Jacquelynn Baas is an independent curator, cultural historian, writer, and Director Emeritus of the University of California Berkeley Art Museum and Pacific Film Archive. [1] She has published on topics ranging from the history of the print media to Mexican muralism to Fluxus to Asian philosophies and practices as resources for European and American artists.
Jacquelynn Baas was born in Grand Rapids, Michigan, where she attended Grand Rapids Christian High School. As an undergraduate at Michigan State University she studied with Elizabeth Gilmore Holt, receiving her B.A. with a major in Art History in 1971. In 1973 Baas was awarded an M.A. with Certificate in Museum Practice from the University of Michigan; the following year she served as curatorial intern at the Grand Rapids Art Museum. In 1982 Baas was awarded a Ph.D. in Art History from the University of Michigan, earned while working as Registrar and then Assistant to the Director at the University of Michigan Museum of Art. Her dissertation topic, Auguste Lepère and the Artistic Revival of the Woodcut in France, 1875-1895, [2] was the subject of a 1984 exhibition and catalogue [3] co-authored with Richard S. Field.
In 1982 Baas moved to Hanover, New Hampshire to serve as Chief Curator of the new Hood Museum of Art, Dartmouth College, then being designed by Charles W. Moore with Centerbrook Architects. In 1984 she was named Interim Director of the museum and the next year was appointed Director and presided over the opening of the new Hood Museum of Art. [4] In 1988 Baas was named Director of the then-University Art Museum in Berkeley, California, securing an endowment gift to rename it the Berkeley Art Museum Pacific Film Archive a few years later. Named Director Emeritus in 1999, Baas returned to BAMPFA as Interim Director in 2007–08. [5] In 2008-09 she served as Interim Director for the Mills College Art Museum. Museum directors who have worked under Baas include BAMPFA Director Lawrence Rinder, Philadelphia Museum of Art Director Timothy Rub, Princeton University Art Museum Director James Steward, and Aspen Art Museum Director Heidi Zuckerman.
Jacquelynn Baas has organized over thirty exhibitions, including the 1990 exhibition, The Independent Group: Postwar Britain and the Aesthetics of Plenty (ICA London; LAMOCA; BAMPFA; Hood Museum, Dartmouth; IVAM Valencia); No Boundary: Duchamp, Cage, and Mostly Fluxus at the 2006 Gwangju Biennale; and Fluxus and the Essential Questions of Life. [6] The exhibition traveled from Dartmouth to the New York University Gray Art Gallery and the University of Michigan Museum of Art in 2011–2012. It was voted “Best Show in a University Gallery” by the American Chapter of the International Association of Art Critics. [7] Berkeley Eye: Perspectives on the Collection was the first collection exhibition in the new building of the Berkeley Art Museum Pacific Film Archive (designed by Diller Scofidio + Renfro). In 2018, Baas curated BAMPFA's Art Wall: Land(e)scape 2018 [8] by Barbara Stauffacher Solomon, the originator of Supergraphics in the 1960s.
In 2000 Baas co-founded with Mary Jane Jacob the arts consortium, Awake: Art, Buddhism, and the Dimensions of Consciousness, which over the course of its five-year existence generated some fifty exhibitions, educational programs, artist residencies, and two books: Buddha Mind in Contemporary Art (California 2004) and Smile of the Buddha: Eastern Philosophy and Western Art from Monet to Today (California 2005). [9] Baas is co-editor of Learning Mind: Experience into Art (2010), [10] and Chicago Makes Modern: How Creative Minds Changed Society (2012). [11] She was editor and co-author of Fluxus and the Essential Questions of Life (2011), [12] and has published a number of essays, including “The Epic of American Civilization” in Jose Clemente Orozco in the United States (Norton 2003), “Unframing Experience” in Learning Mind (cited above), “Before Zen: The Nothing of American Dada” in East-West Interchanges in American Art (Smithsonian Institution Scholarly Press, 2012), [13] and “Agnes Martin: Readings for Writings” in Agnes Martin (2015). [14] Her book Marcel Duchamp and the Art of Life was published by MIT Press in Fall 2019. [15]
Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties".
Ken Friedman is a design researcher. He was a member of Fluxus, an international laboratory for experimental art, architecture, design, and music. Friedman joined Fluxus in 1966 as the youngest member of the classic Fluxus group. He has worked closely with other Fluxus artists and composers such as George Maciunas, Dick Higgins, and Nam June Paik, as well as collaborating with John Cage and Joseph Beuys. He was the general manager of Dick Higgins's Something Else Press in the early 1970s. In the 1990s, Friedman's work as a management consultant and designer led him to an academic career, first as Professor of Leadership and Strategic Design at the Norwegian School of Management in Oslo, then as Dean of the Faculty of Design at Swinburne University of Technology in Melbourne. Friedman is currently University Distinguished Professor at Swinburne and Chair Professor of Design Innovation Studies at Tongji University.
The Underground Press Syndicate (UPS), later known as the Alternative Press Syndicate (APS), was a network of countercultural newspapers and magazines that operated from 1966 into the late 1970s. As it evolved, the Underground Press Syndicate created an Underground Press Service, and later its own magazine.
Alison Knowles is an American visual artist known for her installations, performances, soundworks, and publications. Knowles was a founding member of the Fluxus movement, an international network of artists who aspired to merge different artistic media and disciplines. Criteria that have come to distinguish her work as an artist are the arena of performance, the indeterminacy of her event scores resulting in the deauthorization of the work, and the element of tactile participation. She graduated from Pratt Institute in New York with an honors degree in fine art. In May 2015, she was awarded an honorary doctorate degree by Pratt.
