Laura Jane Dargie Henderson, SFHEA FIIC FRHistS ACR. [1] (born 25 October 1966) is a British conservator, activist, [2] and academic. She is the secretary general of the International Institute for Conservation of Historic and Artistic Works, editor of the Journal of the Institute for Conservation , [3] and acting president of the Federation of Museums and Art Galleries of Wales. [4]
Raised in Dundee, Scotland, Henderson had an interest in archaeology from the start. She knew from a young age that she wanted to work with heritage, but it would take until secondary school for her to realise that what she wanted to become was called a conservator. [5]
Henderson moved to Wales around the time of the mining strikes of the 1980s, something she feels impacted her worldview and her ability to focus on her studies. She studied at Cardiff University where she gained a BSc Hons in archaeological conservation and later a MSc in collections care. [6]
Following two years as a freelancer on short-term contracts in Wales, Henderson worked for Amgueddfa Cymru – Museum Wales as an archaeological conservator. She went on to work for The Council of Museums in Wales, first as an archaeology and antiquities conservator, then as a conservation adviser, and later conservation manager. [7]
Henderson helped set up the Care of Collections Forum in 1995 as one of its founders. This organisation was later rolled into the British professional body for conservators, Icon, [8] of which she has been a trustee. She has been dedicated to the development of professional standards including Icon's accreditation for conservator-restorers. [9]
After finishing her postgraduate degree in 1999, Henderson worked as a grants officer for the Heritage Lottery Fund. Henderson then took up a post as a professional tutor at Cardiff University in 2002, becoming a senior lecturer in 2011. In 2016 she advanced to Reader, finally becoming a full Professor of Conservation in 2019. She teaches various modules on collections management, decision-making in conservation, and collections care in the museum environment as part of the undergraduate and postgraduate conservation courses at the university. Her dedication to the conservation students at Cardiff University has earned her several awards. [10]
She leads the British Standards Institute B/560 [11] group focused on preserving tangible cultural heritage and serves as a UK expert on the CEN TC 346 WG11, [12] which addresses standards for the conservation process, procurement, terminology, and documentation principles. [13]
Henderson is a prominent member of the international conservation community, holding the office of Secretary General of the IIC, [14] of which she is also an elected Fellow. [15] During her time as secretary general she has led a governance review to create a more agile and inclusive organisation. She is also an active member of the International Council of Museums and the Association of Critical Heritage Studies. [16] She is a member of the Museums Association and was an invited member of their Decolonisation Leaders Network in 2022. [17]
Closer to home Henderson is acting president and co-opted trustee of the Welsh Museums Federation [18] as well as an assessor for its grants programmes. She is a long-standing driving force behind the Conservation Matters in Wales conferences. [19] Henderson has also been a trustee of Cynon Valley Museum Trust (2015-2017) in Aberdare, a member of the Welsh Government Museum Strategy Working Group, [20] and a trustee of the Collections Trust [21]
Since 2017, Henderson has a semi-regular segment called ‘Dear Jane’ on the industry-leading podcast The C Word: The Conservators’ Podcast, in which she responds to listener questions as a conservation agony aunt. [22]
Henderson is known for her activism, notably lobbying for Cardiff Story Museum to be saved. [23]
Henderson won the Royal Warrant Holders Association's Plowden Medal for significant contributions to the advancement of conservation in 2021. She was recognised for her leadership, her commitment to new generations of conservation professionals, her contributions to the development of the profession, and being a leading educator and thinker in the field. [24]
Henderson describes herself as a soccer mum, having two children who love football. She is a season ticket holder for Cardiff City F.C. for that reason. Her presentations frequently feature her two sons, aiming to normalise the inclusion of family in academia and conservation. Henderson is a fan of Taylor Swift. She is a cancer survivor. [25]
Henderson is an active researcher and has published in various books, journals, and online publications. Some of her notable publications include:
The conservation and restoration of cultural property focuses on protection and care of cultural property, including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. This field is closely allied with conservation science, curators and registrars.
The Institute of Conservation(Icon) is the professional charitable body, representing and supporting the practice and profession of conservation. It has around 2500 members worldwide, including professional conservators, scientists and teachers involved with the care of heritage objects and buildings.
Jonathan Betts MBE is Curator Emeritus at the Royal Observatory in Greenwich, England, a horological scholar and author, and an expert on the first marine timekeeper which was created by John Harrison in the middle of the 18th century. Betts was formerly Senior Specialist in horology at Greenwich. Between 2016 and 2019 he served on the board of trustees of the Institute of Conservation.
A conservator-restorer is a professional responsible for the preservation of artistic and cultural artifacts, also known as cultural heritage. Conservators possess the expertise to preserve cultural heritage in a way that retains the integrity of the object, building or site, including its historical significance, context and aesthetic or visual aspects. This kind of preservation is done by analyzing and assessing the condition of cultural property, understanding processes and evidence of deterioration, planning collections care or site management strategies that prevent damage, carrying out conservation treatments, and conducting research. A conservator's job is to ensure that the objects in a museum's collection are kept in the best possible condition, as well as to serve the museum's mission to bring art before the public.
