Kishori Amonkar was an Indian classical vocalist, belonging to the Jaipur gharana, or a community of musicians sharing a distinctive musical style. She is considered to be one of the foremost classical singers in India.
Pandit Mallikarjun Bheemaraayappa Mansur, was a Hindustani classical singer from Karnataka. He sang in the khyal genre and belonged to the Jaipur-Atrauli gharana.
Kesarbai Kerkar was an Indian classical vocalist of the Jaipur-Atrauli gharana. A protege of Ustad Alladiya Khan (1855–1946), the founder of the gharana, from age sixteen, she went on to become one of the most noted khayal singers of the second half of the 20th century.
Ashwini Bhide-Deshpande is a Hindustani classical music vocalist from Mumbai. She belongs to the Jaipur-Atrauli gharana tradition.
Alladiya Khan was an Indian Hindustani classical singer who founded the Jaipur-Atrauli gharana, also referred as just Jaipur Gharana. He is recognized for his revival, reinterpretation, and creations of many rare raags, compositions, and techniques and for producing disciples like Bhaskarbuwa Bakhale, Kesarbai Kerkar, and Mogubai Kurdikar.
Mogubai Kurdikar was a renowned Indian classical vocalist of the Jaipur-Atrauli gharana.
Shruti Sadolikar Katkar is an Indian classical singer of the khyal style in the Jaipur-Atrauli gharana. She is a recipient of the Sangeet Natak Akademi Award for Hindustani vocal music for 2011.
Dhondutai Kulkarni, was an Indian classical singer from the Jaipur-Atrauli gharana. She was the last legendary exponent of orthodox Jaipur-Atrauli Gharana.
The Gwalior Gharana is one of the oldest Khyal Gharana in Indian classical music. The rise of the Gwalior Gharana started with the reign of the Mughal emperor Akbar (1542–1605).
Ustad Badruddin "Manji" Khan (1888–1937) was a Hindustani Classical vocalist of the Jaipur-Atrauli Gharana founded by his father, Ustad Alladiya Khan. "He was called 'Manji' because he was his father's Manjhala (middle) son."
Padma Talwalkar is an Indian classical vocalist.
Jayashree R. Patanekar is a Hindustani classical vocalist. She has received training in Gwalior, Jaipur and Kirana gharana. She has received training from the great maestro Gajananrao Joshi.
Pandit Ratnakar Pai was a Hindustani classical music vocalist of the Jaipur-Atrauli Gharana.
Ustad Shamsuddin "Bhurji" Khan (1890–1950) was a Hindustani Classical vocalist of the Jaipur-Atrauli Gharana founded by his father, Ustad Alladiya Khan.
Gulubhai Jasdanwalla was a Hindustani Classical vocalist of the Jaipur-Atrauli Gharana and one of the foremost disciples of Gharana founder Utd. Alladiya Khan.
Pandit Wamanrao Sadolikar was a Hindustani classical vocalist of the Jaipur-Atrauli Gharana founded by his guru, Utd. Alladiya Khan.
Raghunandan Panshikar is a Hindustani classical vocalist. He has received training in the Jaipur gharana Panshikar has established his own unique treatment to classical singing under tutelage of Kishori Aamonkar, which diverted from traditional Jaipur-Atrauli Gharana. A versatile artist, he sings semi classical forms like Bhajans, Thumris, Gazals and Natya Sangeet with panache. Recipient of several prestigious awards,Panshikar has made his mark in performances throughout India as well as in Europe, the United States and the Middle east.
Manik Govind Bhide was an Indian Hindustani classical music vocalist from Kolhapur and based in Mumbai. She was known for being Kishori Amonkar's student and Ashwini Bhide-Deshpande's guru and mother. She was an exponent of the Jaipur-Atrauli gharana.
The Atrauli Gharana is a Hindustani music apprenticeship fraternity, founded by four brothers from the Gauharbani tradition who moved to Atrauli from Gwalior in the late-18th century. The gharana is best known for its influence and association with the Jaipur-Atrauli and Agra gharanas.
Malhar Ragang and all other ragas falling under this category are ragas in the Hindustani Classical music. Ragang refers to a family of ragas sharing a common melodic kernel. Other similar raga families are the Sarang family and the Kanada family. The Malhar ragas are generally sung in the Rainy season. The word Malhar is associated with torrential rains.
