Janmabhoomi | |
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Directed by | Franz Osten |
Written by | Niranjan Pal J. S. Kashyap (dialogue) |
Produced by | Himanshu Rai |
Starring | Devika Rani Ashok Kumar |
Cinematography | Josef Wirsching |
Music by | Saraswati Devi |
Production company | |
Release date |
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Country | India |
Language | Hindi |
Janmabhoomi (English: Land of Birth) is a 1936 Indian Hindi-language film directed by Franz Osten and starring Devika Rani and Ashok Kumar in the lead roles. Music of the film was by Saraswati Devi, who had worked extensively with Bombay Talkies.
Protima Devi (Devika Rani) is in love with Dr. Ajoy Kumar Ghosh (Ashok Kumar), whom she has already accepted as her husband even though they are not married. Ajoy is living in a village where he is the only doctor.
Inspired by the death of a friend, Ajoy decides to devote his life serving his native village (a metaphor for serving the country). Dedicated to the cause, Ajoy decides to renounce all worldly pleasures, including his love. Protima gets a rude shock when Ajoy writes to her urging her to forget him. Determined not to give up easily, she sets off to the village, where she discovers that Ajoy is out to improve the lives of the villagers.
Ajoy attempts at enlightening the villagers against blind faith and achieving unity by breaking down caste barriers brings him in direct conflict with the old order, represented by the hedonistic zamindar, his assistant Sanatan (P. F. Pithawala), the village priest, and the village moneylender. Together, the four band together to discredit Ajoy in the eyes of the villagers.
After several failed attempts, the wily Sanatan dreams up a diabolical conspiracy to get rid of the vacillating Zamindar and replace him with his drunkard, hedonistic nephew (Mumtaz Ali), who will prove more pliable. The zamindar is poisoned under circumstances that point to Dr. Ajoy's involvement, resulting in his imprisonment.
The doctor's report establishes that the Zamindar died due to arsenic poisoning. Further investigation reveals that Sanatan had purchased arsenic from a chemist shop in a nearby town. Suspicion automatically turns to Sanatan, who is apprehended. Under interrogation he confesses to his crime. Ajoy is released with his name and reputation intact, free to carry on with his reforming ways.
Released during the Indian independence movement, Janmabhoomi was the first patriotic movie in the history of Hindi cinema.
It was also the first ever Hindi movie to have an explicitly nationalistic song: "Jai Jai Janani Janmabhoomi" (Hail the land of our birth), written by Jamuna Swarup Cassyap. [1] The song was an extremely popular song in its era.[ citation needed ]
A tune from the film was utilised by the BBC as a signature tune for its "Indian News Service". [2] [3]
Devika Rani Chaudhuri, usually known as Devika Rani, was an Indian actress who was active in Hindi films during the 1930s and 1940s. She was the first recipient of the Dadasaheb Phalke Award, and was also awarded the Padma Shri. Widely acknowledged as the First Lady of Indian cinema, Devika Rani had a successful film career that spanned 10 years.
Bombay Talkies was a movie studio founded in 1934. During its period of operation, Bombay Talkies produced 40 movies in Malad, a suburb of the Indian city of Bombay.
Himanshu Rai was an Indian actor and film director. Regarded as one of the pioneers of Indian cinema, he is best known as the founder of the studio in 1934, along with Devika Rani. He was associated with a number of movies, including Goddess (1922), The Light of Asia (1925), Shiraz (1928), A Throw of Dice (1929) and Karma (1933). He was married to actress Devika Rani Chaudhuri (1929–1940).
Kismet (transl. Fate) is a 1943 Indian drama film, directed by Gyan Mukherjee, written by Mukherjee with Aghajani Kashmeri. It stars Ashok Kumar, Mumtaz Shanti, and Shah Nawaz. The film came with some bold themes for the first time in the history of Indian cinema, showing an anti-hero character with two roles and an unmarried girl getting pregnant.
Achhut Kannya is a 1936 Indian Hindi film. The film deals with the social position of Dalit girls and is considered a reformist period-piece.
Jeevan Naiya is a 1936 Hindi film directed by Franz Osten, and produced by Himanshu Rai for his studio Bombay Talkies. It is famous for being the screen debut of early superstar Ashok Kumar. The film is about the ostracism of dancing girls. The film was one of several successful Bombay Talkies collaborations between Franz Osten, Himashu Rai, screenwriters J. S. Kashyap and Niranjan Pal, and their leading lady of the time, Devika Rani.
Basant (transl. Spring) is a 1942 pre-partition Indian romantic musical film directed by Amiya Chakrabarty, produced by Bombay Talkies and starring Mumtaz Shanti and Madhubala along with Ulhas. It revolves around Uma (Shanti), who is left to dance on stage for money when her husband (Ulhas) abandons her.
Saraswati Devi, born Khorshed Minocher-Homji, was an Indian director of music and score composer who worked in Hindi cinema in the 1930s and 1940s. She is most noted for her score, Mein Ban ki Chiriyra Banke Bun Bun Bolun Re in Bombay Talkies's Achut Kanya (1936). She along with Nargis' mother & Sanjay Dutt's grandmother Jaddanbai is considered to be one of the first female music composers in Indian cinema.
