Jean Michel Massing | |
---|---|
Born | 1948 (age 75–76) |
Academic background | |
Alma mater | University of Strasbourg Warburg Institute |
Academic work | |
Discipline | art historian |
Sub-discipline | |
Institutions | Department of History of Art, University of Cambridge King's College, Cambridge |
Jean Michel Massing, FSA (born 1948) is a French art historian and academic. He taught at the Department of History of Art at the University of Cambridge from 1977, rising to become Professor of History of Art in 2004 and twice head of the department. He was also a fellow of King's College, Cambridge from 1982. He retired in 2016.
Massing was born in 1948, the son of Adrienne and Joseph Massing (1921–1975), a lawyer and mayor of Sarreguemines, Moselle. [1] [2] After receiving a baccalauréat in philosophy in 1967, he continued his studies at University of Strasbourg, where he graduated in Archaeology and History of Art in 1971. He then completed a master's degree with a thesis on the Temptations of St Anthony (1974).
From 1974 to 1977 Massing had a scholarship at the Warburg Institute of London, while a doctoral student under Albert Châtelet. [3] [4] His doctorat ès lettres (1985) was on the iconography of the "Calumny of Apelles", a Renaissance theme recommended by Leon Battista Alberti. It was based on an ekphrasis in the works of Lucian, describing a supposed painting of Apelles (4th century BCE), of which Botticelli's picture is but one example of treatment. [5]
Since 1977, Massing has taught in the Department of History of Art at the University of Cambridge, first as an assistant lecturer from 1977 to 1982, and then as a lecturer from 1982. He was elected a fellow of King's College, Cambridge in 1982. [6] He was appointed a reader in 1997 and made Professor of History of Art in 2004. He was head of the Department of History of Art from 1996 to 1998 and again from 2012 to 2014. [7] He retired in 2016, and was appointed emeritus professor. [8] He was also made a life fellow of King's College, Cambridge. [9]
Massing has been a Syndic of the Fitzwilliam Museum since 1998, [10] a Trustee of the Stained Glass Museum, Ely since 2003 [11] and was a Committee Member of Kettle's Yard from 2012 to 2014. [12]
He was elected Fellow of the Society of Antiquaries of London (FSA) in 1991. [13] He was made Chevalier (1995), then Officer (2005), in the Ordre des Arts et des Lettres. In 2016, a festschrift was published in his honour upon his retirement; it was titled "Tributes to Jean Michel Massing: Towards a Global Art History". [14]
Massing has published widely on topics including Classical art and its influence from antiquity to the Renaissance, astrological imagery, Christian imagery and particular iconographies, for example in the ars memorativa and the emblem. More recently he has worked on African art from the sixteenth to the nineteenth century, on the relationships between European and non-European cultures from the Middle Ages to the nineteenth century, and on Micronesian art, with articles on the history of cartography and the representations of foreign lands and peoples. Now central to his research is the image of people of African origin in western art. [15]
He has been a major contributor to large exhibitions, such as Circa 1492: Art in the Age of Exploration [16] and Encompassing the Globe: Portugal and the World in the 16th and 17th centuries. [17]
In 1975, Massing married Ann Houseworth, an American painting restorer and painting conservation historian, who taught at the Hamilton Kerr Institute from 1978 to 2006. She is the daughter of John H. Houseworth of Urbana, Illinois and his wife Barbara Rogers. [23] [24]
Francis I was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a legitimate son.
Apelles of Kos was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed, rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad, possibly because he had produced a portrait of Alexander the Great.
John Doget was an English diplomat, scholar and Renaissance humanist. He was the nephew of Cardinal Thomas Bourchier, Archbishop of Canterbury. He was born in Sherborne, Dorset, and was probably educated in Bourchier's household before being admitted to Eton College as a king's scholar about 1447. From Eton he passed to King's College, Cambridge, in 1451, and became a fellow there in 1454.
Lisa Anne Jardine was a British historian of the early modern period.
