The conservation and restoration of cultural property focuses on protection and care of cultural property, including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. This field is closely allied with conservation science, curators and registrars.
The International Council of Museums (ICOM) is a non-governmental organisation dedicated to museums, maintaining formal relations with UNESCO and having a consultative status with the United Nations Economic and Social Council. Founded in 1946, ICOM also partners with entities such as the World Intellectual Property Organization, Interpol, and the World Customs Organization in order to carry out its international public service missions, which include fighting illicit traffic in cultural goods and promoting risk management and emergency preparedness to protect world cultural heritage in the event of natural or man-made disasters. Members of the ICOM get the ICOM membership card, which provides free entry, or entry at a reduced rate, to many museums all over the world.
The Institute of Conservation(Icon) is the professional charitable body, representing and supporting the practice and profession of conservation. It has around 2500 members worldwide, including professional conservators, scientists and teachers involved with the care of heritage objects and buildings.
A conservator-restorer is a professional responsible for the preservation of artistic and cultural artifacts, also known as cultural heritage. Conservators possess the expertise to preserve cultural heritage in a way that retains the integrity of the object, building or site, including its historical significance, context and aesthetic or visual aspects. This kind of preservation is done by analyzing and assessing the condition of cultural property, understanding processes and evidence of deterioration, planning collections care or site management strategies that prevent damage, carrying out conservation treatments, and conducting research. A conservator's job is to ensure that the objects in a museum's collection are kept in the best possible condition, as well as to serve the museum's mission to bring art before the public.
Conservation and restoration of metals is the activity devoted to the protection and preservation of historical and archaeological objects made partly or entirely of metal. In it are included all activities aimed at preventing or slowing deterioration of items, as well as improving accessibility and readability of the objects of cultural heritage. Despite the fact that metals are generally considered as relatively permanent and stable materials, in contact with the environment they deteriorate gradually, some faster and some much slower. This applies especially to archaeological finds.
George Leslie Stout was an American art conservation specialist and museum director who founded the first laboratory in the United States to study art conservation, as well as the first journal on the subject of art conservation. During World War II, he was a member of the U.S. Army unit devoted to recovering art, the Monuments, Fine Arts, and Archives section (MFAA), a.k.a. "The Monuments Men."
A conservation technician is a specialist in conservation methods pertaining to cultural property, and who may work in museums or public or private conservation organizations. A technician may also work in conjunction with other collection staff, such as a registrar (museum) or collection manager.
The Association of North American Graduate Programs in the Conservation of Cultural Property, best known for its acronym ANAGPIC, is an annual student conference held by the North American conservation graduate programs where students present lectures of the highest caliber, sharing their research, leadership, and training with peers and faculty.
The Washington Conservation Guild (WCG) is a non-profit organization of conservation and cultural heritage professionals. The WCG serves as a resource for learning about the care of cultural heritage collections.
An Objects conservator is a professional, working in a museum setting or private practice, that specializes in the conservation of three-dimensional works. They undergo specialized education, training, and experience that allows them to formulate and implement preventive strategies and invasive treatment protocols to preserve cultural property for the future. Objects conservators typically specialize in one type of material or class of cultural property, including metals, archaeological artifacts, ethnographic artifacts, glass, and ceramic art. Objects conservation presents many challenges due to their three-dimensional form and composite nature.
A conservation scientist is a museum professional who works in the field of conservation science and whose focus is on the research of cultural heritage through scientific inquiry. Conservation scientists conduct applied scientific research and techniques to determine the material, chemical, and technical aspects of cultural heritage. The technical information conservation scientists gather is then used by conservator and curators to decide the most suitable conservation treatments for the examined object and/or adds to our knowledge about the object by providing answers about the material composition, fabrication, authenticity, and previous restoration treatments.
A textile conservator is a conservator-restorer charged with the care, treatment, research, and preservation of textiles. Issues addressed by a textile conservator are generally related to the field of textile preservation, and include damage caused to textiles by: light, mold and mildew, insects, cleaning, surface cleaning, washing, mounting for display, and storage. Variations in textile types and "the diversity of the textile conservator's work makes it a very rewarding profession". Textiles are among the most fragile artifacts, as they are susceptible to damage from atmospheric pollutants, moisture, biological organisms, and environmental changes and care varies with size, shape, material, and condition issues, all of which a textile conservator must be well versed.
Edward Waldo Forbes (1873-1969) was an American art historian. He was the Director of the Fogg Art Museum at Harvard University from 1909 to 1944.
The European Confederation of Conservator-Restorers' Organisations (E.C.C.O.) is a European non-governmental professional organisation aimed at safeguarding cultural heritage through the use of conservation-restoration techniques.
The Australian Institute for the Conservation of Cultural Materials (AICCM) is Australia's national membership organisation for conservation professionals. Its members are mainly professional conservators, conservation students and cultural heritage member organisations in the Australian and Pacific region. It provides services for members and resources for the public and associated cultural heritage organisations and liaises with other professional associations including the Australian Library and Information Association (ALIA), the Australian Society of Archivists and Australian Museums and Galleries Association.
Peter Cannon-Brookes is a British art historian, with a special interest in Czech sculpture, and a curator who founded the journal Museum Management and Curatorship.
Museum environment issues include temperature, humidity, light, atmospheric pollutants, and dust, which are typically controlled in buildings that contain collections of cultural and scientific significance. These environmental factors are all 'agents of deterioration' that cause damage to objects, as they play a role in deterioration pathways such as oxidation, hydrolysis, cross-linking and chain scission.
Elisabeth West FitzHugh was a Lebanese American conservation scientist. She was a fellow of the American Institute for Conservation and the International Institute for Conservation.
Sheldon Waugh Keck and Caroline Martin Kohn Keck were American paintings conservators. Married in 1933, they contributed to the development of techniques in the conservation and restoration of paintings during the 20th century.
