Jean-Pierre Armengaud (born 17 June 1943) is a French music educator, musicologist, researcher and pianist.
Armengaud was born in Clermont-Ferrand. From 1967 to 1974, he seconded Germaine Arbeau-Bonnefoy in the presentation of the Musigrains , pedagogical cycles of concerts-lectures given at the Théâtre des Champs-Élysées. [1]
Armengaud is the author of several publications about Erik Satie, Jean Dubuffet, Henri Dutilleux, Edison Denisov, as well as numerous articles on French music, Russian music, musical creation, pianistic interpretation, and some thirty or so discographic publications (integrals of Satie, Debussy, Poulenc, Roussel).
Armengaud is director of the University of Évry festival "Les Friches musicales". [2]
"Les Six" is a name given to a group of six composers, five of them French and one Swiss, who lived and worked in Montparnasse. The name has its origins in two 1920 articles by critic Henri Collet in Comœdia. Their music is often seen as a neoclassic reaction against both the musical style of Richard Wagner and the Impressionist music of Claude Debussy and Maurice Ravel.
Anne Queffélec is a French classical pianist, born in Paris.
Stéphane Ginsburgh is a Belgian pianist of Austrian origin. He is a piano professor at the Geneva University of Music.
Philippe Bianconi is a French pianist.
The Avant-dernières pensées is a 1915 piano composition by Erik Satie. The last of his humoristic piano suites of the 1910s, it was premiered by the composer at the Galerie Thomas in Paris on May 30, 1916, and published that same year. A typical performance lasts 3–4 minutes.
La belle excentrique is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet. Satie gave it the whimsical subtitle "fantaisie sérieuse". It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.
The Allegro is a brief piano piece by Erik Satie. Dated September 9, 1884, when Satie was 18, it is his earliest known composition. It also marked the first time he signed his given name as "Erik" instead of "Éric".
The Descriptions automatiques is a 1913 piano composition by Erik Satie. The second of his humoristic keyboard suites (1912-1915), it set the tone for the rest of the series by introducing elements of musical parody, and in the increasingly important role played by the verbal commentary. In performance it lasts about 4 minutes.
The Sarabandes are three dances for solo piano composed in 1887 by Erik Satie. Along with the famous Gymnopédies (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Debussy, principally rests. The Sarabandes also played a key role in Satie's belated "discovery" by his country's musical establishment in the 1910s, setting the stage for his international notoriety.
Rémy Stricker was a French pianist, music educator, radio producer, musicologist and writer.
The Véritables Préludes flasques is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5 minutes.
Nathalie Béra-Tagrine is a French classical pianist of Russian descent.
Claire Désert is a French classical pianist.
Stéphane Blet was a French classical pianist and composer.
Olivier Chauzu is a Franco-Spanish classical pianist.
Billy Eidi is a French classical pianist of Lebanese background.
Jean-Jacques Eigeldinger is a Swiss musicologist. He became known through his activities as a juror and publications on Chopin.
Le Piccadilly is a 1904 composition for piano or string orchestra by Erik Satie. Written as a light cabaret or café-concert tune, it was one of Satie's early experiments with ragtime influences. A performance lasts under 2 minutes.
Aperçus désagréables(Unpleasant Glimpses) is a suite for piano four hands composed between 1908 and 1912 by Erik Satie. It shows the early development of his mature style, a product of his studies at the Schola Cantorum de Paris. In performance it lasts about 5 minutes.
The Petite ouverture à danser(Little Overture to a Dance) is a piece for solo piano composed around 1897 by Erik Satie. Unknown for many years, it is one of the more popular works to emerge from his posthumous manuscripts. A performance lasts under 3 minutes.