Travis Knight, the sixth installment in the Transformers film series. The soundtrack to the film consisted of several popular songs from the 1980s, which were released by Republic Records on the same day as the film's release, December 21, 2018. Bumblebee (Motion Picture Score), an album consisting of the film's original score composed by Dario Marianelli, was released by Paramount Music on the same date.
Shazam!: Original Motion Picture Soundtrack is the soundtrack to the film of the same name composed by Benjamin Wallfisch. It was released on April 5, 2019 by WaterTower Music with the physical edition being released later on May 10.
It: Original Motion Picture Soundtrack is the soundtrack album to the 2017 American film It. An adaptation of the 1986 novel of the same name by Stephen King, the first of the two-cinematic parts is directed by Andy Muschietti, and featured musical score composed by Benjamin Wallfisch. Wallfisch had influenced several works from film composers, notably John Williams and Alan Silvestri's works, while creating the score for It, and uses orchestral music to reflect the period of 1980s setting. A preview of the song list was released by WaterTower Music on August 25, 2017 and the soundtrack album consisting 38 tracks, were digitally released on September 1. A limited edition double LP was released on October 27, that consisted of a 18 tracks in the original score and remaining 29 tracks, that was released separately. The score received positive response from critics, appreaciting Wallfisch for the orchestral approach for the soundtrack.
Sonic the Hedgehog: Music from the Motion Picture is the score album for the 2020 film of the same name. The score, which was composed by Tom Holkenborg, was released on February 14, 2020, by Paramount Music in both digital and physical formats. Riff Raff, who had a role in the film but was cut, appears on the soundtrack.
Jurassic World Dominion (Original Motion Picture Soundtrack) is the film score album to the 2022 film of the same name composed by Michael Giacchino. The sixth film in the Jurassic Park franchise, it is also the sequel to Jurassic World: Fallen Kingdom (2018) and the final film in the Jurassic World trilogy, while also serving as a conclusion to the storyline started in the original Jurassic Park trilogy. It is directed by Colin Trevorrow, who co-wrote the script with Emily Carmichael and story with Derek Connolly, and produced by Frank Marshall and Patrick Crowley, who also produced the predecessors, with Steven Spielberg, who directed Jurassic Park (1993), served as the executive producer.
Hidden Figures (Original Score) is the score album jointly composed by Hans Zimmer, Pharrell Williams and Benjamin Wallfisch for the 2016 American biographical drama film Hidden Figures. It was released on January 9, 2017, by Sony Masterworks. The score consists of gospel music blended with acoustic and electronic music, to provide computer-like textures. It additionally featured African-American female vocalists performing the background score, and had featured several musical artists, including Herbie Hancock to work on the score.
Incredibles 2 (Original Motion Picture Soundtrack) is the soundtrack album to the 2018 film Incredibles 2, the sequel to Pixar's The Incredibles (2004). The film is directed by Brad Bird and featured musical score composed by Michael Giacchino, who also worked on the predecessor. The recording of the score began during mid-2017 and continued till May 2018, at the Sony Scoring Stage in California. The soundtrack album was released digitally, alongside the film, on June 15, by Walt Disney Records and in CDs on June 29. The soundtrack featured Giacchino's scores as well as vocalised theme songs for Mr. Incredible, Frozone, and Elastigirl featured in the credits. The digital release also featured bonus versions of the theme songs sung by Disney's a cappella group, DCappella, and their version of the track "The Glory Days" from the predecessor.
Dark Phoenix (Original Motion Picture Soundtrack) is the soundtrack album to the 2019 film of the same name, based on the Marvel Comics X-Men characters. It is a sequel to X-Men: Apocalypse (2016) the seventh and final mainline installment in the X-Men film series, and the twelfth installment overall. Directed by Simon Kinberg, the film's musical score is composed by Hans Zimmer; his first superhero film he scored after Batman v Superman: Dawn of Justice (2016). The soundtrack album was released alongside the film on June 7, 2019, by Fox Music. The score received mixed critical response. A second album titled Xperiments From Dark Phoenix released in that August, containing unreleased music from the film, which garnered generally favorable response.
X-Men: First Class is the soundtrack album to the 2011 film X-Men: First Class. The film, directed by Matthew Vaughn, is based on the X-Men characters appearing in Marvel Comics, and is the fourth mainline installment in the X-Men film series and the fifth installment overall. Henry Jackman, who had worked with Vaughn in Kick-Ass (2010) composed the score, becoming the fourth composer to score for the series. The score consisted of pop and rock infused music, which is reminiscent of John Barry's themes from the 1960s.