The International Institute for Conservation of Historic and Artistic Works (IIC) is a global organisation for conservation and restoration professionals with over two thousand members in over fifty countries. IIC seeks to promote the knowledge, methods and working standards needed to protect and preserve historic and artistic works throughout the world.
Gwenllian Lansdown Davies is a former Welsh Plaid Cymru politician, a former County Councillor for Riverside, and Chief Executive of Plaid Cymru between 2007 and 2011. She is currently the Chief Executive of Mudiad Ysgolion Meithrin.
Robert Howard Garry Thomson CBE, was a conservator and a Buddhist.
A conservation technician is a specialist in conservation methods pertaining to cultural property, and who may work in museums or public or private conservation organizations. A technician may also work in conjunction with other collection staff, such as a registrar (museum) or collection manager.
An Objects conservator is a professional, working in a museum setting or private practice, that specializes in the conservation of three-dimensional works. They undergo specialized education, training, and experience that allows them to formulate and implement preventive strategies and invasive treatment protocols to preserve cultural property for the future. Objects conservators typically specialize in one type of material or class of cultural property, including metals, archaeological artifacts, ethnographic artifacts, glass, and ceramic art. Objects conservation presents many challenges due to their three-dimensional form and composite nature.
A conservation scientist is a museum professional who works in the field of conservation science and whose focus is on the research of cultural heritage through scientific inquiry. Conservation scientists conduct applied scientific research and techniques to determine the material, chemical, and technical aspects of cultural heritage. The technical information conservation scientists gather is then used by conservator and curators to decide the most suitable conservation treatments for the examined object and/or adds to our knowledge about the object by providing answers about the material composition, fabrication, authenticity, and previous restoration treatments.
A textile conservator is a conservator-restorer charged with the care, treatment, research, and preservation of textiles. Issues addressed by a textile conservator are generally related to the field of textile preservation, and include damage caused to textiles by: light, mold and mildew, insects, cleaning, surface cleaning, washing, mounting for display, and storage. Variations in textile types and "the diversity of the textile conservator's work makes it a very rewarding profession". Textiles are among the most fragile artifacts, as they are susceptible to damage from atmospheric pollutants, moisture, biological organisms, and environmental changes and care varies with size, shape, material, and condition issues, all of which a textile conservator must be well versed.
Edward Waldo Forbes (1873–1969) was an American art historian. He was the Director of the Fogg Art Museum at Harvard University from 1909 to 1944.
The Honourable Anna Bridget Plowden, was a British archaeological conservator and restorer. She has been described as the first scientifically trained conservator to work in the private sector, rather than in a museum or university. She worked as a freelance conservator, having set up her own business, Anna Plowden Ltd, in 1968. In order to take on larger projects, her business merged with Peter Smith Ltd in 1985; Plowden and Smith Ltd remains "one of the largest and most successful businesses in the conservation private sector".
Chris Caple, FSA, FIIC, is a British archaeologist and conservator, who specialises in the conservation of artefacts. He was a senior lecturer/associate professor at Durham University and was director of their postgraduate programme in artefact conservation. Upon his retirement in 2018, he was appointed Emeritus Reader in Archaeological Conservation.
The European Confederation of Conservator-Restorers' Organisations (E.C.C.O.) is a European non-governmental professional organisation aimed at safeguarding cultural heritage through the use of conservation-restoration techniques.
The Australian Institute for the Conservation of Cultural Materials (AICCM) is Australia's national membership organisation for conservation professionals. Its members are mainly professional conservators, conservation students and cultural heritage member organisations in the Australian and Pacific region. It provides services for members and resources for the public and associated cultural heritage organisations and liaises with other professional associations including the Australian Library and Information Association (ALIA), the Australian Society of Archivists and Australian Museums and Galleries Association.
Peter Cannon-Brookes is a British art historian, with a special interest in Czech sculpture, and a curator who founded the journal Museum Management and Curatorship.
In the field of conservation and restoration of cultural property, greening practices such as sustainable materials use and disposal aim to improve the sustainability of conservation practice by choosing materials and methods that have a lower environmental impact and disposing of materials responsibly. When carrying out conservation treatments or preventive conservation, conservators use resources such as consumable materials, energy and water. These resources have an impact on the environment both through their extraction and disposal. In order to reduce this impact, conservators can choose sustainable alternatives to existing materials and practices such as reusable or recycled materials or materials with reduced toxicity.
Museum environment issues include temperature, humidity, light, atmospheric pollutants, and dust, which are typically controlled in buildings that contain collections of cultural and scientific significance. These environmental factors are all 'agents of deterioration' that cause damage to objects, as they play a role in deterioration pathways such as oxidation, hydrolysis, cross-linking and chain scission.