Dennis Victor Lindley was an English statistician, decision theorist and leading advocate of Bayesian statistics.
Venus Anadyomene is one of the iconic representations of the goddess Venus (Aphrodite), made famous in a much-admired painting by Apelles, now lost, but described in Pliny's Natural History, with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great, for his model. According to Athenaeus, the idea of Aphrodite rising from the sea was inspired by the courtesan Phryne, who, during the time of the festivals of the Eleusinia and Poseidonia, often swam nude in the sea. A scallop shell, often found in Venus Anadyomenes, is a symbol of the female vulva.
Dame Professor Averil Millicent Cameron, often cited as A. M. Cameron, is a British historian. She writes on Late Antiquity, Classics, and Byzantine Studies. She was Professor of Late Antique and Byzantine History at the University of Oxford, and the Warden of Keble College, Oxford, between 1994 and 2010.
Herri met de Bles, also known as Henri Bles, Herri de Dinant, Herry de Patinir,(c. 1490 – after 1566), was a Flemish Northern Renaissance and Mannerist landscape painter, native of Bouvignes or Dinant.
John B Onians, FSA is Professor Emeritus of World Art at the University of East Anglia, Norwich and specialised in architecture, especially the architectural theory of the Italian Renaissance; painting, sculpture and architecture in Ancient Greece and Rome; Byzantine art, material culture, metaphor and thought; perception and cognition, and the biological basis of art. His recent work has been instrumental in the establishment of Neuroarthistory as a distinct set of methodologies.
Richard Sharpe,, Hon. was a British historian and academic, who was Professor of Diplomatic at the University of Oxford and a fellow of Wadham College, Oxford. His broad interests were the history of medieval England, Ireland, Scotland and Wales. He had a special concern with first-hand work on the primary sources of medieval history, including the practices of palaeography, diplomatic and the editorial process, as well as the historical and legal contexts of medieval documents. He was the general editor of the Corpus of British Medieval Library Catalogues, and editor of a forthcoming edition of the charters of King Henry I of England.
The Calumny of Apelles is a panel painting in tempera by the Italian Renaissance painter Sandro Botticelli. Based on the description of a lost ancient painting by Apelles, the work was completed in about 1494–95, and is now in the Uffizi, Florence.
Representations of slavery in European art date back to ancient times. They show slaves of varied ethnicity, white as well as black.
Hilary Godwin Wayment OBE, FSA (1912–2005) was a British author and historian of stained glass.
The Four Continents, also known as The Four Rivers of Paradiseor The Four Corners of the World, is a painting by Flemish artist Peter Paul Rubens, made between 1612 and 1615. Rubens painted this piece during a time of truce in the Eighty Years' War known as the Twelve Years' Truce. The painting depicts the female personifications of the four continents with the male personifications of their respective major rivers. The painting also depicts three putti in the foreground along with a crocodile, tigress, and her three cubs. An important figure in this piece is the woman in the middle who personifies Africa. She was one of the two black women Rubens painted at the time.
Martin Clayton, LVO, FSA, is Head of Prints and Drawings for Royal Collection Trust at Windsor Castle. He is a specialist in the drawings of Leonardo da Vinci.
Bernard Paul Crossley, was professor of the history of art at the Courtauld Institute of Art, University of London. He was elected a fellow of the British Academy in 2016. He was a specialist in the architecture of medieval central Europe.
Nicolette "Nicky" Zeeman is a British literary scholar. She has been Professor of Medieval and Renaissance English at the University of Cambridge since January 2016 and a Fellow of King's College, Cambridge since 1995.
Phillipp Richard SchofieldFLSW is a medieval historian and a professor in Aberystwyth University's Department of History and Welsh History.
Sabado por la Noche is a painting created by American artist Jean-Michel Basquiat in 1984. It sold for $10.7 million at Christie's in 2019.
Paul BinskiFSA FBA is a British art historian and Emeritus Professor of the History of Medieval Art at the University of Cambridge.