The Predator: Original Motion Picture Soundtrack is the score album to the 2018 film of the same name directed by Shane Black, who wrote the script with Fred Dekker, and is the fourth installment in the Predator franchise. The film is scored by Henry Jackman, the third composer to score for the franchise. Jackman also incorporated original themes composed by Alan Silvestri from the 1987 film. The album was released by Lakeshore Records digitally on September 28, 2018 and through physical formats on October 5, 2018.
Terminator: Dark Fate is the soundtrack album to the 2019 film of the same name directed by Tim Miller, featuring musical score composed by Tom Holkenborg in his second collaboration with Miller after Deadpool. The film is the sixth installment in the Terminator franchise, and a follow-up to Terminator 2: Judgment Day (1991), ignoring the events that occurred in the other installments, post James Cameron's return and creative control to the franchise after directing the first two installments. The film stars Linda Hamilton and Arnold Schwarzenegger as Sarah Connor and the T-800 Terminator, respectively, reuniting the actors after 23 years.
The Iron Giant is the 1999 animated science fiction film directed by Brad Bird for Warner Bros. Feature Animation. The film featured original score composed by Michael Kamen, in his first and only collaboration with Bird, as all his future films were scored by Michael Giacchino beginning with The Incredibles (2004). The score featured additional performance from the Czech Philharmonic symphony orchestra at Prague, conducted by Kamen himself and recording of the score happened within one week.
How to Train Your Dragon: The Hidden World is the score album to the 2019 film How to Train Your Dragon: The Hidden World, the sequel to How to Train Your Dragon 2 (2014) and the third and final installment in the How to Train Your Dragon trilogy. Recurring DreamWorks composer John Powell, who scored for the previous two installments of the series, returned for the third film. The album features an original song, "Together from Afar" performed by Jónsi, which was released as a single on January 31, 2019. The album was released on February 1 by Back Lot Music, and was met with a positive response from music critics.
The Invisible Man (Original Motion Picture Soundtrack) is the score album to the 2020 film The Invisible Man, inspired by H. G. Wells' novel of the same name. Composed by Benjamin Wallfisch, the album was released on February 21, 2020 by Back Lot Music, a week before the film's release. Wallfisch used string orchestra to compose for the film, mimicking Bernard Herrmann's technique for the score of Psycho (1960), while blending synth and electronic music. It was released on vinyl editions by Death Waltz Recording Company and Mondo on June 5, 2020.
Mortal Kombat: Original Motion Picture Soundtrack is the score album to the 2021 film Mortal Kombat, based on the video game franchise of the same name and a reboot of the Mortal Kombat film series. Composed by Benjamin Wallfisch, the 24-track album was released on April 16, 2021, by WaterTower Music and is led by two singles: "Techno Syndrome 2021" an experimented track from the eponymous theme song that featured in the video game series' soundtrack by The Immortals was released on April 9, and "I Am Scorpion", a theme for the character Hanzo Hasashi / Scorpion was released on April 15, before the album.
Venom: Let There Be Carnage is the soundtrack for the 2021 American superhero film Venom: Let There Be Carnage directed by Andy Serkis, featuring the Marvel Comics character Venom, the second installment in Sony's Spider-Man Universe and the sequel to Venom (2018), features an original score composed by Marco Beltrami and a series of songs in the film. After previously writing a single for the first film, Eminem was revealed to write the song "Last One Standing", in collaboration with Skylar Grey, Polo G, and Mozzy. The single was released on September 30, 2021.
Twisters (Original Motion Picture Score) is the score album to the 2024 film Twisters, directed by Lee Isaac Chung from the story and screenplay by Joseph Kosinski and Mark L. Smith, respectively; a standalone sequel to Twister (1996), the film stars Daisy Edgar-Jones, Glen Powell and Anthony Ramos amongst others. The film score is composed by Benjamin Wallfisch and released through Back Lot Music on August 2, 2024.
Alien: Romulus is the soundtrack to the 2024 science fiction horror thriller film Alien: Romulus, directed by Fede Álvarez, the seventh installment in the Alien franchise. Benjamin Wallfisch composed the film score which blends orchestral and electronic music and referenced themes and music from previous instalments. The score was released under the Hollywood Records label on August 16, 2024, and is set to be released through vinyl LPs in November 2024.