Jhoola (transl. Swing) is a 1941 Indian Hindi-language film directed by Gyan Mukherjee. It was produced by Sashadhar Mukherjee under the banner of Bombay Talkies. The film starred Leela Chitnis, Ashok Kumar, Shah Nawaz, V.H.Desai, Mumtaz Ali, Karuna Devi, Shahzadi, Rajkumari Shukla, Minoo Cooper, M.A.Aziz, and Master Laxman. The music was composed by Saraswati Devi with lyrics by Kavi Pradeep. The film was remade in Telugu as Uyyala Jampala (1965).
Punar Milan is a 1940 Bollywood film directed by Najam Naqvi and written by Saradindu Bandopadhyay. Kishore Sahu and Snehaprabha Pradhan played the lead roles in the movie.
Anjaan is a 1941 Indian Hindi-language film directed by Amiya Chakrabarty and produced by Bombay Talkies. It was Chakrabarty's first film direction. The film's story and screenplay were by Amiya Chakrabarty, with dialogues by J. S. Casshyap. The cinematography was by the debutant R. D. Mathur. Its music direction was by Pannalal Ghosh, with lyrics by Kavi Pradeep and P. L. Santoshi. The film starred Devika Rani, who had recently returned to films after a two-year absence, following the death of her husband Himanshu Rai in 1940. The cast included Ashok Kumar, David, V. H. Desai, Gulab, Suresh and Om Prakash.
Mumtaz Ali was an Indian dancer and character actor in Hindi cinema from the 1940s to 1970s. He was the father of Indian actor Mehmood. He also had his own dance troupe "Mumtaz Ali Nites" which performed all over India. His career slumped due to his excessive drinking and his family fell into hard times, leading to his son Mehmood to work as a child artist and daughter Minoo Mumtaz to work as dancer in his stage shows and later in movies.
Prem Kahani is a 1937 Hindi film, by Franz Osten and starring Ashok Kumar, N.M. Joshi, Mayadevi, Vimala Devi, Madhurika Devi and others.
Jeevan Prabhat is a 1937 Hindi film social drama, produced by Bombay Talkies and directed by Franz Osten. The music director was Saraswati Devi with lyrics and dialogues by J. S. Casshyap. The screenplay was by Niranjan Pal. The film's "star value" was Devika Rani, with Kishore Sahu making his debut as an actor in the film. The cast included another debutant, Renuka Devi, with Mumtaz Ali, Maya Devi and M. Nazir.
Izzat (transl. Honour) is a 1937 Hindi film social drama, directed by Franz Osten. The film was produced by Himanshu Rai for Bombay Talkies. The credit roll of Izzat attributes the story to Dr. G. Nundy, adapted for screen by J. Nundy. The screenplay was by Niranjan Pal, who handled the story section of Bombay Talkies. J. S. Casshyap wrote the songs and dialogues and was assisted in dialogue direction by S. I. Hassan. The music was composed by Saraswati Devi, with actor Mumtaz Ali doubling as the choreographer. The film starred Ashok Kumar with Devika Rani in the lead, while the rest of the cast included Mumtaz Ali, Madhurika, Kamtaprasad, Chandraprabha, and P. F. Pithawala.
Savitri is a 1937 mythology legend Hindi film directed by Franz Osten. Adapted from a story in the Mahabharata the writers were Niranjan Pal with dialogues by J. S. Casshyap. The cinematographer was Joseph Wirsching. Saraswati Devi composed the music. According to Garga, Savitri was the "only mythological" produced by Himanshu Rai for Bombay Talkies, who were known for making "rurlist reform dramas". Ashok Kumar and Devika Rani played the lead roles supported by Maya Devi, Saroj Borkar, Mumtaz Ali, and Sunita Devi.
Vachan is a 1938 costume drama Hindi film directed by Franz Osten. The regular Bombay Talkies writer, Niranjan Pal, walked out of the Bombay Talkies production team after an altercation with Himanshu Rai in 1936. Saradindu Bandyopadhyay, a famous writer known also for creating Byomkesh Bakshi, replaced Pal in the story department, writing for films like Nirmala and Vachan in 1938 and Durga in 1939. The screenplay was by Agha Jani Kashmiri, with dialogues and lyrics by J. S. Kashyap. The music was composed by Saraswati Devi aided by J. S. Kashyap. The film starred Devika Rani and Ashok Kumar, a popular pair from Bombay Talkies who worked in seven films together. Devika Rani remained the bigger star with Kumar's name being "over-shadowed" in the credit rolls, as well as the publicity of the film.
Bhai-Bhai (transl. Brothers) is a 1956 Indian Hindi-language drama film directed by M. V. Raman for A. V. M. Productions. It had screenplay by Javar Seetharaman, with Hindi screen adaptation of the Tamil film Ratha Paasam directed by C.V. Sridhar. The music director was Madan Mohan, with dialogues and lyrics written by Rajendra Krishan. One of the popular songs from the film was "Ae Dil Mujhe Bata De", sung by Geeta Dutt, "in an unabrasive fast tempo". The song became one of Madan Mohan's earliest hits, and the music of the film in journalist-author Bharatan's words, went on to "conquer the box office".
Nirmala is a 1938 Indian Hindi-language social drama film directed by Franz Osten and produced by Bombay Talkies.
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