Jan Frans Eliaerts (30 December 1761 - 17 May 1848) was a Flemish painter of animals, flowers, and fruit who migrated to France where he was active most of his life. [1]
Jan Frans Eliaerts (30 December 1761 - 17 May 1848) was a Flemish painter of animals, flowers, and fruit who migrated to France where he was active most of his life. [1]
Eliaerts was born in Deurne near Antwerp. He studied at the Academy of Antwerp. Here he became acquainted with Georges Frédéric Ziesel and Pieter Faes who specialised in flower pieces like him. He moved to Paris where he was a teacher at the Institut du Légion d'Honneur in the Paris suburb of Saint-Denis. [2]
He regularly took part in the Paris salons and won various awards (silver medals in Lille, 1822, and Douai in 1827 and 1831). He also created cartons for tapestries of the Gobelin factory. At the end of his life he decided to return to Antwerp where he died. [2]
His flower paintings are in the tradition of the Baroque tradition of flower painting developed by Daniel Seghers, Jan Philip van Thielen and Jan van Huysum and show parallels with the work of Jan Frans van Dael. [1] Together with Georges Frédéric Ziesel and Pieter Faes he was the principal heir of this tradition in Belgium.
Eliaerts also painted some genre pieces, which were set in a scene with flowers.
The majority of his works are located in France. The Royal Museum of Fine Arts in Antwerp has a flower piece by him. [2]
Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century.
Jan Brueghelthe Younger was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he largely painted the same subjects as his father in a style which was similar to that of his father. He gradually was able to break away from his father's style by developing a broader, more painterly, and less structured manner of painting. He regularly collaborated with leading Flemish painters of his time.
Frans Snyders or Frans Snijders was a Flemish painter of animals, hunting scenes, market scenes, and still lifes. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens.
Jan Fijt or Johannes Fijt was a Flemish Baroque painter, draughtsman and etcher. One of the leading still life and animaliers of the 17th century, he was known for his refined flower and fruit still lives, depictions of animals and his lush hunting pieces. He was probably the master of the prominent Pieter Boel, who worked in a style very similar to that of Fyt.
Frans Ykens was a Flemish still life painter active in Antwerp and Brussels in the 17th century. He is mainly known for his flower pieces and fruit still lifes and also painted banquet pieces, pronkstillevens, garland paintings and larger game pieces.
Pieter Boel or Peeter Boel was a Flemish painter, printmaker and tapestry designer. He specialised in lavish still lifes and animal paintings. He moved to Paris, where he worked in the gobelin factory and became a painter to the king. Pieter Boel revolutionized animal painting by working directly from live animals in a natural setting. He thus arrived at representations of animals showing them in their natural, characteristic poses. He had many followers in France.
Pieter van Bloemen, also known as Standaart, first name also spelled Peter or Peeter, was a Flemish painter. He was a gifted landscape and animal painter and was very successful with his compositions depicting equestrian, animal and market scenes.
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
Frans Francken the Younger was a Flemish painter and the best-known and most prolific member of the large Francken family of artists. Francken painted a range of subjects, producing large altarpieces for churches as well as smaller historical, mythological and allegorical scenes. His depictions of collectors' cabinets established a popular new genre of art in the era. Francken often collaborated with other artists, adding figures and narrative elements to scenes created by specialists in landscape, architectural scenes, and floral still life painting..
Osias Beert or Osias Beert the Elder was a Flemish painter active in Antwerp who played an important role in the early development of flower and "breakfast"-type still lifes as independent genres in Northern European art. He has been recognized as one of the most influential artists of the earliest generation of still life painters in Flanders. He contributed in particular to the development of still lifes placed on table tops featuring festive culinary delights as well as of sumptuous floral bouquets, typically displayed in Wan Li vases.
Balthasar Paul Ommeganck (1755–1826) was a Flemish painter of landscapes and animals active in Antwerp. Through his work and his role as an art teacher and founder of art institutions he gave an important impetus to the revitalization of landscape painting in the Low Countries.
Jan Frans van Dael or Jean-François van Dael was a Flemish painter and lithographer specializing in still lifes of flowers and fruit. He had a successful career in Paris where his patrons included the Empresses of Empire France as well as the kings of Restoration France. His work stands in the Flemish and Dutch tradition of flower painting with a sober composition and attention to detail to which he added a French-inspired decorative monumentality.
Hendrik de Cort or Hendrik Frans de Cort was a Flemish landscape painter and draughtsman. His international career brought him to Antwerp, Paris, England and Wales. He is mainly remembered for his topographical paintings and drawings of English castles, country houses, parks and ruins.
Pieter Faes or Peeter Faes was a Flemish painter of still lifes of flowers and fruit. He worked in a decorative style close to that of Jan van Huysum.
Gaspar Peeter Verbruggen or Gasparo Pedro Verbruggen was a Flemish still life painter who is principally known for his decorative still lifes with flowers and fruit. He collaborated with figure artists on compositions which combined figures with a still life element. He was active in Antwerp and The Hague.
Jan Pieter Brueghel or Jan Peeter Brueghel was a Flemish painter who specialised in flower still lifes and garland paintings. A scion of the famous Brueghel family of painters, he trained in Antwerp with his father and later worked in Liège, Paris and Italy.
Hieronymus Francken the Younger or Hieronymus II was a Flemish painter and one of the most prominent members of the large Francken family of artists. Along with his brother Frans Francken II he played an important role in the development of new genres in Flemish art in the early 17th century. He was a prolific artist with a wide range who painted religious scenes, allegorical subjects, portraits, fruit pieces, genre scenes, architectural paintings and art galleries.
Simon Hardimé (1672–1737) was a Flemish painter of mixed Walloon and Flemish descent. He is known for his paintings of flowers. He trained in Antwerp and later worked for a few years in the Dutch Republic. He then moved to London where he remained the rest of his life. His patrons included the bourgeoisie in Brussels and Antwerp and aristocrats in the Netherlands and England.
Andries Daniels was a Flemish painter who was active in Antwerp during the first half of the 17th century. He is known for his flower still lifes and garland paintings, a genre of still life paintings that he helped develop in Antwerp.
Pieter Hardimé was a Flemish painter known for his paintings of flowers. He trained in Antwerp and later moved to the Dutch Republic where he worked in The Hague. He was active as a decorative painter of flowers for wall and ceiling decorations, often in collaboration with Mattheus Terwesten.
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