Shigeko Kubota was a Japanese video artist, sculptor and avant-garde performance artist, who mostly lived in New York City. She was one of the first artists to adopt the portable video camera Sony Portapak in 1970, likening it to a "new paintbrush." Kubota is known for constructing sculptural installations with a strong DIY aesthetic, which include sculptures with embedded monitors playing her original videos. She was a key member and influence on Fluxus, the international group of avant-garde artists centered on George Maciunas, having been involved with the group since witnessing John Cage perform in Tokyo in 1962 and subsequently moving to New York in 1964. She was closely associated with George Brecht, Jackson Mac Low, John Cage, Joe Jones, Nam June Paik, and Ay-O, among other members of Fluxus. Kubota was deemed "Vice Chairman" of the Fluxus Organization by Maciunas.
Lawrence R. Rinder is a contemporary art curator and museum director. He directed the Berkeley Art Museum and Pacific Film Archive (BAMPFA) from 2008 to 2020. Since 2014, Rinder has been a board member and advisor of Kadist.
Marcia Tucker was an American art historian, art critic and curator. In 1977 she founded the New Museum of Contemporary Art, a museum dedicated to innovative art and artistic practice in New York City, which she ran as the director until 1999.
The Berkeley Art Museum and Pacific Film Archive are a combined art museum, repertory movie theater, and archive associated with the University of California, Berkeley. Lawrence Rinder was Director from 2008, succeeded by Julie Rodrigues Widholm in August, 2020. The museum is a member of the North American Reciprocal Museums program.
Anne Julie d'Harnoncourt was an American curator, museum director, and art historian specializing in modern art. She was the director and CEO of the Philadelphia Museum of Art (PMA), a post she held from 1982 until her sudden death in 2008. She was also an expert scholar on the works of French artist Marcel Duchamp.
Louis-Auguste Lepère was a French painter and etcher. Lepère is also considered a leader in the creative revival of wood engraving in Europe.
Michael R. Taylor is a curator, author, and expert in modern and contemporary art with a focus on Dada, Surrealism, and the work of Marcel Duchamp. With a Ph.D in Art History from the Courtauld Institute of Art in London, he was a Curator of Modern Art at the Philadelphia Museum of Art from 1997 until 2011, and Director of the Hood Museum of Art at Dartmouth College in Hanover, New Hampshire from 2011 until 2015 In May 2015, the Virginia Museum of Fine Arts announced its appointment of Dr. Taylor as Chief Curator and Deputy Director for Art and Education.
Mary Jane Jacob is an American curator, writer, and educator from Chicago, Illinois. She is a professor at the School of the Art Institute of Chicago, and is the Executive Director of Exhibitions and Exhibition Studies. She has held posts as Chief Curator at the Museum of Contemporary Art, Los Angeles and at the Museum of Contemporary Art, Chicago.
Eli Leon (1935–2018) born as Robert Stanley Leon, was an American psychologist, writer and collector. As a self-taught scholar of African-American quilts, he helped bring attention to the field and especially to the quilts of Rosie Lee Tompkins.
The Feminist Art Coalition (FAC) is a collaboration of over 100 art museums and nonprofit institutions from across the United States. The organizations are collectively creating a series of programming and exhibitions centered around feminist thought to be held beginning in the fall of 2020, during the run-up of the presidential election. The project was initially planned to occur from September through November 2020, but has been extended through the end of 2021 due to changes in exhibition schedules resulting from the COVID-19 pandemic.
L'Estampe originale was a French periodical publishing portfolios of original prints in a limited edition of 100 for subscribers. It produced nine issues quarterly between 1893 and 1895, containing a total of 95 original prints by a very distinguished group of 74 artists, including Henri de Toulouse-Lautrec, Gauguin, Renoir, Pissarro, Whistler, Paul Signac, Odilon Redon, Rodin, Henri Fantin-Latour, Félix Bracquemond, Félicien Rops and Puvis de Chavannes. Almost all of Les Nabis contributed: Pierre Bonnard, Maurice Denis, Paul Ranson, Édouard Vuillard, Ker-Xavier Roussel, Félix Vallotton, and Paul Sérusier. British artists included William Nicholson, Charles Ricketts, Walter Crane and William Rothenstein; besides Whistler, Joseph Pennell was the only American.
Jan van der Marck was a Dutch-born American museum administrator, art historian, and curator, focused on modern and contemporary art. Van der Marck authored and published many essays, articles and books about artists and art.
Heidi Zuckerman is an American museum director and curator who is CEO and director of the Orange County Museum of Art in Costa Mesa, California.
Elizabeth Armstrong is an American curator of contemporary and modern art. Beginning in the late 1980s, she served in chief curatorial and leadership roles at the Walker Art Center, Museum of Contemporary Art, San Diego, Orange County Museum of Art (OCMA), Minneapolis Institute of Arts and Palm Springs Art Museum. She has organized numerous touring exhibitions and catalogues that gained national and international attention; among the best known are: "In the Spirit of Fluxus", "Ultrabaroque: Aspects of Post-Latin American Art", and "Birth of the Cool: California Art, Design, and Culture at Midcentury". She is also known for organizing three California Biennials (2002–6) and notable exhibitions of David Reed and Mary Heilmann. Armstrong's curatorial work and publications have been recognized by the Andy Warhol Foundation, the Center for Curatorial Leadership, the Getty Foundation Pacific Standard Time project and the National Endowment for the Arts, among other organizations.
Kay Larson is an American art critic, columnist, author, and Buddhist practitioner. She wrote a column of art criticism for New York magazine for 14 years. Her writing about art and Buddhism has appeared in numerous publications, including The New York Times, ARTnews, The Village Voice, Vogue, Artforum, Tricycle, and Buddhadharma, among others.
Yesomi Umolu is a British curator of contemporary art and writer who has been director of curatorial affairs and public practice for the Serpentine Galleries since 2020.