Jared Madere

Last updated
Jared Madere
BornJuly 11, 1986
New York City, United States
Alma mater School of the Art Institute of Chicago
Occupation(s)Contemporary artist, digital art, installation art, sculpture, performance art
Website Jared Madere

Jared Madere (born July 11, 1986, New York City) is an American contemporary artist and curator who lives and works in Berlin, Germany. [1]

Contents

Early life

Madere was born in New York City, New York, in 1986. He studied Painting and Sound at the School of the Art Institute of Chicago and earned a BFA in 2009. [2]

Career

Artistic practice

Madere began exhibiting his large scale installations internationally with the generational survey of monumental works DOOM: SURFACE Controle curated by Renaud Jerez at Le Magasin - Centre National d'Art Contemporain, Grenoble FR. [3] In October 2015, Madere opened his North American solo debut at The Whitney Museum of American Art with an Untitled sculptural exhibition organized by curator Christopher Y. Lew. [4] [5] The following month, Madere hosted an art series of art exhibitions within his mobile gallery Bed-Stuy Love Affair in an RV outside the Whitney Museum of American Art. [5] [6]

Madere spent the first half of 2017 in Himachal Pradesh, India creating tapestries for the exhibition Anasthasia and Zoey staged in the hills below Gallu Devi. [7] Later in the year, Madere was commissioned to create Unconditional Love, which would fill the atrium of the London department store Liberty for about 36 hours before it was removed due to technical reasons. [8] [9]

In 2018, Madere began work on his first sculptural opera Oouolyamtelbellembem Magical Crisis In The Special V.I.P. Spot which debuted in Los Angeles in November 2018 beneath the outgoing flight path of LAX International Airport. The following year Madere expanded upon this string of Frozen Operas with Stepped Onto The Moving Stairs Before I Could Tie My Shoes in Berlin and En Route To Burn The Palace I Was Told So Much Of The Queen's Virtues That By The Time I Reached The Gate I Had Become A Guard within their installation Pavilion Du Voyageurs for Nicolas Bourriaud's 16th edition of the Istanbul Biennial, The Seventh Continent. In 2021, Madere staged their fourth Frozen Opera, The Unpopular Courage of Dutchess Orchid Drop on the artificial snowboarding slope of Copenhagen's trash burning power plant Copenhill. [10] [11] [12] [13] [14] [15]

In addition to living collaborators, Madere often works with various implementations of machine learning artificial intelligence-based processes to assist in the creation of both sound and image. [16]

For his artwork, Madere has worked with materials including raspberries, flowers, wax, and motor grease. [6] [17]

Madere's works have been exhibited internationally at various institutions and galleries, including the Whitney Museum of American Art, David Lewis Gallery, [18] Bortolami, [19] and The Watermill Center. [18] [20] [21]

Curatorial practice

After moving to Brooklyn, New York, he opened the Bed-Stuy Love Affair gallery in 2013-2016, where he exhibited the work of many of his contemporaries, including Bradley Kronz, Jessi Reaves, and Jake Cruzen. [22] [23] [24]

In 2014, the gallery became a mobile exhibition venue when it moved into a 30-foot truck complete with wrought iron gates armoring all of the vehicle windows, pink marble floors, and a flatscreen television with surround sound system, which played Tekken during exhibition openings. [25] [26] [27] [28] [29]

In mid-2017, Madere opened the hybrid digital and traditional exhibition venue Mother Culture Los Angeles with artist Jake Cruzen and curator Milo Conroy. [30]

Notable works

Reception

Noam Segal writes for the catalog of Nicolas Bourriaud's Crash Test, in both his artistic practice, Madere's works focus on "the annulment of any hierarchical order in the material and symbolic realm" and "the abolition of structures such as the superiority of discourse and western time perception." [35]

Critic Clayton Press writes for Forbes, "it is difficult to capture the very real sense of ecstatic, if not romantic, intoxication that Madere conjures with his installations, environments, and visualizations." [31]

Madere's work has been written about in international publications including Interview Magazine, [36] ArtNews.com, [37] Flash Art, [38] The Times, [8] The New York Times, [17] Forbes, [31] Mousse, [4] ArtReview, [13] and Artforum. [20]

Permanent collection

Exhibitions

Selected solo and two person exhibitions

Selected group exhibitions

Curatorial

Selected bibliography

2021

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References

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  5. 1 2 "Jared Madere's RV Installation Outside the Whitney Museum". COOL HUNTING®. 2015-11-11. Retrieved 2023-08-27.
  6. 1 2 Stokes, Emily (April 12, 2016). "The Next Generation of Artists' Studios". The New York Times.
  7. "Anasthasia & Zoey".
  8. 1 2 Sanderson, David. "Artist baffled as Liberty ditches work" via www.thetimes.co.uk.
  9. Greenberger, Alex (July 11, 2017). "London Department Store Removes Works by Jared Madere and Architecture Social Club, Citing 'Technical Issues'".
  10. 1 2 "Pavilion du Voyageurs & En route to burn the palace I was told so much of the queen's virtues that by the time I reached the gate I had become a guard". February 2, 2020.
  11. 1 2 "Stepped onto the Moving Stairs before I could tie my Shoes (Portable Visual)".
  12. Crook, Lizzie. "BIG opens CopenHill power plant in Copenhagen with rooftop ski slope".
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  15. "The 16th Istanbul Biennial, with the title The Seventh Continent, opens today". Biennial Foundation. September 14, 2019.
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  17. 1 2 Schwendener, Martha (March 5, 2016). "Review: Independent Fair Is More Conventional, but Still Eye-Catching" via NYTimes.com.
  18. 1 2 Johnson, Ken (May 7, 2015). "Review: 'The Story of O(OO)' at David Lewis Gallery" via NYTimes.com.
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  34. "Doom: Grenoble's Centre National d'Art Contemporain opens collective exhibition". artdaily.cc.
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